Photoshop :: Bridge Image Process Fails With Lumix GF-2
Dec 8, 2012
We are unable to get image processor in Bridge to allow us to make raw image processing changes to our GF-2 images. Instead of opening in Camera Raw Processor, it just opens the images. How can we change this?
I rate my images with 1 star. Then I select and open them in ACR and edit.  After I click "done" some of the files are no longer rated. I have to go looking the unlabeled files for the missing images. Then when I try to restar them--it won't let me give it a 1 star. I can give it another rating, and then after that it will let me rate it at a 1 star. This only occured when I switched to CS6 from CS3.
Adobe Bridge (CS6) Stopped Working & Application Manager Fails No Matter What I do. Â I have uninsalled, ran the cleaner, installed, and Bridge will not open, Application manager will not run. Â Win 7 x64 Pro CS6
When I try to package a file with a lot of links, the Indesign CC packaging process fails with the error message "Unable to copy necessary file(s)". I am able to make a PDF of the same file, but when packaking the process fails every time. The app does not crash, just gives an error message. What gives? Â (I'm using a MacBook Pro Retina Display with 16 GB RAM, running OS 10.9 and all CC 9.1 updated with the latest patches).
I just installed DNG converter 7.2, which is supposed to work with my new Lumix DMC-G5. However, DNG converter does not see the Lumix rw2 raw files when I open a folder containing the files.Â
I need to be able to resize a large quantity of photos,( ie, change a 300 resolution, 1680x1200 pixel photo to a 72 resolution, 500x700 pixel photo?) I am using adobe photoshop CS2 on a PC, running windows XP.
I can't open raw files from my new panasonic lumix fz 200 with photoshop CS4 on my mac. I downloaded the 7.2 DNG converter and still cannot open the files. Does the converter work with CS4? Is there something else that I should use? Is there a special place to put the converter file?
Hogw can I import raw file from Lumix GH3 into Element 11's Organizer. At this point I am receivin the following message : THE FORMAT IS DAMAGED OR IS A FORMAT THAT CANNOT INCLUDED IN ELEMENT (11) ORGANIZER
All my RAW files taken with Lumix G1 are fine but the RAW files from my new camera (Lunix G5) won't open.Looking at help in E10, it says ACR is version 6.7.0.339..Elements 10 is version 10.0 (20110831.m.17215).
Is there a 'workflow' process that should be followed when working with an image?s there a 'workflow' process that should be followed when working with an image? For example, when is the best time to sharpen an image/
In my work I use a batch process to run an action that converts EPS files to TIFF files. I have been using this successfully in Photoshop 7 on a Win2000 PC for a number of years. The process is as follows...
Open EPS file Flatten Image Save Close
When I recorded the action I made sure that the resolution was set to 300dpi as we require the TIFF produced at the end to be that resolution.
I am now testing PSCS3 on a WinXP machine as we are upgrading all of our equipment. When I run the action as a batch process the TIFFs that are saved end up being 72dpi - They should be 300dpi. This worked in PS7 on the Win2000 machine and I am using exactly the same process in PSCS3 on the new WinXP machine, but something must be going wrong somewhere for the TIFFs to be saved at 72dpi instead of the required 300dpi. Any ideas?
I'm trying to create an Action that will resize images to a constant and absolute width (600px), and save as a JPEG with a filesize of less than 160kb. I've tried Image>Image size... and Save for web with only partial sucess. Image Size does not allow you to set the filesize as a parameter - you can only set the dimensions and resolution and hope that it comes out under 160kb. Save for Web does have an optimise feature, which does work for an individual image, but not for a batch. The optimisation is done by adjusting the quality of the jpeg, but when you save this as an action, it does not record this as "optimise the image for 160kb". Instead it saves just the quality % used when recording the action. Any other images processed by that action will just be saved at that %, regardless of their filesize. Is there a way to write the action so that Save for Web will dynamically optimise each image? I'm using CS3 Extended.
I have a folder with 300 sub folders with a high res image. (each image is in a folder, with it's part no's name)
Ive created a process to create low res images with a new file name prefix s_ and I have selcted "include all sub folders" in my source folder options.
The problem i have i select a destination folder and all the images are saved to the destination folder root. As opposed to the original location of each image. (its own sub folder)
I'm having trouble connecting to data in Civil 3D 2013. Data connect appears to make the connection, but when I click the "Add to Map" button, all the check boxes on my data get unchecked and nothing is added to the drawing.
