AutoDesk Smoke :: Duplicating Project To Have Template Sequence To Modify When Required?
Apr 6, 2013
I have to say that so far, after an intensive week editing a project in Smoke, things are getting quite clear, though I didn't dive deep in CFX, apart for some white balance and curves modification, so I don't have experience with any other FX feature, 3D, etc...
I like Smoke for non multi-cam work, so I think I'm going to implement it in our workflow.
And about workflow is my question: We have a video format, opening title, footage with TV bug as an overlay, music background, and ending title.
When I was working in Final Cut Pro, I could open different projects at once, so it was easy to create a template sequence in a template project, copy and paste the footage in the current project while keeping the fixed elements on the timeline.
Now, Smoke can't open more than one project at a time. I don't even know how to duplicate a project to have a template sequence to modify each time I need.
What kind of workflow required in order to reduce editing time by keeping a template that we can modify each time we need?
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Jan 12, 2014
when caching .png sequences it happens a lot that some portions of the clip are not being cached. Or at least some frames are still pointing to the original .png's so that playback stutters.
This happens both in a normal HD project, but a lot on a current UltraHD 60p project on the proxy-generation (set to 50%). A workaround is adding an effect, render it and commit the clip. But this is not suitable on the big 60p project.
Observing the percentage counter in the lower left corner gives me the strange suspicion that it is happening to those portions of the clip which are being cached during the autosave process. There are a lot of them. Converting is not an option. Mac and storage are fast enough.
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Sep 15, 2013
Is it possible to use a Sequence as a Source? I like to use stringouts of source clips while editing as well as sections of existing Sequences as source material for new Sequences.
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Oct 24, 2012
I using Apple Pro res HQ 1920x1080 source files. I'm setting up my sequence to be the same size. However, Smoke resizes everything.
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Nov 17, 2012
I have a sequence that's 2 and a half minutes long, but my final edit is 2 minutes. I want to change the duration to 2:05 so I can export out various versions.
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Sep 6, 2012
I tried working on PNG image sequences instead of video footages.the problem is Smoke recognizes the fps as 59.94, and i want to make it down to 25fps.i tried using PAL.cfg, the frame rate did change to 25fps but when the sequences are imported in the timeline, its still 59.94fps.
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Sep 25, 2012
I am having some issues with the newly added Sequence Publish function added in Prerelease 4. I have tried using both the built in AAF export option, and have tried a custom DPX image sequence with EDL export. The function is able to do the final sequence render in preparation for the publish, however it doesn't ever actually publish either the DPX sequence or quicktime movies I request it to. I am left with a folder which contains the edl or aaf file, but no corresponding media ever gets written out. When I check the jobs tab in the mediahub, it just shows "waiting" as its status, but it never progresses past that point. I have tried this function on three different timelines with different media, and it still won't write out the publish sequence. I am able however, to export the sequences to a quicktime as I would normally.
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Jul 22, 2013
Kind of at my wits end with this software. Decided to give it a proper test on a job involving some wire removal and a bit of 3D comping. Every day brings hourly crashes, corrupted sequences, black frame renders, inability to archive projects, on and on. It's like every shot on this project is a minefield of troubleshooting and trying to find workarounds just to get a render complete. I'm spending easily an extra 20 hours a week just trying to overcome problems with the software.
Now I've got a sequence that I literally spent 4 hours on and just trying to open it brings smoke to a hard crash. Trying to make a cfx clip of the sequence takes half an hour to save so I've only been doing that once a day.
Smoke 2013 EXT1
iMac i7 3.4Ghz
NVIDIA GeForce GTX 680MX 2048 MB
32GB RAM
MAC OS X 10.8.3
Promise R6
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Jul 2, 2012
I was wondering if there was a way to manually save my timeline. It seems I can set the autosave for every few min, but I'd prefer to be able to save the timeline on my own, like when you get something perfect and don't want to chance a crash between autosaves.
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Mar 18, 2013
Is there a way for me to output certain in and out points instead of a whole sequence. I have a long clip and only want a small section of it, where in Smoke 2013 can I input the in and out points I want rendered? I can't see it in CFX and If I mark an In and Out point on the timeline it still renders the whole clip.
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Jul 9, 2012
I opened 33 sources as "open as Sequence" behind each other and after doing that double clicking on the source or any source isn't loading it into the source viewer. There is no icon next to the source indicating that it isn't a source. After the fourth selection was open as Sequence. the one that was opened as the first is recycled and the Sequence Icon disappears from in-front of it. So there is only four icons at any given time in the list.
