GIMP :: Active Layer Highlight In Dark Or Light Blue?
Feb 2, 2014What difference does it make if the active layer is highlight in dark blue or light blue?
I should know this by now!
What difference does it make if the active layer is highlight in dark blue or light blue?
I should know this by now!
I am trying to get the light blue bow to look as the other bows (dark blue) When I use the color replacement tool and sample the color from the dark blue bow and try to paint the light blue bow it just wont work..it color it with light gray instead of dark blue that I sampled.
View 9 Replies View RelatedI've been putting up with this problem for a while. I have a certified 3D device with a driver version that is certified (Quadro 4000) but the active viewport boundary highlight is out of place. The white lines in this image are my viewport boundary highlight which is out of position. This only seems to happen when I turn off the viewport layer. If the viewport layer is on the highlight appears as expected.
Windows 7 Professional 64-bit - Service Pack 1
Intel﴾R﴿ Core﴾TM﴿ i7-3820 CPU 3.60GHz; 16 GB DDR3 Dual Channel RAM
nVidia Quadro 4000; AutoCAD Civil 3D 2013, sp1
I have a blue line in gimp I've been trying to get rid of. It's not part of any layer so I can't erase it, its thickness scales with zoom; and it also doesn't render in the final product, but it's irritating to look at.
View 1 Replies View RelatedWhen you try to rescale a layer using the Rescale Tool with a layer mask active, it scales of the mask, likewise if you select the layer it will scale the layer. Can I select both the layer and layer mask and scale the layer, thus it keeps the layer mask showing the desired masked area only. As the only way I can see currently is by applying the layer mask on the layer and then you can see the layer/s below to get the scaling that is desired. But I would like to keep the layer mask active for editing after scaling.
View 4 Replies View Relatedthe lines that go diagonally.. one is light the next is dark.. how'd she do that?
View 4 Replies View RelatedI've got an image with two types of sand in it (light and dark), and I need to try and quantify the quantities of each for a project. Using the threshold tool seems to isolate the two (luminosity, black = 150), but I can't figure out how to tell how much of each color (white and black) there are.
I'm going through the list of plugins, but I'm not seeing anything (perhaps I don't know what to look for though).
for years I used Epson r1800 on printer management it usually matches the monitor image quite well I had not had any success using adobe color mgmt in the past
the images I am printing are sRGB and now they don't match at all they are too dark and cool (bluish) If I change the monitor to the match the printer then all of my files will look bad on screen changing the printer setting did not seem to change the actual prints
I was using a wide angle lens and my image came out with the sky too dark on the right side. Is there a correction which can be applied only to the sky to even out the blues?
View 5 Replies View RelatedI have a picture of a person I'm trying to alter. The person is wearing a very light yellow shirt and I am trying to replace the color with a more striking dark red. Also I'm trying to turn her skin a very pale white color (Like a geisha). I've been fiddling with the color replacement tool, but the best I've been able to get is a milky whitish red matching the light shade of the shirt. No matter what shade of red I use it always replaces the yellow with the same light red.
Is there a way to tell the color replacement tool to not keep the same light shade as the shirt and instead stay closer to the shade I've selected from the swatch?
I am simply using this image as practice ( since I already have a goal image made by someone else ) The Origin Image is the original image, the goal is the image I am trying to reach near, or identical too in terms of color scheme. The Current Modified image is my modifications done to the "Origin" image to look like the "Goal" image.
Okay a few problems and I'm kind of stumped... is there any kind of wacky photoshop trick to get the ears and tails to match the goal image, without actually redoing shading and losing the image quality?
The colors of the ears and tail on the origin image are reversed on the goal image.
Did I do well on modifying her bathing suit?
how to change the blue to red (using a brush in Color mode), but the problem is I want to make the whole ribbon solid red (the same look as the right-most stripe). Cloning the red part over the rest? tried painting with Multiply in the middle stripe and Color in the lefthand stripe, but that still gives me obvious distinctions where the stripes were.
View 1 Replies View RelatedWhy bother providing an "Antialias Guides and Paths" setting if it's going to look this bad when projected on a dark background? Yes, this is with that setting ENABLED:
It's not quite as unacceptably nasty when the path is dark on a light background, but it's still a good ways off perfection! If Photoshop should not be held accountable for being pixel-perfect, what application should be? This is not even close enough for government work!
Here's the PSD file with which you can generate the above if you'd like to reproduce the appearance shown...
[URL]
Edit: Just to show that it can be done well, consider these two images, which I did by stroking the path in linear space.
I really like the effect in this poster. I see this effect all the time taking one color and making it light and dark in different areas. Like the banner on this site, but can never do it myself.
View 7 Replies View RelatedI'm working on a drawing for a part and am getting annoying flickers from light to dark. What I am seeing happening is that everytime I pan or zoom (in or out) the drawing, the drawing lights up, and remains lit up until I move my mouse cursor over a view. When I do so, the entire drawing turns dark and remains dark until I pan/zoom the drawing again. So I am getting a constant dark - light flicker that I find very distracting.
I am only seeing this in this one drawing, however I do remember having this problem previously. In other drawings I have done, they will either be light (which I correspond to being normal) or the entire drawing will be dark. This I read has to do with the lighting in the source part file, but it never really bothered me.
