How can I determine if a png, created in photoshop, is interlaced?I have about 10 png files I need to check. Sure I could just re-save them for web and make them all interlaced,
but I don't want to lose image quality by going through this process again if it is unnecesary (because they are already interlaced).
I want to be able to check if an object really was created with pen tool. How do I do that? Is it possible?
View 6 Replies View RelatedWhen I save something as a png, Photoshop asks if I want it interlaced or not. What's the difference?
View 1 Replies View RelatedWhen i have made something and go to save as a PNG file it asks if i want to save as 'interlaced' or not, what is that?
View 5 Replies View Relatedwhenever I make a interlaced gif or png it doesnt interlace It just loads normally.
Would it have something to do with the fact that I made it a background image div?
When I save a .png file, is it non-interlaced or interlaced? The application that I am using requires png's to be non-interlaced.
View 2 Replies View RelatedI am using Video Studio Pro X5. Is there any way to create interlaced wmv contents? I can create interlaced mpeg2 files but could not create interlaced wmv. Will upgrade to Pro X6 would work?
View 1 Replies View RelatedWhichever video format I have on the timeline or in the batch converter, I never can find a setting to create interlaced MOV video's with VSX3. Is this correct?
View 5 Replies View RelatedI love the inclusion of ProDAD in Corel X4 Ultimate. Some shots we would have binned have been effectively ressurected!
Only gripe is that we make Pal 50i Blurays and I hate having to render things twice.
So for that reason we normally output at 50i and simply add to Nero and it can very quickly author and burn these files with almost no rendering.
We cannot output at 50i with ProDad Mercalli inserted onto our clips. It will certainly render the timeline but it comes up with a horrible darkened screen over the shot which has had Mercalli added to it. It says that the clip needs to be analysed again. The clips have already been analysed and we have no problems rendering at 25p. Is there a work around for this or our Corel addressing this issue? I know that Mercalli in other video editing software has the ability to manipulate interlaced shots but I thought it wouldn't matter for rendering.
I have a camera move in action to move between a couple of still images. This is going into an interlaced programme so I'd like the move to be interlaced (50i). Currently the ouput is rendering progressive frames and I can't see how to change this within cfx/action.
View 5 Replies View RelatedI'm having problems with progressive videos that look interlaced after exporting full size.The videos look fine within PP; when the same sequence is exported using You-Tube and Vimeo settings there is no interlacing.
View 6 Replies View RelatedHow can I determine the 'steps' in a workpath? I want to fade my brush along a workpath so that it perfectly decreases in size along the whole workpath to the end and so far i just guess as to how many 'steps' there are in the workpath and then keep adjusting. Surely there is a better way....
View 3 Replies View RelatedI was sent a gif image to work on and use the color of the image (RGB) to apply themes to the website.But I don't know the RGB code of the color used in creating the image.
How can I find the color in Photoshop CS4?
how to determine number of files on drive
View 9 Replies View RelatedPhotoshop CS5: can I retroactively determine adjustment parameters? E.g, the values used when I adjusted brightness/contrast? I'm running Adobe CS5 on an iMac 24" (OSX 10.6.8).
Ive been working on picture in Photoshop. The first step was an adjustment of brightness/contrast. I can see the several steps I've made in Photoshop's 'history' window, but, although I can do or undo the various levels, I can't determine the values I used at each stage, as there appears to be no info on those values in the history window.
I've been making notes of the subsequent transformations/adjustments, but I didn't remember to do that on the first step. Can I retrieve this info somehow, via history, or some other way?
once i was reading an adobe pdf "How to get better performance in photoshop cs5" - that was in 2009 or 2010, and may be outdated, but there was a calculation method to determine the size of a scratch disc. (similar calculation see below, if i can remember right)
i am asking myself, how can i determine the correct size of an external SSD-scratch disc, only used by photoshop (completely empty):should i buy a 128GB or 256GB or 512GB SSD which is only reserved for photoshop?
basic question 1 : i guess i should avoid to set the internal SSD as photoshop scratch disc, as it slows down everything?
basic question 2 : in sense of maximum performance: better buy an external USB3.0 or thunderbolt SSD? will photoshop really use the extra thunderbolt speed when swapping data?
secondary question:
can i calculate the size regarding my daily working habits?
i am mainly working like this:
- with my imac 27" late 2013 with 32GB RAM and 256 GB internal pci-e SSD (800 MB/sec), which will stay always half empty for performance reasons.
- OSX 10.8 mountain lion and 10.9 mavericks soon
- photoshop cs5, cs6 and cc (always without extended)
- 8bit and 16bit mode
- only RGB
- with latest phocus/Hasselblad and canon RAW Files which produce a basic .psb document at ...
- 10.000 x 7000 px at 300dpi
[code]....
i wonder how to calculate ?
for example:
10.000 x 7000 px at 300dpi needs for one image layer at 16bit: 2GB RAM in photoshop cs6 or cc (just as a number), this may be wrong so lets take 2GB RAM and multiply with 10 image layers in my .psb file (16bit) = 20 GB RAM, and multiply with 20 adjustment layers (guess they need less ram, for one lets say 500MB) = 20GB + 10GB = this 16bit .psb layer file would need 30GB RAM, so when i have 32GB in my imac, i set cs6 or cc to 70% ram usage, it misses at least round 8-10GB RAM > can i guess that photoshop would swap these 8GB onto my scratch disc? or do i miss something important in my thinking?
