Photoshop :: Hair, Transparency & Clipping Path?
Dec 14, 2006
I am trying to get remove background from a portait of a woman.
the hair of the woman is curly and I want to maintain that. The image
will eventiually end up in InDesign.
I have been trying to extract the woman via MaskPro with not a lot of luck. Perhaps there is an alternate method.
The woman with wispy locks of hair then will go into InDesign with a gradient background
It is important to maintain the wispy locks of hair of woman so it looks realistic.
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May 20, 2013
Why does Illustrator place a hair line stroke around a clipping mask? How do I change that? I tried anti-alsing but as expected the entire image is applied.
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Mar 28, 2012
I'm wasting time having to place my image in Illustrator then manually line up the clipping path. You used to be able to save a file with a clipping path as an EPS in photoshop, select "retain vector data", place in illustrator and hit cmd Y to see the clipping path. I need the image and the clipping path in Illustrator and the image is too complex to create a mask in Illustrator. I tried to save it as an EPS but "retain vector data" is grayed out.
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Feb 22, 2006
and what are the advantages of using them?
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Aug 6, 2009
when I'm drawing clipping paths around an object that has spaces within the image (i.e. space between someone's arm and body, or the space(s) within an object such as a coffee cup handle) does it not clip out the paths inside the outermost path? Do the inside paths need to be drawn first? I'm scratching my head here - it seems to be a CS4 thing, as other versions of PS have not seemed to do this...
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Jun 25, 2009
I want to make a clipping path around a person who has hair blowing in the wind. How can I make a good clipping and get close enough without losing the effect?
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Nov 20, 2007
I'm using Tiger and Photoshop CS2.
We are having a problem with one of our clipping paths. Once we convert the image into a compression image for use, the image does not appear at all. No path, no image no nothing. Any idea why this happened? I know that the designer who worked on the original file used the incorrect "path area" selection (at the top) but changed that.
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Oct 2, 2008
I created a clipping path on a photo, clipping out a person's head so that I can have the person's head show up over the masthead on a cover.
But when I save the photo in Photoshop and then import it into Quark, the option where it says I can change the clipping options in Quark is greyed out.
This is what it says to possibly fix it on the Quark help page:
"You may want to choose "None" from the Clipping path pop-up menu when you save the image from Adobe Photoshop, so you can specify which path to use as the clipping path when you import the image into QuarkXPress. Or, you may want to choose a path from the Clipping path pop-up menu, so you can be sure only that path will be used to clip the image."
I don't understand what that refers to....I can't find anything like that in the Photoshop options.
My goal is to have the person's head over the text, with the rest of the photo still retained in the background. As it is now, I just get an import of the clipping path alone, with Quark substituting the background part of the photo with a white box.
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Oct 16, 2012
In PS cs6 i cant find how to create clipping path for layer group (apply to folder from some shape layer with alt + drag&drop) created with pen, rectangle etc tools. Here is how it should look in cs6 but i don't know how to do that ?
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Aug 30, 2012
Let me first say that I love using clipping path jpegs made in Photoshop. They can be used in InDesign of course, batched and converted to other formats which need transparency, and so on... The one irritating part is that there's no easy way to distort or scale the clipping path and image together after the file has been created, or at least not that I'm aware of.
For example, I'm working on a piece of furniture which already contains a clipping path, but the client wants the image straightened (or, the perspective from the camera removed, which I don't like actually). So, is there an easier/faster way to do this instead of having to first distort the image, then manually try to line up the clipping path, or worse, remake the clipping path?
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Aug 22, 2013
All I have found so far, shows me how to hand draw a complex shape. I just need a circle. I can do this in a few minutes in CorelDRAW and Illustrator.
You must be able to do it in PhotoShop. The end result is - I want it to work like a ship porthole. All you can see is what is behind the port window.
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Mar 8, 2012
I've been doing a lot of clipping paths lately and I'm considering purchasing Perfect Mask 5 from on One Software to make that process a little easier. It looks like Perfect Mask creates image masks. What are the advantages and disadvantages of each?
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Feb 27, 2013
Alright, so I'm about to rip my hair out. I'm a Photoshop guy who occasionally vectorizes stuff into Illustrator CS4 by exporting work paths. Usually it works fine, but it's been a few years since I've done this and I cannot for the life of me figure out how to apply an opacity mask to an area of a layer so that it is transparent through all objects of the layer down to the background.
