Photoshop :: Color Correction - Achieve Over Exposed Effect
Oct 20, 2013How to achieve this kind of over exposed contrasty effect of a picuture?
Here were the examples.
How to achieve this kind of over exposed contrasty effect of a picuture?
Here were the examples.
Edited
View 1 Replies View RelatedTake a look at the following site:
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For the background image halfway down, there's a totem pole sort of "merged" in with the color. But it's not simply an overlay blend mode or opacity change. It has essentially seemed to adopt an entire palette based on the background color itself.
I think I recall a way to create this effect in Photoshop, but in GIMP I'm stuck. How would one go about making that "color overlay", given any regular picture and a colored background? I'm doing this for a website, by the way.
In my work I have to draw shoes from sketch. They have to be photorealistic but achieve photorealistic texture is very hard.
View 2 Replies View Relatedhow to make a photos look like this in photoshop?
View 2 Replies View Relatedhow to achieve the texture effect like in the picture have attached?
View 1 Replies View RelatedI am looking for that chair is too old/paint falling off/grass overgrown effect. The whole look that the picture is acient and fantasy liek. How do I achieve this? Maybe any links to specific tutorials?
View 1 Replies View RelatedI'm looking how to achieve the circle ripple'ish effect that can someone be seen in the outer points of image marked with "1" - (ignore the lens flare itself, don't want it there). I've just played around with some tools to see if I could get somewhere near the effect - this is not quite perfect though. The image marked with "2" got a very low opacity example of this.
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Im looking to do something like nr "2" with the white "ripple"/glow'ish effect. I figured it could be done in a manual combination of -> making a circle shape -> applying some effect to it -> copy the layer -> scale it down etc. But haven't been apple to find a useable combination and was hoping there perhaps were some filter or other method.
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How to achieve a 1950s painted pin-up effect?
View 3 Replies View RelatedI am trying to put a layer on top of another and achieve a specific effect.
My bottom layer is a normal color image, however my top layer is a single object with completely white background. I am trying to over-layer the two in such a way that the object on the top layer is fully visible and blocks the space behind it. However the white portion of the top layer should not interfere with the bottom image. I know there is a cropping method but I cannot use any cropping in what I am doing. I need to figure out how to do this effect using layer options.
The trick is that I have a completely white background on my top image, so I think there should be a way to make white transparent but at the same time keep the object visible.
Here is a sample of what i am looking for (I did this using cropping technique but need to figure out how to do it using layer options/effects such as multiply and overlay)
How is it possible to achieve the "glow effect + chiseled" text effect of the FI text logo (top left corner) here?
View 1 Replies View RelatedWhen shooting Portraits this is achieved with a filter on the lense to make the dreamy soft diffused effect around the subject.
Ive been trying to find this same effect on Photoshop but can not find how to do it, with what commands?.
I've seen this type of effect used on photos, mostly for fashion ads, and how its done. Possibly, it has to do with lighting during the photo shoot itself. But it seems to me that there is also a significant deal of processing in Photoshop.
Mostly what interests me is that quality that retains a photographic look, while at the same time gives the image a somewhat plastic and unrealistic feel to it.
I tried to attach a sample image which shows exactly what I'm talking about... but it seems that since I'm new here I can't include links until I have at least 5 posts under my belt. You can see the image if you look here: [URL] ....
I've been trying to figure out how to add a matrix syle bullet trail to an image.In case you guys havn't seen the matrix its a trail coming from the bullet that distorts everything it passes in front of.I notice this effect can be achieved by using the ghost trails plug-in for 3d studio max, but that takes a LOT of work and i was just wondering if any of you know to do this in photoshop maybe using the displace filter or something.If anybody knows how to do this it would be great if you could post a tutorial or just something to point me in the right direction.
View 9 Replies View RelatedAm trying to achive the effect of the attached, I'm talking about the bottom half with the red colour. Sort of looks like water or wine has been spilt on the paper... Anyone seen anything like this, even something along the same lines would great as a starting point.
View 1 Replies View RelatedI really need to achieve this effect of half face covered with a mud mask like in the picture attached below
and it has to be a very realistic effect. But no matter how much i tried i don't manage to get it right .
URL....can this be done in CDRx6, if so how I can create a film brush no problem, but how to achieve the 3d extrude effect has got me stumped.
View 14 Replies View RelatedThere's this bloom effect in many sci-fi franchises. Basically, a bloom effect is applied to lighting it make it look like it's glowing. However, the particular bloom effect I'm trying to figure out how to do is... stretched horizontally, for lack of a better term.