I first noticed this using the Basejump add on, but it now happens any time I attempt to connect to any data.
I know how to batch process images to place a logo or watermark on an image. Normally the image is different every time and the exact same logo is placed on all the images.
In this case the image is exactly the same every time but i need it saved in a folder 100 times each with a different logo. So essentially a reverse of the normal process. Same image different logo's.
I have about a hundred photos in high resolution that I want to reduce to (the same) small image size for a website. How can I do this several (or all) at a time, instead of individually editing each one, using my Photoshop Elements 11 or 12? I cannot find an action for this in the action menu. If not possible within Elements, is there anything "free," or do I have to get Creative Suite or the like?
In the last couple of months my images have become quite red in bridge and it switches back and forth from being too red on photoshop and then too red on bridge.
how to use the match color tool to automatically convert one grayscale image into multiple output images based on a collection of color swatches? Or a better process to achieve this automated?
I have all the swatches in psd files in one directory. I can do them one-by-one but I was wondering if there was a way to automate this process and have it spit out and save the different images automatically based on the saved swatch colors.
The GX7 is scheduled to come out at the end of September, and it sounds like MFT is finally getting it just right. I have several Panasonic and Pansonic/Leica lenses I use with the GF1 and have ordered the GX7, but when will I be able to work on its RAW files in LR and ACR? How long does it take to get a camera into an RC version?
When I open Bridge on my laptop I find that instead of images from the DNG files appearing, what I get are small icons having DNG and a camera iris. This happened after I reinstalled the CS6 program. (I managed to lose the icuuc40.dll file and received a message advising to reinstall the program).  I use my laptop when travelling. I download all files from the camera onto it and view them in Bridge. After returning home I transfer the files to the PC desktop for processing etc.. Bridge is working normally on the desktop.
I'm new to these forums and still coming up to speed with Lightroom (love it so far!). I recently purchased a Lumix ZS25 and there isn't a profile in Lightroom for Panasonic cameras. I did see several Leica profiles (my camera has a Leica lens). Just wondering if you skip lens correction if your profile isn't offered, or what are the specs to create a custom lens correction for my model.
CS6 Bridge, text in the Folder window freezes following loading of an image from Bridge into PhotosShop CS6. Bridge is render useless. Closing Photoshop frees up Bridge. Bridge does not refresh the type in the folders window and occassionaly leaves partial tiles of images in the content window. This occures esch time an image is loaded from Bridge into Photoshop.  Photoshop CS6 & Bridge were updated at 11:47 AM PST today 2012-12-07 Win 7 64X Professional latest up-dates as of 2012-12-02 Intel Core i7 Quad Core 950 3.06 GHz 8MB 12 GB RAM EVGA GrForce GTX 460 - 1GB graphics card "C" Drive Intel X25 120GB SSD Working Drive Intel X25 120GB SSD Two(2) 1TB HDDs storage
How the PMS color palettes "simulate" on screen how the color will print on different substrates (glossy vs matte vs uncoated paper). That's great for comps, but if you convert it to CMYK to print it, and the values are representing a "simulated" color it won't look correct (by that I mean come close to matching the spot color). For example, the uncoated palette simulates the color by making them appear a bit washed out on screen - pretty good visual simulation. But it might do so by adding black and cyan to orange for example, etc. - effectively dulling the original color.
So if I convert that to CMYK within the new Pantone + color palette, and then send it to the printer - it won't appear as it did on screen, it will dull the end color even more because it's converted the color to the dull simulated version - what a disaster! It's only doing half the job - showing us what it should look like on screen. In order to be truly efficient for design professionals the CMYK conversion might remove black and cyan completely to effectively brighten the color in the final output on uncoated paper. I would prefer it just stick to the standard conversion, which Pantone did have as a standard palette option (PMS to process), and then I can adjust if I think it's necessary. Â Any corporate branding system will likely start with a PMS spot color palette for the identity. Then it will build into many different adaptations - full color brochures, large format banners and trade show graphics, website, advertising. So any corporate branding system will need to have PMS, CMYK and RGB versions of their main corporate color palette. There was a standard for these translations that was automatically consistent in the Adobe software and that is now all over the place, so it relies on individuals manually adapting the color mixes for final use - what a great way to screw things up.
I need to find out what process is employed to separate an image from its background. An image from one of the image services for example. I need for the actual image to be shed of the often white background in order to better work with an existing background on the graphic. It seems straight forward enough, I just have limited computer graphic chops.