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Jul 7, 2012
I recently got a movie file from a client. This file is actually an edited video with straight cut edits. So I dragged this from the bin / media library onto the timeline and proceed to chop up the video according to where the cuts are using ctrl v, like how I usually do in premiere pro. I then selected one of the clips and added color correction to this clip. I found out that all the other clips were being color corrected as well.
I removed every thing and re-started from scratch using the source monitor to mark in and out for every cut. This time it worked properly with just the selected clip being color corrected. Is there any way I can do this like in premiere pro timeline with the razor blade but each clip becomes an individual one?
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Oct 8, 2012
Can Smoke export XML?
What if I edit in smoke and want to export an xml of my sequence for color correction in another app that imports xml.
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Oct 31, 2013
is it possible to export to a movie just a particular part of the sequence (say frame 100 to 500) similar as you can do in After Effects exporting just a work area?
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Aug 24, 2013
Having cut together a short commercial recently, I have been unable to export my sequence/ work. There are no error messages, only incomplete exported versions of the sequence (sometimes 1 second, sometimes 8 seconds!) or nothing at all. It will go through the motions and not generate an exported file.
I have attempted to export my sequence multiple ways - from the timeline, from the media library and from the mediahub - with identical results. I'm totally at a loss. I've also gone back to a sequence which I was able to export successfully one month ago and now I get the same problem - either no result or some fractional piece of the edit - never more than a few seconds. My finished edit, by the way, is a 30-second spot.
For example, here's one way I've attempted to export:
1. I select my sequence from the media library and right-click for export.
2. I select movie, choose my destination, and select a format preset (I've tried just about every preset, hoping it was a preset error of some kind), and
3. I hit export.
Instead of the spinning prompt in the lower left corner, showing me a percentage countdown (or count-up) - which was present a month ago when I was las exporting a show -I get a quick audio mixdown prompt in the lower left then nothing. It all happens in less than 1 second from the time I press "export".
I've copied the console log for your review. This particular effort/ screenshot resulted in an 8-second clip, which is the longest one (still incomplete) I've been able to generate since I attempted to export starting yesterday. Again, my sequence is 30 seconds, and it either does nothing, generates an empty file (45k in size) or creates an incomplete movie file (usually 1 or 2 seconds).
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Jun 21, 2012
I've been called upon to use Smoke as an intermediate between offline and color session elsewhere. I need to export a DPX sequence for the colorist to work from. Can I easily do this in Smoke? Just conform the offline and export DPX sequence? Also, can I put in handles and include original source timecode?
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Jun 5, 2012
I have R3D footage which I imported in 2K. For a couple shots I need a higher resolution, so I matched out my original clip from my timeline, saved it to my library, double clicked and selected Modify Clip History, where I set my layering to full. I don't change anything else, however, now my In and Out TC are not correct anymore! Everything is fine, just until I hit the Modify Clip History and Apply the changes.
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Jul 13, 2011
Is it possible to change the settings of red files that exists in a sequence?
I've tried altering the red import settings of a sequence that contained the same clip cut up and a sequence that contained red files and non-red files, but the change seem to only work on the original clips.
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Jun 29, 2012
In a future release of Smoke 2013, will it be possible to export an xml to send a sequence to DaVinci Resolve since Autodesk Lustre still does not work on mac?
I understand that Smoke has some great color correction tools, but when it comes to be fast and productive, a dedicated color grading application is what is needed.
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Jan 8, 2014
I have a huge series of PNG images (name 1, name 2 ...) and I want to import them individually not as a sequence. I also like to set them to a specific length, if possible.
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Dec 18, 2012
I can't seem to get source clips to Gang with the timeline in the record area, did we lose this? I always gang up my reference with my conform so I really hope we havn't lost this!
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Jan 28, 2013
Simple way to select multiple clips in a sequence and change their durations to, lets say, 5 frames each. I'm basically trying to make a "stop animation" edit using footage that was recorded with different durations.
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Mar 14, 2013
I have more than 50 geometries in my Gmask module, now I want to change all color to 0. Select all geometry and change the value doesn't work. I know I can always invert it in the next node, but I just wonder if there's any button that I missed.
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Jun 21, 2013
Quite often I'll paint up a frame, having forgotten to switch 'current frame' to 'sequence'. Is there any way to copy and apply a current frame's paintups to the sequence after the fact?
smoke 2013 EXT1
iMac i7 3.4Ghz
NVIDIA GeForce GTX 680MX 2048 MB
32GB RAM
MAC OS X 10.8.3
Promise R6
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Jun 12, 2012
I set up a sequence that is HD, but I have source material that is 2K (2560x1440). When I try to insert or overwrite said source clip to the sequence, it should insert and automatically add a resize node. Instead, it changes the sequence size to match the source size. Bug?
