Lightroom :: Panasonic DMC-G2 Blur / Shift LR4
Aug 4, 2012
I am having a issue when importing raw from DMC-G2, with pictures becoming blurry/shifted after import. They seem fine for a split second before it shifts and becomes considerably more blurry.
I compared the export to the original jpeg and there is a huge difference with the original jpeg being more clear and sharp than the exported one.
At first I thought it was the camera but all the jpegs are fine. Reset and updated camera firmware. Reset preference and reinstalled Lightroom 4. Same problem.
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Jul 26, 2013
I have the latest updates for Adobe Photoshop CC. Using the advanced blur filters, such as Tilt Shift do not show any adjustment anchors. If I am lucky enough to run my mouse cursor over them, I get a changed mouse cursor to indicate I came move them. but the references lines, anchor points...nothing is visible to show me where to make the changes or boundaries for such adjustments. I had hoped this bug would be fixed, but apparently not. I am unable to find any other references to it on the forums so maybe it is just me.
I can run my old Photoshop CS6 and they show up just fine. to how to fix this?
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Mar 12, 2012
How and where to get profile for lens Panasonic 3/4 for LR4
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Sep 17, 2013
The GX7 is scheduled to come out at the end of September, and it sounds like MFT is finally getting it just right. I have several Panasonic and Pansonic/Leica lenses I use with the GF1 and have ordered the GX7, but when will I be able to work on its RAW files in LR and ACR? How long does it take to get a camera into an RC version?
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Nov 1, 2013
will LR 5 read files from a Panasonic fz200?
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Oct 21, 2012
Does Lightroom 3 support Panasonic DMC FZ200 RAW files? I think the update for LR 4.2 does. But I still have LR 3 and do not wish to upgrade right now.
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Feb 20, 2013
My camera is a Panasonic Lumix DMC-FZ28 and I'd like to take pictures using the RAW format. I bought it in 2008.
There's no lens profile for this camera, and I was told that when I import pictures in LR (my version is 3.6), lens corrections are automatically applied.
I've tried and it seems that for exemple CA is not corrected in LR3.6.
Is my camera too old? Do I have to buy a newer version of LR?
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May 8, 2012
How can i see all my photo properties taken with a the panasonic FZ150 into the exif in Lr4.
In the free software which came with my camera (photofunstudio) i see which recording mode is used (f.i. program AE of marco). But in LR4 i can't see that.
Is there a way to see it, perhaps a plugin.
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Mar 11, 2012
Just purchased this camera, and use primarily Lightroom to edit. When downloading my images, although I shot it RAW (which is why I bought this camera) it converted it to JPEG's. I also just upgraded to Lightroom 4, which will arrive shortly. Whether Lightroom 4 supports RAW in this camera?
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Mar 13, 2013
Last week I sold my Panasonic GH2 and bought an Olympus OM-D E-M5. My 14-45 Panasonic lens shows some nasty purple color fringing with the OM-D (not your ordinary green-purple chromatic aberration, but purple fringing on both sides of highly exposed items, such as steel wheel covers). This I never(!!) saw with the GH2. Fortunately I can correct this in Lightroom. I go (in Develop module) to lens corrections - color - remove edge (purple). This works really well, and I know I can synchronize all affected images. But I would like to have this done automatically, just as Lightroom automatically removes all color faults when using micro four-thirds Panasonic lenses with a micro four-thirds Panasonic body. This is done through special data supplied by Panasonic which are read and implemented by Lightroom (I believe).
Unfortunately this doesn't work when using a Panasonic lens on an Olympus body, which is my reason for this question. I can make my own profile using Adobe Profile Creator to automatically remove chromatic aberration. Reading the tutorial I get the impressions these profiles only remove normal chrom. aberration, not the special purple color fringing I am talking about. So: is there any way to automate this fringing, or do I have to work on all affected images in Lightroom using the technique I described?
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Feb 24, 2013
I have some random curves (already created) and I want to blur them just from one side to have the same blur distance and effect one the whole curve.
To more precisely describe what I need, I need to create gradient with direction of normal for every "point". The best example I have found so far are borders in Civilization IV game. Here are two examples:
3.bp.blogspot.com/-40x9Kw5vrrA/TiHjTNwOuQI/AAAAAAAAADA/uw2NeAnsmOk/s1600/Civ4ScreenShot0008.JPG
apolyton.net/civ4/files/info-images/agade.png
As you can see, there is a solid curve, which gradually blends (i.e. alpha channel is lowered) till the gradient disappears. I have the solid curve and the question is, what would be the simplest way how to do this (the number of curves is around 100) gradient.
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Jul 23, 2012
I just got PSE CS6 and the blur too will NOT work ....blur filters work, but not BLUR in the tools panel I have tried: unintstall/reinstall, updating, using it no a picture straight after opening it, duplicate layers, selecting an area and then blurring....flattening an image, every single different setting in the the blur tools menu bar NOTHING works. And everything I find about blur is the new blur filters....