Im on 2012 Iventor Pro, and Windows 7 Pro. 64bit with SP1.
I finish editing my pictures, save as PSD and a 2nd as jpeg. i view the picture in windows live gallery (windows 7 64bit) and it has changed to a dark deep contrast.
I open the jpeg or the PSD file and they both appear as i originally saved them until I select/ click on it. and i get the darker deep contrasted image.
I have tried to have Photoshop elements 9, in preferences set to windows color and I tried it at Adobe no difference.
Jpegs are saved as sRGB but it is affecting all images, fine while editing but when saved and reviewed it changes and when opened i get to different contrasting views of the same image when selected. This is really anoying me as you think your done and it looks completely different when you review it.
I began tweaking things up with proof setup, and when the "preserve RGB numbers" box is unchecked, the bluish tint is gone, but still the canvas was different from the original image because it appears to be slightly desaturated compared to the original image. The original image appears normally everywhere else, and that includes the photo viewer, the browser, the library, and such.
It even appears normally in smaller previews on the menu by the side and in the Adjustments>Variations box. The only difference is the canvas, and when I looked up the problem, it either had no response, or it mentioned monitor calibrating, and I've already tried that so I already know the monitor is not the issue! I even tried deleting the preferences file and relaunching Photoshop. The problem still persists. I have looked everywhere online, and I cannot afford clinking more urls.
The text was only enlarged for those who have a hard time reading small text, or those who do not even pay much attention, for that matter. [[ and reverted by an admin who actually wanted to try and read what you wrote ]]
The original image.The photoshop window with troll canvas in the middle.The Adjustments>Variations window. Notice everything still is fine over here.Another proof setup option. Again, the canvas's trolling persists. Every setup option was either this or that dark blue tint.
i always use corel for designing an advertorial matter, but there's always something that bothering me when i get the print results.. why does the colors especially blue and green always looks so dark, infact, they became brown and purple..
View 1 Replies View RelatedHow can I change with photoshop the color of below pencil from dark green to light green similar to the one in same photo? URL....Usually I use Tonality/saturation with good effect but with this special green I don't find a good solution.
View 2 Replies View Related1.) When moving the the dark or light value sliders, why does it also move the midrange slider? Aren't midrange values independent of light or dark values?
2.) I understand that every histogram is different and there is no right histogram. With that said, it does show if an image is too dark or too light and if I am just aiming for a good balance I am dragging the white slider to the left to lighten it up, and I am dragging it to where the histogram is just touching the bottom. Is there also some guideline to follow for the midrange slider where I can look at the histogram and determine which way to drag the slider?
I am very torn about the layers palette. I love that layer via copy will respond to groups as well as individual layers but I hate the color. I find it much more difficult to quickly find what I am looking for with the names and info inverted on a black background.
It is also more difficult to see the separation between layers and tell when one ends with its effects. Overall I feel my productivity regarding the layers palette has slowed down and become more frustrating. Everything else seems to be great. Is there a way I can convert over to a light toned color palette instead of a dark one?
Am a very recent purchaser of Pro X6, and was wondering the best way to separate or 'lift' the darker areas of an image from lighter areas. I have attached an image as an example. Ideally, I'd like to separate entirely everything in the image that is yellow, from everything that is not.
View 14 Replies View RelatedI have been running CS5 for over a year on Windows XP and today it won't launch. No messages-nothing. When I click the PS icon it turns light blue as if launching but then nothing.
View 2 Replies View RelatedHave a drawing that contains about 200 layers. When I open the layer dialog box, about 50 of the layers are highlighted in light blue. The layers appear to behave normally. Why they are highlighted?
View 5 Replies View RelatedI have a picture which contains a color gradient from white to light blue. How can I set all white parts transparent so I will have a a color gradient from transparent to light blue?
View 2 Replies View Relatedhow I would achieve this exact effect in Photoshop? The 2 light blue type of effects, one at the top of the image, the one at the bottom of the image. It isn't just regular lighting, as it uses a totally different light blue color. I don't know how to achieve this effect
View 9 Replies View RelatedWhen I open PS my powerbook screen turns a a light blue like a photofilter had been applied to it. The second I shot down the app, my screen color returns to normal. This only happens with PS not LR, AI or any other app I have. Also it just started last night and is continuing to be troublesome today. Obviuose I cannot properly correct photos when everything has a blue tint to it.
View 2 Replies View RelatedTo be precise, I mean light rays coming from dj player and if you notice there is blue foggy impression on t shirt , How these things can be made in Corel Draw X4?
View 8 Replies View RelatedI'm trying to line up some audio with my cuts. I can see the the amplitude but as soon as I hold and move the audio it turns "light" blue. And I can can't see the waveform, which is useful a lot.
All I want to do is line up the cuts with the a back ground beat.
I'm trying to create a "blue glow/light rays" around an image of the planet Earth and I can't just seem to make it look realistic like this image here:
How to do this technique? You can find a planet earth image by searching for NASA BLUE MARBLE and it's free.
how do I Change the light blue color of text selection in corel x6
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