Im trying to copy a channel as a separate layer Im not sure how to word this right. I wanna keep the red channel cause like it as a starting point but i also want to keep the RGB to add some of the original color on parts of the red channel
View 1 RepliesI am interested in B&W conversion from color. I need to copy a red channel information to a new layer, how is this done in CS?
View 8 Replies View RelatedI am a screen printer and I print my separations from Photoshop. I routinely work with multi channel files or RGB files with additional spot color channels. I have created actions to place my registration marks, re-size images, etc to get ready to print but I manually have to create the text labels for each screen if they are missing from the original artwork.
The files I work with have channels named as "Base White, Red, Green, 284 Blue" etc indicating the ink color. What i would like to be able to do is click an action that would copy the text from the channel name and insert it into a separate or each/all channels near the top of the file so that when I print each positive it has a corresponding label for ink color.
I am not sure if this is even possible, and I am limited on my knowledge when it comes to actions and have pretty much got lucky in the past getting them to do what I want without unnecessary steps.
On my registration target action it creates a new channel with each individual reg mark then combines them into one separate channel in which I just copy the contents and select all the ink channels and fill with black to make them appear, i'm happy with the steps it takes as it isn't too much trouble and if this could do the same with labels I would be happy with that.
I have created a short (<3 seconds) video comprised of 2 layers. Each layer was filmed as a green screen, and I used Keylight in After Effects CC to create a transparent background. My ultimate objective is to use the clip to create a transition for use in ProShow Producer, as described in the link [URL]..... To do this, I need the main video file, and a second file containing only the alpha channel.
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I have used Adobe Media Encoder to output a FLV, and told it to Encode Alpha Channel, as was suggested, but I only get the one file (the main video). How do I get the alpha file?
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I am using AE CC.
I need to print a document with partial UV-spots, and cannot figure out how to make my Illustrator document ready for print!
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The online print center guides me to: create a 'seperate print channel' for the specific elements in my document i want covered, with either a '5th color or a special color' set for 'over-print and 100% color'.
What I want to do is to have an adjustment layer that is a reversed, black and white image. I initially thought to merge B&W and reverse adjustment layers, but read that an adjustment layer may not be the target of a merge. Is the way to accomplish this to fiddle with the B&W adjustment layer sliders somehow?
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I like how the black and white displayed image of a given color channel looks, how can I export that channel into a layer?
(CS3) I have a raster layer that has some semi-transparent pixels.
I'd like to make the layer itself fully opaque, and move the contents of its alpha channel into a layer mask.
(If possible, merging the alpha channel with what I have already placed into the layer mask.)
when a copy is made of one of the channels be it the red channel , the new channel that is created will automatically be named alpha 1, but on my photoshop it will be called red copy . Do I have to name it alpha 1 or is there a setting I have to make.
View 1 Replies View RelatedI'm adjusting a photographic image and am using both a filter effect and a layer style in the same layer on a Smart Object. I want to separate the two effects into two layers, so one layer has the filter effect (Nik) and one layer has the layer style (Color Overlay) (with the goal of merging/rasterizing the Nik filter effect with the Smart Object but keeping the layer style unmerged). I can make two layers and move one effect without problem, but the visual result of each effect on a separate layer is quite different from having both effects in the same layer.  The Blend Mode for all my layers is Normal. Within the Color Overlay panel, the blend mode is Linear Burn.
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 Layer 1: a layer style and a filter effect, stacked
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looks very different from....
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Layer 2:Â a layer style
Layer 1:Â a filter effect
I have photoshop cs6, and I was just wondering how to save a selection in channel mode.
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So for example (below), If i wanted to only copy the part of this picture that has white and the plant in the picture how would i do this? I've tried colour range but it didn't work so I am very stuck.
I have some textures, and i am trying to pack them into texture atlas. All of them are RGBA png's generated with PIL (Python Image Lib). I am opening all of them in gimp and copy-pasting them into their new place in texture atlas.