Basically, I created an image with text in Photoshop. I exported work paths to illustrator and colored/filled in all the objects. I need to cut out certain parts of the image so that they're transparent through to the background so that when the image is printed up on a shirt, fabric shows through rather than ink. This sounds like a stupid question, and it probably is, but I just can't get it to work.
I've gone through all the steps of creating an opacity mask, but every time I make the object transparent, I just get a white fill from an underlying object. It will not cut through to the transparent background. I need to get this object to cut through all layers.
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Sep 25, 2012
I created the path, but for some reason it's 'reversed' or 'inverted' from what I want - is there any way to change it so the spinach is cropped properly?
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May 15, 2012
MacBook Pro OS 10.7.4
Photoshop 6
Memory 8 GB 1333 MHz DDR3
Graphics Intel HD Graphics 3000 512 MB
603 GB available
I have recently had to begin using Clipping Paths for knockouts and silo's. I am having trouble though with moving the layer that has been knocked out and the clipping path that 'corresponds' to that layer.
What I want to know is if I can move them and size them together and still retain a clipping path? Every time I transform the layer and have the clipping path selected it only affects the clipping path. If I deselect the clipping path and transform it only affects the layer. The clipping path just stays where it is and I would have to move it independently of the layer to realign it.
Sometimes I want to re-orient the layer from vertical to diagonal on the white background but that will unalign it from the clipping path.
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May 3, 2013
all of we know about photoshop and many of us using it I am also using it for several months clipping path seems most interesting to me but I a little confusion about clipping path because it can duplicate any image what is your opinion?
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Jul 5, 2013
How do I keep my clipping path from shifting postitions when I crop an image?
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Nov 22, 2012
Is there a tool to create clipping path in image? A path tool? To use saved path afterwards in a desktop publishing software like Scribus?
Im using Xara Designer Pro X. No topics found in help(f1)...
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Jan 19, 2013
Win7 64bit Ai: Cs6
[URL]
down under step #4 it says to Copy (& Paste) the circle that's inside a Clipping Mask and to the drag it out of the mask in order to duplicate it twice.
I've pulled it out of the mask or even, actually, how to go about pulling it out of the mask
thus far I've Copied and Pasted in In Front ... does copying and pasting it in front bring it outta the mask?
do i need to create a new layer after I've Copied it and then Paste it on the new layer?
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Nov 20, 2012
I have some type converted to outlines, and it is in front/on top of a places raster pattern. when I select the type shapes and pattern and make a clipping mask, the pattern disappears and the letter shapes are filled with nothing!
Matters not whether the letter shapes are grouped or not...is there a way to have all of the letter shapes act as clipping mask together?
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Dec 5, 2012
Trying to mask type with a vector pattern (place a vector pattern in a type clipping path), but nothing seems to be working. Never had issue before. Tried path in front, pattern in front, converting type path to compound path, converting vector to compound path. A couple of times it looked like it worked, but the pattern was invisible within the path. Illustrator CS6, on a Mac.
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Mar 23, 2014
I'm trying to create a clipping mask of a photograph using several separate shapes and then separate the final masked image/shapes.
I've made the shapes a compound path, and then applied a clipping mask (so far so good).
Now that I have my masked photo/shapes I want to separate the shapes so I can edit them individually and independent of one another.
(using Illustrator CS4)
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Apr 30, 2013
I'm creating a logo that employs a stippled texture (a half-tone) in various sections of objects comprising the logo. I've placed the stipple where I want it, created a clipping path to capture the area. Now I have all these other points that I don't need that I want to delete.
Is there anyway short of releasing the clipping path, manually delete unwanted sections of the stipple and then re-apply the clipping path again? It would be like 'Applying Mask' in photoshop.
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Jul 18, 2013
I'm working with another artists's file, and I can't seem to release the clipping mask he created. When I try, I get an error message that says, "Can't ungroup the objects." I've tried releasing Compound Paths, but I get the same message.
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Aug 12, 2007
trying every layer mask combo I could think of to create a realistic shade of white hair that doesn't look like I just used the brush tool to make it.
I've tried lighting up the shadows with the curves option then using the selective color option. But all that does is make a very fake looking film to put over the eyebrows (ya it's eyebrows I'm working on, I'm trying to get them to match a white wig the subject is wearing.)
I've also tried using the solid color option, and a color overlay and that just came out weird.