Also, I can't seem to find a way to resize the output of my connectFX node to match the sequence size. For example, lets say I want to comp a bunch of shots that are 2K in action, and then output an HD sequence matching my sequence size. How is this done? I have changed the comp size in action and linked that to the connectfx node, but it just puts the smaller comp size in a black box which is the size of the source material (in this case, 2K).
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Jan 7, 2014
I would like to modify the 16-bit Float EXR compression for my Framestore / Media Storage. What is the syntax? I would like to use 16 bit half with Zip16 (16 scanlines).
I am currently using "floatVideo=EXR:ZIPS:16" and several variations with no success.
SMac 2013 Ext1
3.33 GHz 6-core Intel Xeon
48 GB 1333 MHz DDR3 RAM
K5000
AJA Kona 3G
ioFX 1.6 TB
Eizo ColorEdge CG276W (artist monitor)
Sony XBR 4K UHD Display (client monitor)
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Feb 10, 2013
I had to uninstall Smoke earlier to attempt to get the export function working. In doing so I had to run this line of code in the terminal: sudo rm -rf /usr/discreet/
When i reinstalled and eventually got it working again Smoke didn't see the project i had spent a day working on.
Is it possible Smoke deleted my project when i ran the line of code or uninstalled?
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Jun 25, 2013
I just spent the last couple of hours programming 28 stills with edges in CFX. I phsically clicked on save project repeatedly in those hours, especially once I hit a MAJOR milestone. I added a shadow cast node in action and my system locked up. I was forced to force quit. When I reopened my project, I found that I lost a couple of hours worth of work. In the months going on year of using this editor, I find that smoke 2013 is very well intentioned, but seriously lacking in very basic functionality. Putting out a product that is touted as a powerful editor that doesn't have a audio cross-fade node (lost in EXT version), can't add a simple outline to a clip with a button click (the reason I spent hours adding a hard shadow and changing layer priority for each of the 28 clips and finally and MOST importantly, saving EACH AND EVERY TIME the editor clicks save to completion is simply doing a diservice to a quality product. when a person clicks file-save project, the project should save fully.
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Jul 15, 2013
I have Smoke (same version) running on two seperate Macs. Each Mac has an external thunderbolt drive for the media storage.
I worked on my project at home on Mac #1, and assumed I could bring in my external drive and use it with Mac #2.
When I try to add my drive from home to Mac #2, it creates ManagedFolder1. Which of course doesn't have my project in it- my project is on ManagedFolder0.
I suppose this may be caused by the fact I already have a ManagedFolder0 on a different external drive for this Mac, right? So I removed that drive, assuming I could then re-add the drive from home and allow access to the 2nd ManagedFolder0 with my project.
It just shows my old projects from the other drive still, but everything is broken inside of them. This makes sense as the drive is disconnected.
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Jan 4, 2013
What's the easiest way to send a project to a collaborator outside my facility? Everything will remain in Smoke. All media files exist at both locations so we just need to be able to share the project files. Is an archive the best bet?
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Mar 26, 2013
I did a project in SMK2013 in trial mode on an iMac. Mostly unmanaged media - links to ProRes Qts from Resolve. Sadly, I forgot to archive it before the 30 day trial expired.
I just installed 2013 on my main Mac Pro, and it's all licensed, and good to go - beware of a licensing issue with OS 10.8, by the way... (I'll write another post about that.)
I copied all of the linked source media to the new system, and using the MediaHub, I can see the projects on the iMac (even though I can't launch the app anymore), so my plan was to bring the sequences and rendered files over via Wire, then re-link to the ProRes source media on the licensed system. Easy, right?
I can copy the sequences over just fine, but in the conform tab - I can't get any of the Resolve files to relink. I've unlinked the shots, and set the file path straight to the prores media folder - the only thing different is the name of the drive it's linked to.
any column I choose to match - every file turns red. I've double checked the file names, the timecodes, etc... Everything matches up exactly, and yet it never finds a match, showing a conflict in every field I try to use as a match.
I thought i might have better luck if the media folder was imported into the project, and then manually set that folder a conform search location - but I crash every time i've tried that.
SmokeUser since 2012
MacPro w/ K3
32 GB RAM
CalDigit HdPro2 RAID
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