Is there a way to reduce the number of subdivisions? Without clicking can't you just step "back" or select an area and reduce just the subdivisions in the selected area. I think I've tried everything, found something in a Maya document about reducing the hierarchy, which looked slick. The attached image should show what I mean (too many clicks on the button).
View 5 RepliesSo im working on this project were im modeling a ceiling, anyways I can not change or adjust the number of subds after i create the object. Lets say a create a simple cube with just 1x1x1 i can not change that after i created it... I just cant get to that menu when i click on the shape it only lets me rename it nothing else. Ive attached a screen shot.
View 3 Replies View RelatedWe have a linux Smoke op in and he was complaining about how you are not able to jump forward more than 99 frames on the num pad before it reverts to TC. This is prob due to the fact that the Mac has no definitive num key.
View 2 Replies View Relatedis it possible to see Frames Numbers instead of Timecode Numbers in Timecode field of the Player or Source monitor?
It is easy to do in Effects Editor but I could not figure out how to change display from Timecode to Frame in Player..
Is there a definitive list of functions, arguments, parameters etc?
I'm specifically trying to access image width and height and the number of items in the action node.
(SelectedOrder.count or something...)
I'm working on an illustration, and I would like to reduce the number of layers I have to work with, and I'm wondering if there is a way to "flatten" two or more layers together without flattening all of them. is there a pluggin out there that would let me do that?
View 7 Replies View RelatedI want to reduce the number of pixels in a photo so I can send it as an avatar to another forum. How do I do this? Older version was easy but I can't find method in present update.
View 1 Replies View RelatedI'm trying to reduce the amount of colors used in an imported image to just 64. I thought I managed it but was mistaken .
View 1 Replies View RelatedI'm trying to use adobe illustrator to color the background of a photograph green while keeping the person in the picture the same color.
I used live trace to get a vector image and then attemped to use live pain to finish the job, but I end up with thousands of blue lines and gaps that are too small to color in. Is there anyway i can reduce the number of gaps so that i can actually paint the background?
I've already tried the gap options and adjusting the settings to small medium or large did nothing.If this isn't possible, is there any other feature in adobe illustrator that would allow me to achieve my goal?
I have a photograph with a person in the middle; i want the person to remain the same and the background to be changed to green.
In an assembly file, how can I reduce number of open docs in session.
Inventor Professional 2013
Vault Collaboration 2013
Any way to reduce the number of vertex points in a polyline or 3d polyline and retain the basic shape but without having to redraw over the top it?
Ideally, I would like any adjacent segments which are in the same direction as each other to become one segment.
In my image you can see the number of points it has, the majority of which are not necessary for my needs (it was imported from a client's drawing). My desired linetype will also not show because of this.
spline.jpg
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedIs there any way that Smoke can see/output sub-blacks and super whites? Can't find any way of seeing them on my scope, Smoke just clamps everything. It won't even see anything below zero in order for me to make a correction on it, everything seems to be clamped on import. I'm using ProRes HQ footage.
View 9 Replies View RelatedWhat is the best plugin to do spline warps in smoke?(need something like the distort in flame) I notice revisionfx don't make a warper for smoke on mac.
View 7 Replies View RelatedI am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
Can Smoke support the OFX architecture?
View 1 Replies View RelatedDoes Smoke have selection functionality similar to that of Combustion? As an example, you might want to selectively blur part of an image. In Combustion, you would draw a selection and then apply an operator above the selection to achieve this. I don't see a similar selection tool function in Smoke, but I imagine you could achieve the same effect by duplicating a layer and using a Gmask via the Wipe timeline FX.does Smoke not have a selection tool similar to Combustion?
View 3 Replies View RelatedI am trying to reduce the file size on a large number of jpeg photo's for unsertion into Windows Movie Maker. How do I compress the slides in a batch job? Can I do it in Photoshop Elements?
View 1 Replies View RelatedWhats the dealing with importing TWs to Smoke? I have a show that's 70% keyframed with timewarps and need a way other then baking the effect to bring it into Smoke. It's comming from FCP7 and we have Automatic Duck but neither the XMLs or AAF bring anything other then the first speed of the clip. Any way to retain the keyframes?
View 1 Replies View RelatedI am working with Civil 3D 2014, I played with 2009 back in 2008 and before that it was Land desktop. I don't know if I am not following a standard workflow.