View 8 Replies View RelatedPossible to achieve emboss effect like this as vector?
View 4 Replies View RelatedI'm trying to find out how to create this effect? It looks simple enough however i'm failing
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I've tried layering and inverting but it doesn't create the same effect .
I came across an amazing Inventor animation on YT. Its a ball that rolls down the ramp, falls into/thru a hole and realistically moves objects it touches. How is that done?
How is that possible to achieve that effect of free falling/gravitation?
I've been experimenting in several programs (Lightroom, Photoshop) and playing with color balance and split toning but can't get these same vintage-ish color toned effects. Especially the toning and slightly opaque effect in the shadows.
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I am taking pictures of art and would like to correct the photos so that the colors are accurate. Need to use some kind of color swatch in each picture? I would like to include the color swatch strip in the edge of each picture so that I can correct the colors more easily and then crop the color swatch out. What kind of colors do I need in the color swatch? Also, would it be useful to have black/white/50% grey in the strip to work with leveling? I am going to correct the leveling and try to remove the color cast.
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I also have to photograph things which are very shiny (e.g. coated in shellac). How to use an external flash to minimize flash glare?
I was wondering how to achieve the "dotted" effect you see in the attached pic.
View 8 Replies View Relatedwhen you move it to PS he has you use the curves panel to color correct. Of course that entails using the black eye dropper and clicking on the blackest/darkest area of the photo, similar for the white dropper, and after a nice little trick to find the right spot......... an area for the midtone dropper.Â
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The thing is I've noticed that once I make that first click with the black dropper, that nice contrast I had from ACR adjustments goes out the window and the photo brightens up a lot. The final steps of putting 3 points on the curve and dropping the blacks end and raising the whites end brings it back a bit but I was thinking isn't setting the WB with the dropper in ACR already color correcting?Â
Even at the end of the book when he goes through his actual workflow using a provided .dng example he does all the ACR stuff and then moves to PS and uses the curves panel.
I want to display photos shot as JPG from a DSLR on a TV. When played on the TV they seem dark and lots of detail gets lost. How to make my images look good on a LCD TV? I am pretty new to Photoshop, would I just play with the Levels?
View 3 Replies View RelatedI am interested in which method to use to correct color. I try using curves and end up with a blown color look. Then I go into Levels and change what I did in curves.
View 4 Replies View RelatedI don't know why I can't change my Photoshop to Black either in foreground, or background color. I set it to 00000, but it shows dark green color.
View 7 Replies View RelatedIn PS 7.0. I have a brochure done by a printing company & I have the source photoshop files. I am creating a new piece, but I would like the brochure's background color to match the background of the new piece.I have took the background file of the brochure provided by the printer & placed it on the new piece. The new piece has been sent out to a different printer. It's stock is going to be 18PT.C1S with high-gloss film lamination.They have printed a proof & realized the background colors do not match. The brochure has more yellow in it. Is there a way I can color correct the file so I don't have to pay the extra for the printer to do it? Do I just add more yellow with one of the adjustment layers?
View 1 Replies View RelatedI am taking photos of parts for a client. I've got a pretty good method down with correcting the originals to achieve the results I need. First here is the original. I'm using different color temp light sources, the walls of the photo box are slightly gray, and the table the parts are sitting on are white. So i'm trying to achieve the most accurate camera settings to get the original below:
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After doing levels and exposure correction in PSD, I get what I want. I played around with the channel mixer and color balance to see if I can properly correct the object so it looks like gray steel, and not having that slight yellow/green tint to it.
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 The only way I could figure it out is to just turn off the hue saturation and it gives it a somewhat decent result as seen below: But suppose my object is made of gold, or has a piece of plastic on it that's red; if so, then turning off the saturation will not work.how I can use other controls in PSD to achieve a more accurate result?
I took some family portraits using a Canon D60, RAW files.
I'm using Lightroom and Photoshop to work on them, with the goal of making a hard-copy print.
Also, I used florescent photography lighting, with "6400K" bulbs that came with the lights.
My problem is a little yellow tinting in some of the skin tones. My face, for example, looks just fine except for the shadow areas around the eyes, where it seems a little yellow-green, looking almost like a bruise. Meanwhile, my nephew's face looks a bit yellow.
I've used (in Lightroom) the neutral eyedropper on white clothing and grey background, and everything else seems fine. That is, the photo is not over-all tinted. I've tried the different Camera Calibration settings, and tried the temperature/tint sliders to see what difference it made.
How I might improve my photos? I've attached a detail, saved with an ICC profile of AdobeRGB.