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Dec 18, 2005
i have outlined this pic and used the Gaussian blur , but how would i soften the edges of the blur so it doesnt look so "sharp"? I want it to kinda blend in so to say here is the pic.
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Dec 6, 2011
how LR interprets/presents RAW files. I do understand that RAW files are just sensor data, and the preview that is shown by the camera is how the camera software itself is processing the RAW data into a JPG. Also, I understand that different RAW processors interpret this data slightly differently. That said, I like how my raw files look based on how my cameras (60D and Rebel xsi) show them. The exposure, color, and saturation levels are great and based on this look, they would require only a few tweaks. When I upload the RAW files to LR, initially, the files look the same or very similar as they did in my camera's preview. However, when I click on each file in library or develop, the file will initially, for about a second, show up as it originally came over, but LR will then say "loading" and the photo will get much darker and duller. Why is this? As I mentioned, I do understand that different programs interpret a camera's data differently, but it appears that LR is originally "seeing" the photos as I want them to look and then for some reason is interpreting them to be something different; why will the photo not stay as it originally looks when I first upload it? This is requiring more editing on my end. One other thing I have noted is that my RAW files already have adjustments made to them upon upload (exposure, brightness, etc.) I noted another post that addressed this and indicated that there were settings that I would need to reset to correct this. Is this also why the look of my photos is changing, or is that a different reason?
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Mar 2, 2012
I installed the 4 beta and am liking it quite a bit, but I'm having trouble with gamma shifts when exporting images. When I export the image, my blacks get completely crunched -- it doesn't match Lightroom at all. It's not just the JPEG being displayed wrong -- I've looked at the exported image on a few different computers and they always appear crunched.
My monitor is calibrated (using an X-rite i1 Display 2), and I re-calibrated it yesterday to make sure that isn't the issue -- it made no difference. I made an image to demonstrate the problem:
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Oct 16, 2012
I've got strange subtle color shift from reds to yellows when I'm doing the following:
1) import my raw files as DNG into LR
2) edit them in LR
3) ctrl-E them to edit in PS
4) edit them in PS (just drawing a dot with the brush tool somewhere, so the file could be saved and re-imported to LR)
5) save (not "save as") them in PS which bring them back as tifs to LR
This final tif from PS has some color shift in comparison to the original DNG file. Nothing is edited in PS.
Furthermore:
- if I'll open to edit the resulted tif with the color shift in PS once again with the option to use LR adjustments, I'm getting color shift in PS
- if I'll open to edit the resulted tif with the color shift in PS once again with the option to open the original tif without LR adjustments, I'm getting correct color in PS, as in my original DNG
LR - ProPhotoRGB
PS - ProPhotoRGB
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Jun 5, 2012
When I export an image from LR 4.1 for editing in PS CS6, I notice a distinct loss of contrast and possibly saturation. Overall, the image looks duller and flatter. My working space in both apps is ProPhoto RGB. I use a custom profile generated by a hardware calibrator.
The screenshot below is of the same image rendered in both programs.
And here are my PS color settings:
FWIW, the image generated by Lightroom is rendered identically by Preview.
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Jan 23, 2013
Lightroom 4.3 is still experiencing slight tonal shifts when creating TIFF copies. This happens when I export to PS6 from LR, or create a TIFF copy of a TIFF file edited in PS6.I can provide samples.
I run LR4.3 on a Windows 7 64bit OS; 8 GB of RAM; AMD 9750 Quad Core Processor; NVIDIA Quadro 600 Video card.
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May 1, 2012
I initially noticed this problem within Lion and Lightroom 4 when printing to my Epson 4800. The colour shifts to a more pinkish hue in prints done in Lion. I'd originally thought this was unique to Lightroom, but the same thing happens to the same file when printed in Preview, so I'm assuming it has something to do with Lion or the Epson printer. I can confirm it's not a monitor calibration issue, and that my printer driver for the 4800 is the one for Lion, and that everything in Lightroom and the driver is configured identically in both versions of the OS.
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Jan 25, 2012
I'm running LR3.6 on XP SP2 with a wide gamut NEC PA241W monitor (calibrated). I haven't noticed a problem before, but just noticed a colour shift on shots of autumn golds and yellows. I get the image how I want it, working from the raw file in the Develop module, then switch to the Loupe view in the Library, where it looks less saturated. This is still viewing the raw file, not an exported file, so it should still all be working in the internal ProPhoto colour space?
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May 23, 2012
LR 4.1 RC2, OSX 10.6.8 - when I'm trying to use the develop module with my second monitor, the image initially looks accurate. After a second or two and before any edits have been applied, the images desaturate and look very flat. Images viewed with the second monitor in Library module look great.
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Jun 7, 2012
I've just published my first book on Blurb. Looks great but all the pages are offset by one in Blurb when compared to my LR original. So all the pages that are on the left in Lightroom are on the right in the Blurb version. I can easily add another page and re-publish but it un-nerves me when things are inconsistent.