Build the EG from contours.Layout the CL for the ROW and convert to a horizontal alignments.Create the profiles.Design the vertical alignment in the profile.Create the assemblies for the different types of road sections.Full profile, pavement width assembly, the curb return assembly, the daylight left / right, 1/2 side left / right, and pavement width left / right.Build the corridor, set the target surface as EG or FG, depending on where the section of the corridor is located. (At the edge of the property to EG, then after the first building pad to FG)This is where I have a thought something is wrong. If I am grading the entire site, why would I have the ROW grade to the EG, when I will need the surface to grade from the ROW to the closest building pads?Create the intersections, using the different types of assemblies, per the ROW sections.Create feature lines and use elevation editor to set all the elevations around the pad.Using the Grading creation tool, grade to surface, using a 2:1 side slope. Then adding an infill to the pad.
I keep having the file crash after grading about 10 lots. I recover and it works find, but then the file runs very slow, and will crash. I haven't taken any classes in Civil 3d, and am looking for one in my area.
I am use to creating the vertical surface then creating points along the CL, TBC, FL, BOW then creating break lines along the points. Then create a break line for the pads, and build the FG contours from these break lines.
after creating Polygon Primitive Shape (dosnt metter what shape) if I scale the shape in only 1 of the axes and try to add subdevisions from the input my shape collapse
is there any way to change it? i dont remembering it was like that in earlier Versions of maya.
Currently, I'm trying to get through the following lesson: [URL]........
My problem: I'm at the part where I need to make windows, this, by extruding selected subdivisions inwards, using the z axis. The problem is that the selected faces wont enter the building. In others words, the selected subdivisions wont extrude inwards, so that no recess (or window) appears. They go outward just fine, but going inward, the subdivision remains lined up with the outer face of the structure, so that no recess appear and the structures face remains flat.
Here's a few screenshots to better show what im saying:
Wireframe mode: As you'll see, the window recesses appear just fine in wireframe
Shaded: When shaded though, this is what I get
Is it possible to run Flame or Smoke over a VPN? I mean, is it possible to get a license over VPN?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
I tried Smoke 2013 PR2 on my MacBook Air 11".
It uses all the available RAM that is 4GB.
Same experience with Smoke 2012 on my MacBook pro 13"".
Is that normal?
I have RED footage which I exported as EXR. When I import them back in, they look exactly like the RED footage. But when I import the EXR in Fusion, export it back out, and then import that EXR into Smoke, it looks brighter, although I didn't change anything in Fusion. (when I compare the EXR from Smoke and the EXR from fusion in my finder on my desktop, they look exactly the same). So what is Smoke doing with the "foreign" exr on import?I was also playing with the LUT settings. I get a result which is close, but I need to be exact.
View 6 Replies View RelatedWhere do you set context in batch in the 2013 prerelease?
View 9 Replies View RelatedWhen I export a XML from FCP 7 all of my files come over and link but there is no video with my HDV files (1440 x 1080) all of my other files (Canon FX etc) come over fine.
View 9 Replies View RelatedWhat is the best way to downconvert 5D HD to SD?
I converted the h.264 files to uncompressed 10bit. Bringing in the footage and XML was fine, but as soon as I resize to PAL (the timeline was changed to PAL, as was the output on the AJA) the picture starts anti aliasing in detail areas. I have processed this with every filter in Smoke with no satisfactory result.
I am having issues for a long time regarding importing XML into smoke 2013. Will try and explain you in breif.
First When we try an import XML into smoke it just doesnt do anything, in the message history box it comes up saying FOUND 0 SOURCES.
Nothing gets imported at all. No footage is imported, nothing is shown in timeline as well.
Second For a different project when the XML does get imported, the videos get imported but then again nothing is coming up in the timeline and in the message history box we get the following error.
XML Validation Failed.
Cannot process unliked media.
we have checked all the import options to make this work, including max up level and the rest but nothing is working.
I must have changed a setting because today my interactivity in CFX has taken a hit, specifically when making Axis moves. The move doesnt register until after I have made a change in the Axis field.
I know there is a setting for this but cannot remember. Am not having the same issue grabbing Axis in viewer.
I'm currently trying to conform an XML from FCP 7 into Smoke 2012 (Linux). The issue I have is that the files I want to conform with are MFX, however the files used in the FCP timeline are PRORES, therefore have a '.mov' extension. This means the Smoke is not seeing the MXF files due to the extension & the only way around it I have found, is to edit all of the '.mov' extensions to '.mxf' extensions in the actual XML. This works well, but is a complete nightmare, particularly as I'll have to do this for 13 half hour episodes!!!!
I have tried all the different combinations of Filename, Timecode, Tape, etc, but none work due to other metadata issues from the filming of the footage to it being delivered to our edit suites!!!!
Any way of making the Smoke ignore the file extension?