Lightroom :: Automatic Removal Of Color Fringing Of Panasonic Lenses On Olympus Body
Mar 13, 2013
Last week I sold my Panasonic GH2 and bought an Olympus OM-D E-M5. My 14-45 Panasonic lens shows some nasty purple color fringing with the OM-D (not your ordinary green-purple chromatic aberration, but purple fringing on both sides of highly exposed items, such as steel wheel covers). This I never(!!) saw with the GH2. Fortunately I can correct this in Lightroom. I go (in Develop module) to lens corrections - color - remove edge (purple). This works really well, and I know I can synchronize all affected images. But I would like to have this done automatically, just as Lightroom automatically removes all color faults when using micro four-thirds Panasonic lenses with a micro four-thirds Panasonic body. This is done through special data supplied by Panasonic which are read and implemented by Lightroom (I believe).
Unfortunately this doesn't work when using a Panasonic lens on an Olympus body, which is my reason for this question. I can make my own profile using Adobe Profile Creator to automatically remove chromatic aberration. Reading the tutorial I get the impressions these profiles only remove normal chrom. aberration, not the special purple color fringing I am talking about. So: is there any way to automate this fringing, or do I have to work on all affected images in Lightroom using the technique I described?
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Jul 14, 2012
The caption field of Metadata automatically fills with OLYMPUS DIGITAL CAMERA. How can I prevent this? How can I get rid of this on my 3000 pictures of Turkey without manually deleting each caption? I am new to Lightroom, and have version 4.1. I use an iMAC, OSX10.6.8.
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Dec 2, 2012
I am trying to bring back the sky in these photos without altering the bride in the foreground, or anything other objects, aside from the sky. Admittedly I didn't expose for the sky and the stop difference between the foreground and background is quite drastic. There are three pictures. First to show what the overall picture is and what we're dealing with (I've already "locally adjusted" the majority of the sky with method 2 below). Second picture is to show you a sample of the artifacts and fringing. The third picture shows a sample of the halo situation.
I have tried two things:
1) Gradient Filter - As most of you are already saying in your head, it is not appropiate in this scenario as it messes too much with the foreground (the bride intersects over some of the sky, so it would be neccessary to to drag it down over her), to the point where the drop in exposure is too intense to bring her back. So that doesn't work.
2) Local Adjustment Brush - Tried everything with this thing, from auto mask on and off for both the painting and erasing afterwords, different feathering, no feathering, different brush sizes, etc. Nothing I have tried leaves me with a satisfactory final product, that is to say, no ringing artifacts, fringing or halos around the boarder of the bride where she meets with the sky. I am completely lost with what I should do! There is very little information available in other forum posts, and most of the information available is basic at best with suggestions like: "Turn on/off the auto-mask". This is becoming a growing irritation as I have this photograph and another one where I screwed up on my exposure and just burried the sky.
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Nov 6, 2013
I have noticed using my Canon lenses that LR provides lens profiles for most of them when I am working on RAW files. However, only some lenses have a profile available if I am working on a JPG file. Some newer lenses have profiles for both and some older lenses have profiles only for RAW. Why is that? Will Adobe eventually provide non-RAW lens profiles for all the lenses that have RAW profiles. If not, why not? Is there a rhyme or reason to deciding which non-RAW lens profiles Adobe offers? Is there any policy or Adobe explanation?
Yes, I know many newer cameras can make auto-corrections for jpegs. But that doesn't explain why Adobe offers non-RAW lens profiles for some lenses but not others.
And yes I know there are additional profiles created by users in the Lens Profile Downloader. But the question is why doesn't Adobe supply more non-RAW lens profiles? And what is that decision based on?
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May 9, 2013
I'm currently trying to match six cameras and all their different lenses to produce identical images and I need fine tuning my workflow on making the camera profiles.
Me and my team are shooting weddings. We have Nikon D3s, Nikon D3, 2x Canon 5D mk III, Canon 1D mk 3, Canon 5D mk II with 17 lenses and I'm in the middle of the process of matching their colors so when we shoot together I don't go crazy trying to match the white balance between all the cameras in Lightroom.
The issue I have is that I managed to make all the colors, contrast, saturation and brightness for all cameras and lenses on daylight shots identical (with minimal differences) but shots under 2800k light are very different.