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Aug 24, 2013
For some reason I'm getting color shift between the Library and Develop Modules.
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Jun 4, 2012
How do I make a Gaussian blur in LR4 ?I have tried to mask the area and unsharpen and unclairify but doesn't work.
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Oct 14, 2012
With LR4 and a Nikon D7000.When i import that raw in lightroom, the first view of the picture is fine then LR do its "loading" and bang, the picture changes.As RAW is not supposed to be affected by the colorspace My understanding is the embeded preview in the raw is sRGB and LR work in a different colorspace. If i change the camera for AdobeRGB, i dont have the problem and what i see from the camera to the preview then the final result is consistent.But this cause me another problem because i shoot RAW+jpeg, the backup JPEG saved in the other memory card is now AdobeRGB as well and less compatible as everybody knows, for web, print labatory, etc...
I dont have in LR any automatic developement settings.My screen is calibrated with a Spyder 3.
I'm feeling stuck in the corner as i want by backup JPEG in sRGB and n o colorshift in LR.
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Dec 23, 2011
I am interested in controlling motion/blur in the photograph, prior to Lightroom and Photoshop. Many photo subjects (e.g. leaves, cars, waves) are moving. I've been calculating the pixel size in a photo. This is not just the pixel information of the sensor. For example, with a certain lense zoom and focus distance, each pixel will represent a definable zone of the image. Then, there is the zone of the print, which corresponds to the original zone of the image. There are many variables to consider. Motion within and beyond each pixel affects the image.
I am interested in literature, documentation or people that will guide me in the understanding of the control of motion/blur in the taking of the photo. With this, my photos will be far better and, also, easier to edit.
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Jun 3, 2012
Is there a way to shift the capture time (in EXIT) of multiple files by a long time frame? When you select photos and go to Metadata - Edit Capture Time, you can shift the capture time in the increments of hours.. I need to shift the capture time of some photos by years.. Is this possible at all within LR?
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Sep 11, 2012
1) Take a color image and apply a color-shift local adjustment to a portion of the image.
2) Convert the image to B&W.
Result -- The main image is converted to B&W, but the local adjustment doesn't change, i.e. it's still colored. Here's a trivial (and not-realistic) example of what happens:
My goal is to adjust the colors and the apply the B&W conversion to the entire processed image, not just the original piece. Is there a way to do this? I feel like I'm missing something small and easy.
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Mar 1, 2013
I have been shooting RAW for a while and have notice that after I import the images and then start to view them in the Library Module I will see a slight color and quality shift - almost looks like a white balance shift but not quite. I was thinking that perhaps there was some automatic preset being applied but I don't have any presets at all.
I am shooting with a Canon 1DX as well as 7D. I have not checked to see if I get this situation with the 7D, but I know for sure that I get it with the 1DX.
Today I was reviewing some images in Bridge and decided to open one of them in Camera RAW. At that time I discovered that the camera's Image Style Settings were available, Faithful, Standard, Portrait, etc. I noticed that the images did not have one of the camera styles applied to them but rather the Adobe Standard Style. At that point from within RAW I selected one of the camera's styles and bingo thats the kind of shift I am seeing when I first view an image in LR4 Library.
So as far as I can tell the RAW images are getting the Adobe Standard style applied in LR. I have no idea if this is a default behavior of if I have done something to cause it. I'm also thinking that perhaps LR does not necessarily apply the Camera's Styles automatically even though the particular style has been set in the camera -- perhaps is not imported as part of the metadata during the import and thus defaults to the Adobe Standard.
1. Should I expect LR4 to apply the Style as set from the camera automatically or not at all?
2. Can I prevent LR from applying the Adobe Standard Style and apply no style?
3. Can I cause LR to apply the Style as set in the camera for the particular image to be appied automatically upon import?
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Aug 22, 2012
Earlier this year I purchased a Panasonic HDC-DS800 high definition camcorder. After years of editing ATI files, I'm going to use my VideoStudio (X4) to edit AVCHD files.
To get the files from the camcorder to the computer, there are 2 options. One is to go directly to the SD card on the camcorder through the My Computer option. This gives me .MTS files, which I can transfer to my hard drive.
The other option is to use the software supplied with the camcorder, which is HD Writer AE 3.0. This transfers to my hard drive .m2ts files. Along with the .m2ts files, it also transfers (or creates) .tmb files, .pmpd files, and .cont files.
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Oct 10, 2011
Have put VideoStudio4 on my PC.I'm trying to use it with a new Panasonic HDC SD900.
I used the camera's software to download my video files on to my PC.
Corel VideoStudio 4 has a capture mode and an edit mode. I’d been using edit and then trying to browse for my files so I could add them into my library for use in that film. It couldn’t see the .mt2s files.
I’ve now tried connecting the camcorder and using Corel’s capture mode. Someone had suggested that to find my files I needed to follow private, then AVCHD, then choose BDMV, then choose the folder STREAM. But there’s nothing there.
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