But i have noticed something strange, i am storing specular map in alpha channel of my diffuse textures, and emission value in alpha channel of normal textures.
The problem is, that GIMP does not copy pixels with 0 alpha value into clipboard. So, when i am trying to copy a normal map from source to atlas, and if emission value is 0, then GIMP is not copying anything, i am getting empty layer pasted into my atlas, if there are 0 alpha value pixels in diffuse map they are not copied to destination, even selection outline shows that there are no pixels in places where specular is set to 0.
I've made some selections by color range to recreate a scan and have them as channels. When I save them as a pdf while veiwing only the channels the result is a blank pdf. I'm thinking I should convert the channels to layers but can you. It seems I've done it before.
View 2 Replies View RelatedI have a nice image that has lost the red channel histogram data for about half of the image. It can still be viewed, and the preview is correct.
Can I copy the histogram data from the red channel of the non-corrupt portion of the image? I know it's the red channel because when I open the color data from the corrupted portion the red channel is literally non-existant.
Can somebody tell me the method of separating a shadow from a layer where you added that shadow ?
I haven't use this technique in years, but wanted to try this, and now cannot seem to do it. I remember way back, there was a simple command to accomplish this, and it seems to no longer exist.
Suppose I have carefully made a selection and saved it as a channel. I then use that channel in an adjustment layer as a mask. I also use the inverse of that channel in another adjustment layer.
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At this point do I have three separate masks inside photoshop: the original channel, and two others that are layer masks? If I then see that the original mask wasn't quite right so I do a refine mask on one of the layer masks. I haven't, I think, changed the original channel, right? But I'd like to use the inverse of that channel in the other adjustment layer.
This gets pretty messy pretty fast, especially because I'm working on a very large image. After I modify the layer mask should I save it off as a separate named channel (it doesn't seem to be accessible unless the layer it's on is active) and then invert that, save it, and reload it as the layer mask for the other adjustment layer?
Is there any way to record a Photoshop maneuver like airbrushing onto an otherwise transparent layer so the end result is an animation?The real world equivalent of what I'm trying to do would be to have a video camera behind glass and a spray can spraying the glass from the other side.
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I know there are programs that record what's on screen but I don't think they allow you to have a transparent layer. I may be able to use one of those programs and key out the non airbrush background. I'd like to be able to import the animation into Premiere so it looks like paint has been sprayed over whatever clip is underneath the airbrushing frames.
How do I put a selection on a separate layer?
View 3 Replies View RelatedIs there a way to save a cutout layer as a separate file?
View 3 Replies View RelatedI am using Creative Suite 5.5 on my MacBook Pro...and today had issues demonstrating the simple process of dragging one person/image onto another, applying a quick mask to do some simple morphing.
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But...one, I couldn't drag the image from the internet and drop onto the project, but had to go to Edit and copy, then create a new file and hit paste. Placing one image side by side to another...I was not able to drag the image of one person to drop onto the other. I either had to use the marquee tool, drag around the image, copy and paste or...found I could drag the image from its layer in the layer's palette and drop onto the project.
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More frustrating was that once I had both images in the same project, I was not able to move the new person/image added to locate in right position over the background person/image. I would drag it to that new location, and it would snap back to the original location. Obviously the need to take any image added and move it around to orchestrate your image is important.
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I have asked a number of artist friends, checked the mode (both images are RGB) and both images at 8 bits...
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I presume it is a simple command that will release the image to stay where located using the Move tool...but am not familiar enough with Suite 5.5 obviously.
How would I create a separate layer to do cloning touch ups?
View 1 Replies View RelatedI am wondering if there is a way to create an adjustment layer that only affects two layers that are spread apart. What I'd like to be able to do is change the color of both layers at the same time.
The problem is, I can't group the layers together and add an adjustment to the group because one of the layers (Number Color Flare) has to stay on top of the rest.
way to automate the process of adding my company name and most important file name to the image. What I want to do is, before sending a preview to the client, to put my company logo and name of the file directly on the image, let's say in the right and left lower corner of the image. My clients usually want to print the images and have the file name right in front of them so that after they choose the image they can tell me which of the versions/files they like, without going back to computer and looking for the file name there.
