if I choose PSE11 to be the photo editor in Aperture, the selected photo won't be opened in PSE11, PSE11 is started though. However, if I drag and drop from Aperture to PSE11 it works, but saving back to Aperture does not.
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I am able to edit a photo in Elements 12 but if it is a raw photo it opens in camera raw. On these .nef files, when I save them, (comand-S) it still brings up the save as box. If I click file-save, same thing. I can not get these particular pictures to save over to my aperture library, which is still in the iphoto library if that matters.
I do have PSE Preferences as Save over current file, always save, file extension use lower case, (save as to Original Folder is checked as well.) When I edit from a jpeg in aperture, it seems to work fine, it is just the .nef files which is what most of my files are.
In Aperture my preferences are External editor, Photoshop Elements 12, Tiff 8 (I have tried PSD as well) and Adobe RGB Color. It seems like this worked in Elements 11, but maybe I hadn't tried a raw file, so I am not sure.Also, is Tiff 8 the best or is PSD better. Do they both save as layers?
how are files imported from apple's aperture software?
View 2 Replies View RelatedI didn't have a problem bringing the photo back with Adobe Photoshop Elements 11 back to Aperture. I am having a problem with Adobe photoshop Elements 12 bring the photo back to Aperture. In Aperture preferences I am pointed to the Adobe Photoshop elements 12 app in the Support file.
View 1 Replies View RelatedCannot find picture when transferring from Aperture to PSE 11...I have an older version of PSE and when I transferred a picture from Aperture to PSE9 it would open PSE9 and show the picture.
I set the Preps in Aperture for PSE 11 and the PSE 11 opens but no picture in the box or photo bin or in the top left "open".I changed the Aperture setting to the PSE Organizer and the same thing happened Organizer open BUT there was no picture to be found.
In Aperture it shows the file being transferred.I looked in the PSE 11 preps and file but could not find anything.The fact that it opens the PSE 11 app tells me it is being recognized but the picture (file) is going somewhere else.
I'm a Mac user new to elements. When I imported my photos from iPhoto the events didn't import with them and it's impossible to find the photos I want.
View 1 Replies View RelatedI can't seem to get (my TRIAL Version) of Elements 12 to work properly as an external editor for Aperture.
Whilst I can import RAW or Jpeg images into the Elements 12 programme from my system files I can't export files from Aperture to Elements 12 from the Aperture workspace.
I have attempted to import an Aperture library file but it is greyed out so I cannot select it. Whilst it is possible to copy and paste to the desktop, I am talking about a 50Gb file.
View 3 Replies View RelatedWhen using elements 12 as an external editor from aperture the elements opens but no photo appears. In elements 9 it worked fine. Do I have a set up issue?
It worked fine with elements 9 always worked well.
I love Photoshop CS6, and my absolute favorite new feature is the Color Lookup adjustment layer. So far, I've been extremely happy with the effects I've been able to pull off by combining that with other adjustment layers, channel work, etc.
However, I've gotten to the point where I realize that my next step -- much like a user who graduates up from using actions he/she downloads off of Deviant Art -- is to make my own color look up tables. The only tool at my disposal for this is Speed Grade. (I have a CS6 cloud membership -- off topic, but way to go, Adobe, that made it feasible for me to "graduate" from only having Photoshop CS5.1 to having the full suite at a very reasonable price!)
I've used Speed Grade on video clips I've shot with my Canon 5D MkII to great effect. Nothing I'd post publicly yet (I'm still learning how to shoot motion), but I considered the results to be very positive. I've managed to save several test .look files, as well, both on video footage and still images (JPGs, to be specific).
I always shoot RAW, and my usual workflow is to start in Aperture (I'm a Mac user), do some basic RAW adjustments, then export a 16-bit PSD and get down to the real work in Photoshop. SpeedGrade doesn't yet seem to support PSDs natively, so in order to create a .look which is appropriate for my image, it currently looks like I need to export a JPG (down to 8-bit sRGB, ugh) from Photoshop, then open THAT in SpeedGrade, do my work, save my .look, go BACK into Photoshop, and use the .look file there.