I bought a 24 patch color checker and took photos with all cameras - once with a 2800k halogen lamp and then with a 5500k strobe (Nikon SB-800 @ 1/16 power). I shot in RAW. The exposures are good - no blown highlights or unexposed parts. In Camera raw I applied the "Camera neutral" color profile for all cameras. I exported the shots in DNG. For each camera and lens I imported the halogen and flash lit file into DNG Profile editor.In the chart section I created a color table for the "2850 K only" halogen lit shot and then for the flash lit shot choosing "6500 K only".
So far so good. The colors are good but to achieve them for the different cameras or lenses I need to input different color temperatures and tint. What I want is to set identical color temperature for all photos (say 5500k) and to get identical colors regardless of camera or lens.
So the next step I took to get at least the daylight shots identical is to play with the "White balance calibration" under the "Color matrices" tab. For instance - DNG Profile editor determines that the flash shot should be set to 6050k +8 tint. I move the "white balance calibration" sliders until I reach the numbers I want above the flash shot (5500k). Because the colors shift I press the "Create color table" button again. My goal is to show the program that I want these (calibrated) colors to be achieved at 5500k +0 tint and not 6050k +8 tint. I get the result I want but that affects the 2850k shot. If I readjust the "white balance calibration" sliders for the 2850k shot and use "create color table" again, that ruins the 6500k adjustment.
So using this workflow I get either the daylight shots right or the tungsten lit shots, but not both.
So in short my question is - How do I create proper profiles that produce identical colors among all cameras and lenses under all white balance settings?
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Feb 15, 2013
I often use a couple of lenses when I am out shooting. When I return I import all my photos into LR. I would like to apply LENS CORRECTION to all photos so I selected all the photos that I have imported (CNTL A) and then go to the lens correction area in the development panel. I then "ENABLE LENS CORRECTION" and SYNC the photos.
When I do this it applies the lens correction from the len used in shooting the first photo in the series of photos that I have selected. It DOES NOT recognise when I change lenses. HOWEVER, if I go to any specific individual photo and enable lens correction it does apply the correct lens profile.
WHY does the sync not recognize a change in lenses?
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Apr 21, 2012
Recently bought into the m43s system because of the compact fast primes (Lumix G 20 1.7 and Olympus 24 1.8) and it looks like there are no "built-in" lens profiles for either in LR4 when I check "enable lens corrections". I thought I read somewhere that the 20 1.7 requires correction as it has a significant amount of (barrel, iirc) distortion if not corrected, yet the RAW images look fine upon import -- is Lightroom doing something that does not require a profile?
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May 31, 2012
I refer to Lightroom version 3.6. I have purchased a panasonic-gx1 plus 14-42mm & 45-175mm lenses and would like to add the lens profiles to the lens correction module.
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Apr 11, 2012
I'm being a bit premature but when could we possible see support for the Olympus OM-D EM-5?The camera is getting in the hands of the consumer and would love to have LR support it
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Jan 19, 2012
Lightroom 2.3 won't take in Olympus Raw Files. What do I have to do?
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Feb 28, 2014
Currently, I don't believe Lightroom 5 supports RAW files from Olympus' new camera, the OM-D E-M10.I know it supports JPEG files.
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Jan 1, 2014
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Jul 20, 2012
Can you process Olympus raw format files in lightroom?
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May 13, 2013
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Oct 28, 2013
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Mar 31, 2014
I have just bought Lightroom 5 and upgraded it to 5.3 and I still can't open raw files taken with my olympus E-M1 even though it is on the list of cameras that LR5 supports.
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Aug 4, 2012
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I compared the export to the original jpeg and there is a huge difference with the original jpeg being more clear and sharp than the exported one.
At first I thought it was the camera but all the jpegs are fine. Reset and updated camera firmware. Reset preference and reinstalled Lightroom 4. Same problem.
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Mar 12, 2012
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Sep 17, 2013
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Feb 20, 2013
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I've tried and it seems that for exemple CA is not corrected in LR3.6.
Is my camera too old? Do I have to buy a newer version of LR?
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Is there a way to see it, perhaps a plugin.
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Mar 11, 2012
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