View 4 Replies View RelatedI'm using elements 11. I'm trying to separate shadow into a new layer to work it. When I copy and past layer style into new layer, FX icon appears next to new layer, but no shadow. My settings are visable. I can see the shadow in the original image, just can't separate it into new layer.  It seems like I'm missing something simple. Is this possible in Elements 11?
View 8 Replies View RelatedI'm trying to copy a portion of a graphic and put it on another layer while keeping it's exact location as to how I view it am I understanded?
View 3 Replies View RelatedThis question is more theoretical, as I have found a work around. On a layer, I have a gray color, which I sample, and it becomes the desired Foreground color.
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I would like to Fill a Selection in an Alpha Channel with this gray color.
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However, when I view the Alpha channel, my forground color is lost to black/white, which I understand, as the Alpha channel is a gray scale image.
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But, I am able to sample a gray Swatch to make a Foreground color, but how can I preserve my chosen Foreground gray selected from a Layer? The only way that I know would be to make a new Swatch, and then use that when I am in Channels.
when I added a layer mask to a layer, it would display in the palette as the alpha channel, which was very handy. Now, when I add a layer mask, it only appears as the mask icon; i.e., gray square with white circle in the middle. I have no clue what I did to change from the one to the other, but I would certainly like to get the alpha representation back!
View 3 Replies View RelatedI am making selections of models off of a white background. I use the quick select tool and refine to make a clean selection. I go in and use the clone tool to remove the "halo" that is still there to make a super clean selection with no light bleed on the model. I put a black layer underneath to make sure that I got all of the remnants. I save the selection and turn it into a channel. I apply the layer mask and everything looks good. I flatten the image and put it on a white background (this is the desired form of delivery for client) Image saved and closed. When reopened, I make a selection using the channel and there is a distinct halo effect still present. I have tried making the selection and going over it a couple times with the brush at 100% and it works a little bit, but not entirely. I have already spent a lot of time going through cloning things out so it looks good, delivering the images, then they are sent back because of the halo.
View 8 Replies View RelatedThere are many times you will "place" a picture file inside your Photoshop document, and want to resize it, put it in a different layer, or crop the image inside Photoshop - but you may find a simple error message or grayed out layer via copy/cut prevents you from doing so.
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To do this, you will most often do this one of three ways:
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1) Select the Marquee tool and outline the area of the image you want to copy or cut
2) Go to Layer > New > Layer via Cut/Copy
3) Click Ctrl+J
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Many times, you will find none of these selections work. All options will be greyed out. You may be tempted to create a new layer, and then use one of these options in the new layer. In this case, you will get the error message "Could not make a new layer from the selection because the selected area is empty."Â All these errors are a result of photoshop not identifying pixels that you are trying to cut/copy.
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There is a simple solution to this problem. Go over to the "Layers" box, and click on the layer listing for the layer where your newly placed image resides. Make sure your image is the only item in this layer, if not relocate the image into a new layer by itself. Right-click on the layer where your photo is located in the "layers" box and click on "Rasterize Layer".
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Once you do this you will now be able to follow one of the steps above to Layer Via Copy or Layer Via Cut.
I am trying to copy "fx" from one picture to another but when I try to drag to next photo it doesn't seem to work I have held the alt key and dragged but no luck...
View 3 Replies View RelatedI have been trying to copy a mask from one layer to a new layer in Elements 11. I can do this in CS3 by using alt and dragging to the new layer. It doesn't work in Elements 11. Is this feature unavailable in elements 11 or is there a different command? there doesn't seem to be much point in spending all that time making a complex layer amsk and then being unable to use it on another layer.
I have to give a tutorial on layer masks using both CS3 and elements at the Camera Club!
How to use layer masks to separate line art from white background ?
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