I could live with that if -- IF -- the .look file actually gave me my expected results. However, the only time the .look behaves exactly the same in Photoshop as it does in SpeedGrade seems to be if I open the image as a JPG -- thus losing all my layers, adjustments, smart objects, etc. When I apply any of my .look files to a PSD, they come entirely too dark, every time. Many of them have simply turned an image into a large 22 megapixel black rectangle.
So my question is this: How do I make a SpeedGrade .look file behave predictably in Photoshop, in a 16-bit-per-channel PSD file? I'm OK with changing the color space if I have to (even if it's to sRGB, the bane of my existence) -- but I need to see the same thing in SG that I do in PS. Is this possible today, or am I waiting on the next SG release? Or, and I assume this to be the case -- as I'm a software engineer by trade, and know that this is almost always the case! -- is this a case of user error? And if so, what can I do to correct my user error?
Or, sacrilegious as it may seem since I have all of Adobe's tools, are there other Mac-based products I can use to create color look up files compatible with Photoshop?
In case it matters, here's my platform:
Canon 5D MkII, latest firmware, always shoot RAWApple Aperture 3.2.3. Mac OS 10.7 (late 2011 MacBook Pro 17", 16 GB RAM)Adobe Creative Suite 6 Cloud Subscription (photo, illustration, video tools installed; no Flash nor web tools)
how to configure my software to integrate color management so that what I see on my monitor is comparable to what I print or post on the web. I've read all I can find on-line and looked through a number of books and magazines, but as my reading increases, so does my confusion - too many menus, options, links and connections. I'll describe what I have in terms of hardware and software in as much detail as possible.
I run an HP desktop with an ASUS IPD monitor. I have ColorMunki and have reguarly conducted their diagnostic, which gives me an updated monitor profile every two weeks - when a new profile is created, it becomes my default under Windows 7 Control Panel Color Management. I print with an Epson Stylus Photo R1900 with Epson paper and ink. I use the printer and paper profiles supplied by Epson for the R1900 and specific papers.
On the other end, I have Nikon photo equipment. I set the color space on my cameras to ProPhoto and I shoot exclusively in Nikon raw format - .NEF. I shoot a D90 and a D7000 with 12M and 16M files respectively. I download directly from the SD card using Windows Explorer and then import into Lightroom 3.
I have Lightroom 3 and Photoshop CS5 Extended. I use Lightroom to import raw files into the catalog and to do basic editing. From there, I publish to Smugmug as .TIFF files - directly from Lightroom. I also export files from Lightroom to Photoshop CS5 Extended and save them as .PSD and .JPEG files. The files that I export to Smugmug look pretty good - similar to what I see on my screen. My real conundrum is with the Epson printer and Lightroom/Photoshop. What I see on my monitor is very different from what prints. From both platforms. As a rule, the shots are too dark and the colors are often very muted. This is especially true with images of people and skin tones. They often come out looking pale gray or blue.
My problem, (well, one of them) is the multitude of menus that have color management inputs - how do I make sure they are all working together and reinforcing each other instead of working at cross purposes? In Lightroom, I have Page Setup and Print Preferences, as well as Color Management options in the Print Module right hand panel. In Photoshop, I have Print and Page setups, as well as Color Management menus. There are also the Proof menus to consider.
In Photoshop, softproofing, I think I ned to select teh printer profile so that Photoshop is showing me how the printer will interpret the color space. I also think I need to be consistent in how I define the workspace - from Nikon to Lightroom to Photoshop to Epson. If I use ProPhoto with my camera do I need to use that in every circumstance? Should I switch to Adobe RGB? I have printer setting color space turned off in both LR and PS.
Is it possible to fully integrate a jpeg (ie a logo jpeg) into a drawing instead of image reference? I am working on some catalogues and each page of each catalogue has a logo and forgetting the logo.jpeg once in distribution yield chaotic result.
View 4 Replies View RelatedI need to integrate dwf files in my web page. There is one more requirement it should fulfill, suppose i want to search for a room in building which has some number or name , i want it be searched in the drawing directly using a query string from the aspx page.