Has anyone ever turned pitch black hair to white and had it still look like hair?
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Jul 1, 2004
I am using a layer mask to hide/all on a another gradient/pattern. I can use the gradient tools and preset okay to achieve an effect of it blending out horizontal or spherically etc.. (depending on which preset) is set. However I want to blend on my path which is custom made.
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Oct 26, 2013
Any way to do this using strokes, but everything I've tried so far has been unsuccessful. I'm starting to realize that this may actually be impossible, but maybe there's a trick I'm unaware of. Pic should explain what I'm trying to do.
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Dec 1, 2013
I've devised this script that "kind of" works.This script takes your selection, copies appearance attributes, and pastes them to the top object after clipping.It's currently limited in a few ways:
• It does not accept compound paths as clipping object (and I don't know how to test for it, nor how to iterate down said compound clipping object to set each path object to clipping separately)
• It only works with a single stroke or fill
• It does not understand "no fill" it will fill your object with white instead *FIXED*
• I'm hoping to use the "graphicStyle" property to copy the appearance, since that sounds way cleaner. But I don't understand how to.
Even with these limitations, I bound this to CMD+7 using fastscripts - I'm *already* used to it working this way!
#target Illustrator
// script.name = Clip Retaining Color.jsx;
// script.required = at least two paths selected, top most path is the clipping mask;
// script.parent = Herman van Boeijen, www.nimbling.com // 30/11/13;
// *** LIMITED TO A SINGLE STROKE AND/OR FILL OF THE CLIPPING OBJECT***
// Here's hoping to use the "graphicStyles" property to copy over the appearance.
[code]....
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Jul 13, 2012
I want to create an illustration with black outlines. Within these outlines I want to have some spots without outlines that stay clean within the lines. I have tried 3 options so far and have found a solution but it's far from ideal.
1. Create clipping masks for each element that has a spot on it and assign a stroke to the clipping path again after. However by creating the clipping path, the path styles dissapear. In this case I want to keep the pointed ends to the open path outlines (see top image).
2. Draw in the lines where the spots are and create a live paint object of the entire illustration. Then paint in the spots and other areas. However when I create this live paint object the lines again lose their applied styles and even 'end' at each intersection, creating nasty edges where the lines should go 'underneath' smoothly (see bottom image).
3. The option Im using now. Duplicate the path outlines and create clipping masks for the spots without strokes. Then put the stroked outline with the desired styles on top. The problem with this is that I have almost twice as much elements in my illustration now than I actually 'need'. And the styled outlines are not connected with the color underneath, so its very easy to accidentally move something around...
Any easier way to create this effect without all the hassle?
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Sep 17, 2012
I have pretty strange behaviour on concert pictures I import from my D700. Usually I import with camera profile Vivid V4. The concert pictures have strong reds due to the flood lights.
My camera histogram shows a slight clipping of the reds (even though I underexpose 1-2 stops).
After import of the RAW files using Vivid V4, the histogram in Lightroom looks strange, and also the controls behave strange:
- a strong red spike in the histogram at about 1/5th away from clipping level (the picture in Lr shows blown out parts in red)
- hovering over different areas of the pictures and checking the percentage indicator underneath the histogram shows significant areas of 100 % red, even though there are still tonal differences in those areas
- moving exposure to the right: the histogram content left to the spike is shifting as expected, but the spike is growing and staying at 1/5th, nothing is appearing to the right of the spike (more areas in the picture are blown out)
- no other basic control can flatten out the spike, even not the highlight slider
- only the saturation control has some influence, and also with the tone curve I can fill the histogram, but picture is still looking blown out
The situation improves a lot by using Camera Neutral V4, the red is more spread out in the histogram, also beyond the 1/5th the highlight clipping level. Significant areas in the picture are still at 100 % but less blown out. Basic controls are behaving more normal, and it is possible to fill the histogram by increasing the exposure or other controls.
The question is.. is this unintended behaviour of Lightroom, or is is as good as we can get it with the strong red colors, and is it better not to use Vivid V4 in these cases?
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Dec 30, 2012
While creating various circular masks with a radial gradient from white to black, whenever I change the blending mode of the mask path Ai will throw me out of mask mode into layer editing mode. Since this is on a large document of ~2Gb file with multiple artbords for large poster & UI refresh speed is slow, this has become quite frustrating. Is this normal Ai behaviour?
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