My exported gray scale jpeg image is coming back from the printer with a reddish tone. I'm applying a black 0% saturation transparency, using the gray scale color model in the Color Editor and applying it over the color drawing on the top layer.
Still, the print comes back with a reddish tone to it.
I have a LOGO that is vector, a software where im using LOGO says that for best results I must export my LOGO to JPG, at least 300 dots per inch and must be GrayScale.
Now, my LOGO is already black and white, do I have to select somewhere GrayScale to export with that optsion selected or I just export to JPG regular way since LOGO is already BW?
I'm trying to combine a monotone image onto a grayscale image to use in my Indesign file. The whole job has to print two colors.
How can I easily make the diaper a PMS color and add it to the grayscale baby and still maintain two colors (PMS + K)
Right now, I'm cheating and combining the PMS diaper onto the grayscale baby in Indesign..... but I really need to have this in Photoshop so I can add shadows to make it more convincing. I tried converting the grayscale to CMYK and deleting all channels but black, didn't work as it took away all the information from the image.
I'm using Photoshop CS6. I have a CMYK image of fruit on a white background with a drop shadow that has some cyan, magenta and yellow. The drop shadow is NOT AN EFFECT. It is part of the original photographed image shot against a white background.
I want to turn the drop shadow into a percentage of black only. I have masked the foot so I have the white background and shadow isolated but now I'm not sure the best way to make the shadow a percentage of black only.
I used the live trace object on a graphic, expanded it to select objects and change the color. Every time I make a selection it goes into gray scale. I will switch the color settings back to cmyk and as soon as I make a selection again its back in gray scale.
I draw comics digitally in Photoshop, working in Gray scale mode to reduce file size (I work very high-res). Is it possible to make Photoshop display certain layers in color, without switching to either CMYK or RGB mode?
I have many images that I need to change the color mode to gray scale - is there a way to do this fast, other than opening each image and changing its mode to gray scale?
I would also love to be able to change the image sizes all at once - any way to do that?
CS5.5 or CC – I have experienced several times that flat grayscale imaged - corrected and nice in PhotoShop turns up much too dark when placed in InDesign.
I make sure no effect or colors are applied to the frame or picture, but still no effect.
If I force transparency on the actual spread (by placing two white items on top of each other, the topmost multiplied on the master page) then it looks correct at once.
It makes no difference if it is a flat grayscale jpg or a psd, even a psd with a white background turns out this way.
Is there a proper way to gray-scale objects in a drawing? What i have done is turned off layers and point groups that I want to remain in color and selected the rest and changed the color in the properties box. Any way to move back and forth from gray to color.
I'm running photoshop cs3 on XP. Does anyone Know how to change the color or I should say the grayscale of facial features on a photo without changing the texture or anything else. These photo are all grayscale.
For instance if I take a photo and invert it all the grayscale is changed. The hair might be lighter, the nose darker, the eyes somewhere inbetween. Of coarse a perfect negative is made. But lets say I want to lighten the nose a bit without changing its texture or anything else about the nose. And I want it all to blend together just as it was done when the photo was initially inverted ....
I do not get the same results with grayscale images reproduced as halftones. While they are not true grayscale prints, the inkjet prints of grayscale images that I print from Photoshop always look good.
However when I see the final publication 20-30% of the halftone images will look dull. Is there some way to better visualize with Photoshop what a grayscale image will look like when printed in halftone?
We have a number of printers in our office, an A3, an A1 plotter and an A4 printer.
After printing off the same drawing to the A3 and the A4 yesterday, I realised the A4 printer is printing around 95% of the size it should be printing.
I don't even know where to start fixing this problem; the user manual for the HP Officejet Pro 8000 Enterprise [I know!] doesn't even reference scale at all. It could be an issue with CAD linking to the printer my computer linking to the printer the printer My colleagues are having the same issue, so it's not just my computer or settings.
How do I return the color gradient or gray scale to beneath the sliders. They are all just currently gray. The whole process just slows me down not seeing the resepctive colors or greys beneath the sliders.
I have a Makerbot Replicator 3d printer for my class. I am having issues when I save my drawing as an stl file bring it up in the Makerware software it decreases the size and I can't get things to scale. I have been in contact with Makerbot for several months and their response is now: "We actually may have had a bit of a breakthrough! Apparently there's something off about the way that Inventor exports files to .stl, and there may be a bug in our software when scaling. Whenever exporting to .stl, especially in metric apparently, Inventor makes the object 10% of the size. To correct for this, can you try scaling your model by 1000%, then exporting to .stl and bringing it into MakerWare? Send me a copy of the .stl either way, and let me know how it goes!" and "The issue is not something we can fix because it's not an issue in MakerWare.