View 4 Replies View RelatedI cannot find my NIK plug-ins after initial installation of LR5. I installed Silver EFX Pro (1) and Color Efex Pro 4 after LR5 +.3 upgrade, and theres nothing in the plugin manager except what came on the LR5 installation disk. Im running Windows 8 on the desktop and windows 7 ultimate on the laptop, same issue with both computers.
View 5 Replies View RelatedI would like to know how to integrate a slideshow 'gallery flash lightroom" into a dreamweaver CC page which already exists. I don't find any bottom "export into dreamweaver" in Lightroom...
View 2 Replies View RelatedI extract all my files from a database, and start Edge Animate CC. How do I determine, when Animate has closed the files again? It must work for both Windows and Mac. We have solved similar requirement for Photoshop, Illustrator and InDesign CS5 and CS6 by writing a plugin.
View 2 Replies View RelatedIs there currently any way to integrate voice commands into Inventor? It would be an incredible time saver. Software such as Dragon Naturally Speaking and IBM ViaVoice offer this technology for some Windows applications. I was just wondering if it could be applied to Inventor? If not, can we expect something for R12?
View 8 Replies View RelatedI am looking for a way of integrating an image, actually a logo jpeg directly into the dwg instead of an image reference and each time having to have the logo.jpeg in the same directly and reloading the image.
View 3 Replies View RelatedDownload and set up went OK, but what is the best way to transfer RAW files from Aperture into CS5 so I can work on them .
View 7 Replies View RelatedJust wondering whether there is a way to integrate iLogic error message into VB.NET code.
For example, if use following sentence to read the data from spread sheet.
LengthFloat=GoExcel.CellValue("tank_data.xls", "Gauges", "llg_arm_lgth")
if there is no such cell of "llg_arm_lgth", the error message appears as in attached file.
Right now I want to use "try...catch... end try" in the iLogic code. I can duplicate the first line of the warning message using VB.NET code, but I can not reach the second line. Does the iLogic expose this error message through some function? or which VB.NET code does this job?
here my code :
Public Function LectureDefLine() As Collection
Dim db As Database = New Database(True, False)
Dim OkErreur As Boolean = False
dim cCollDefTypeLine as collection = New Collection
Try
Dim path As String = HostApplicationServices.Current.FindFile
[Code]...
i use it for populate a ComboxColumn of a dataview.
I want populate a ColumnDataview but not integrate all the linetype in mu current dwg.
This code run but acad crash after .. So have you a function/sub working fine ?
how to integrate this CSSDeck code into an Edge Composition? [URL].... I tried to follow Joel Pau example here: [URL]... but had no luck implmenting. My knowledge of code is pretty weak so I have troulbe following.
View 5 Replies View RelatedI'm importing pictures from different cameras into the same catalog. I set the world time on both cameras so they could seamlessly integrate into one catalog by time. What setting do i need to choose in the catalog to make the pictures from the 2 different cameras integrate by time shot?
View 6 Replies View RelatedI have 11,000 images organized in Aperture, and I still have the original images on an external HDD. How can I get them into Lightroom?
View 1 Replies View RelatedI changed my aperture size but for some reason it didn't take. it is still small. Even if I go back into options it shows the larger size but doesn't take affect. Of by the way the Autosnap marker size got larger.
View 4 Replies View RelatedA new function of LR 4 is to import libraries from Aperture. How does it work? What do I have to do on the Aperture side? The LR side looks easy...
View 9 Replies View RelatedHow do I import an aperture library?
View 1 Replies View Relatedconverting GPS data created in Aperture 3 to the images so that I can pull this information into Lightroom 4 (which I'm currently under the 30 day trial period but despirately wanting to change to!).
View 13 Replies View RelatedI wish to edit a LR 4 photo in Aperture.
The instructions file simply do not work!
My aperture / crosshairs seems to have a magnetic attraction to all objects in drawings. Over an empty area, motion is smooth. When crossing over any object(s), be they in Model Space or a Layout, the cursor is attracted to objects. Is this an AutoCAD setting that I'm not aware of, or is this a graphics card / hardware acceleration issue?
View 6 Replies View RelatedIs there an easy way to import all of my Apple Aperture pix into LR4?
I'm totally new to this app with LR4 release.