If I have to colours, and I want to add a third colour between them to make it flow more... is there a way to determine the middel colour between 2 colours.. eg. grey for black and white
Or between light red and dark red.. there is "normal" red.. but how do you determine the value of normal? Or do you do this just by eye?
I cannot find anywhere in Photoshop Elements where it tells the total of photographs I have in my collection. The old version told this number in the lower right hand corner. Is there somewhere in this newer version where I can find how many photos I have without having to count them?
View 2 Replies View RelatedI have photos that were sent to me. Is there a way in PSE8 to determine what dpi these photos were scanned at?
View 2 Replies View RelatedUsing CS5. I am unable to open two files supplied by our client. These two files pre-date CS6, and were made by a branch of our client in Germany. We are in North America. There are many layers of bureaucracy between us and the actual creators in Germany, so communication is impossible.
An attempt at opening the files results in the error, "Could not complete your request because the specified color book cannot be found".However, in this case it is NOT POSSIBLE to "work with the file creator", and it is NOT POSSIBLE to use a different version of PS with the correct books.
I have Color Manager, and I have cluttered up my CS5 installation with every likely-looking color book from Manager in the hopes that one of them would be the right one, but to no avail.So. What do I do? Surely by now Adobe has created some sort of utilty that allows PS to simply tell you WHICH color book is missing so you will know which one to go and get? No?
I have just upgraded from Elements 6 to Elements 11.
All my scanned 35mm images & digitals from my DSLR are cropped to my prefeered 3000x2000 with a res of 300 I can find it in the 'quick' section, but not in the 'expert' In the 'expert' section I found the clone tool I use a lot in E6, but its not in the 'quick' section To make this all happen I often need to correct the horizontal in my old 35mm images; i cannot find this either.
I am using a dllimport from accore.dll, but the entry point for the method in the dll differs between 32-bit and 64-bit version of AutoCAD. How can I check whether the AutoCAD application is a 32- or 64-bit version, i.e. the dll is 32- or 64-bit?
View 7 Replies View RelatedI am having troubles with 2 of the Bonus/Extra Content packages: Bonus Content (first one that appears in the "Do More" screen) and Newblue TitlerFX All others I have downloaded installed with no trouble at all but these two keep popping up After I close VS6 and attempt to install but give an error (only flashes) but reads:
Can not determine install directory of X5
I have never had X5, purchase nor trial, installed so I don't know why it keeps attempting to install there (as stated, all other content installed fine) and I don't know where to find the downloaded installs to get rid of them (however I would prefer to get them installed)
Windows 7 Home Premium
3.4Gig Intel
12Gig Ram
1T HDD with 782Gig free
How to determine the distance between the two “flights” of the stair?
I couldn’t find the option through which the distance between the two flights is determined.
Also, how to create another landing at the end of the stair!
Software: AutoCAD 2014, AutoCAD C3D, AutoCAD M3D, Revit
Windows 7 (Ultimate 64 bits),
Firefox 20.0,
Kaspersky 2013.
Sometime in the past, I've drawn an arc, probably using an old deedplotting program, and imported it into Map3D.
I now have a new parcel that I'm plotting, and need to obtain the tangent of an arc on the parcel's perimeter.
Typically I draw a line, as close to the tangent as I'm able, and then toy with the bearings until I get it as close as I can.
This is a counter-productive means of finding the tangent bearing of an arc, and I'd really like to find a better way of doing this.
Is there a succint manner that I can pull a tangent line off an existing arc?
Using osnap this afternoon I thought I could do it, with the extension, but in testing it later, I found it was off by a good 2 or 3 degrees. While indeed a minor variance, I'd like to find a better way.
I am selecting items and grabbing their DBObjects, and then reflecting on those objects to inspect properties of the object. For example, I might have a DBObject that is actually of type Pipe, Duct, DuctFitting, Line, etc, so I am using TypeDescriptor reflection to handle various cases in as abstract a way as possible.
My first question is this: Is this the smartest way to grab all of the attributes of a give object? Is there another call I can make the retrieve all of the attributes for a Pipe and a Line (to very different types of objects).
Second, when I see a property named Length and it is a double I know it has to be a length and that I can use the units from the drawing. Is there a way to programatically discover this other than the name of the property and its type (double)? In other words is there some metadata I could retrieve about any given property against which I am reflecting, or is there a smarter way to get these attributes which might provided said metadata?
How to determine the length of a multiline. With a polyline if you click on it, it's length is displayed in the properties palette, but that doesn't work for a multiline as no length property shows up in the properties palette.
View 9 Replies View RelatedI have a .dwg drawing, and the same one but in .pdf file format. On the .pdf one, there stands the scale (1:500), but on .dwg one there is no scale. I was wondering, how could I determine the scale of the .dwg one?
View 9 Replies View RelatedHow to determine which colors are used in the publication?We must get - cyan, magenta, pantone 100 C.
View 2 Replies View RelatedHow do you determine the aspect ratio, in LR, of an existing image? I know how to change it, but don't see a way to determine it.
View 17 Replies View RelatedAs most of you probably know, Lightroom cannot properly deal with Nikon's Active Delighting -- it just "ignores" the information, whereas vendor specific software interprets that information. Since vendor specific information can later on redo the ADL development process which usually happens inside the camera the necessary information must somewhere be preserved.
Most metadata-editors know settings like ADL off, moderate, high, etc. But that cannot be all there is. I noticed that my D7000 varies the under-exposure (1/3 EV -> 1 EV) in the same ADL-setting. What I'm looking for is exactly that amount of under-exposure (or a value from which I can derive that).