Having an issue with Xara Pro 4 and AccuRIP (Epson1430). Not sure if it's Xara, The printer or AccuRIP issue.
THE ISSUE - when sending multiple pages to the printer, where the pages are spooled, the output will have vertical rasterized streaks of zaggies throughout the output.
THE SOLUTION - send 1 page at a time, wait for it to print, then send next page. FYI Corel has a similar issue when sending several spot pages at the same time.
I have tried searching the forum how to do this but all the posts I can find talk about using Illustrator etc. I wish to send a PDF/X, 300 pdi file to a commercial printer (A4 and then A3 versions) using just XDPX.
How do I include bleed margins and crop marks?
I tried to achieve this by creating a custom page oversized from A4 to accommodate crop marks and a 3mm bleed margin. When I exported this as a .pdf I got a displaced image within an A4 page. How do I create a suitable file?
Hopefully my title gets the point across. I've read numerous threads on here where people seem to have the same issue, but I've yet to discover a solution.
I recently bought a new pc and installed Corel Draw X5. When I export to eps and open the eps in Corel, the Pantone colors appear nearly black. This is also true for my clients, although I'm not sure what program they are using to open the eps.
It is worth mentioning that on my old PC I did not have this problem. EPS files I exported from Corel Draw X5 were fine. I could export eps files containing Pantone colors, and the Pantone colors would be there when I opened the eps file.
The settings I'm using under export to eps dialogue are the exact same settings I was using before:
Output colors as Native and PostScript 3.
I am running Windows 7 Home Premium SP1, and CorelDraw X5 15.2.0.695
I have a complex (includes tints) clip art object that needs printing in a specific pantone color I just convert it to grayscale using edit>find and replace objects>color mode. then print it as a black plate and just use another color on press.
Today I had to send off artwork to another printer. Dang. How to install a macro. Import clip art to be modified to a new document, do not do this in your working document.
Use Edit>Find and Replace> Find Objects Replace a color model or palette. Next Leave as is except change Replace with color model to "Grayscale" Next>Replace all
Repeat 2-4 for 'outlines' if you have them.There you now have a gray scale clipart, but the fun continues!You'll need to know what pantone color you want to use. Let's say Reflex Blue. Make a square and color it Reflex blue from a pantone palette.Duplicate the square and create swatches at 90% 80% 70% etc down to white.Select these square swatches, then Windows>Color Palette>Create Palette from Selection. Save palette with a temporary name, it is only time use. Or you could call it 'Reflex Blue'Now go to this website and download the macro "limit colors" URL...
Drop it in your GMS folder in under your username to install the macro. (might have to save the drawing and restart Corel...)Once you reopen your now grayscale clipart document, Select the clipart. Run the macro (Tools>Macros>Run Macros) LimitColors.Posterize select the number of colors in your new palette if you created 10% swatches, go with 11, if you did steps of 20% then you'll do 6 (don't forget white).Run the macro LimitColors.LimitColors and select your new palette you made in step 9.
How do I change the default toolbar background from dark gray to light gray in illustrator CS6? In the older versions, the toolbar backgrounds were light gray. It easier to read on light gray backgrounds. THe same question applies to Photoshop CS6. InDesign CS6 has light gray backgrounds.
If you have a multipage document such as the plans for a house you can have a different scale factor on each page if you turn off "All pages in document the same" in the Options dialog's "Page Size" tab.
Then you can set different scales on different pages. E.g. 1:100 for house floor plans and 1:500 for site layout plans.
My company is switching from ctb files to stb files. With the ctb file, we make concrete hatch with two layers. A top layer with the concrete hatch pattern and a background layer with a solid hatch patern. The ctb file concrete plots the concete hatch black and the solid background hatch light gray. I am using civil 3d 2013 and the hatch allows a seperate background color mask. I am trying to make all my concrete layers (Top of Curb, Curb Flowline, etc.) a certain color scheme, i.e. shades of green. I would like my on screen concrete hatch patern to be a green color with a gray background, but plot the concrete hatch black with a gray background. I can not figure out how to do this without making two layers. Is there a way to use one layer and utilize the background color mask to show on screen green and gray, but plot black and gray?
In Photofiltre, it's dead easy to extract the gray tones from an image to boost up the colours. It's often better than just increasing saturation or so.
But since I have Photoshop CS3 I'd like to do it there. It must be possible to do something like that too. But how?? I just can't find the right way?