I have an image of a dohnut on a plate. I want a clippint path around the dohnut and one in the dohnut hole. Using the option icons does not give me a result of just a dohnut for placement over a color or image background in an Indesign page. I've tried this on Mac and it works just fine. What's the problem with my Photoshop CS4 on Windows?
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I am trying to create a logo that incorporates a circle and a picture of a dog.
Now I want to acheive a look where the dogs legs are hanging over one part of the circle but the circle is covering the rest of his body as though he had put his head througha hole in the wall.
I have been trying to acheive this with clipping paths but I can't see how to recreate the smooth lines of the original circle.
What does someone want when they say "send me some images at 300 DPI with clipping paths" ?
I get the resolution, I'll make them 300 PPI...but what is a clipping path? Does that just mean that they want them cropped? They have not specified a size or aspect ratio.
I have a document in which I need to outline several objects seperately, when I do so and place the Photoshop file into Illustrator nothing shows up. It seems as though when I outline one item it will work but as soon as I outline multiple items (seperately) it will not work.
View 2 Replies View RelatedWhilst CS 6 has some great improvements, I find running clipping paths in it very difficult. That is because in earlier versions of Photoshop, clipping paths showed up in the complementary color of the underlying color and were very visible. Now they are a darkish grey, which makes it often impossible to see them. You can go blind trying to see where you are clipping.
View 4 Replies View RelatedIf I save a path as a clipping path and then import said path into Quark, I'm getting the background, not the selected cutout. Basically I'm getting the inverse of my path selection. I figure there must be a key command for this because it only started happening today.
View 6 Replies View RelatedBut I have more than one inner path (20 in fact). I made a few, then stepped away, then made the rest. But when I select the clipping path and Make Selection, it only selects the outline and the first 3 inner paths that I made. How do I add the other 17 paths to the clipping path?
View 2 Replies View Relatedknock out the background of a lot of images using clipping paths. My question is, WHY use a clipping path? I know the rule of not using a selection tool such as the Magic Wand and then turning it into a clipping path and I know why that is. But if all is needed is for the background to be knocked out, why can't we just use the selection tool in the first place and just knock out the background from there? What is the benefit of that clipping mask?
View 3 Replies View RelatedIt seems that it not able to make several paths on a single layer and then turn each path into it's own "clipping path " rather than just an outline path...Is this correct or am I doing something wrong ? I have 3 pieces of silverware on a background and want to outline each one separately then turn that path into a clipping path to move it to another file...I am able to make any one of them a clipping path , but not the others.
View 2 Replies View RelatedWhen I place a Photoshop eps into a PSD file the image doesn't come over with a transparent background. I do have an active clipping path, it shows up transparent when placed in Illustrator and InDesign. Am I mistaking in thinking that the image would be clipped when placed?
I am using CC, but this problem has been in both CS6 and CS4.
what can i do to the image so that when it rests agains the background (which in this case is a repeated gradient "sliver" in the CSS {background-image: ..}) it doesn't "look" like it's just stuck there.?
my technique thus far is to simply make the area transparent around my intended visible content, and save-for-web, then choose png (for colors, or gif if it's simple) and wa-lah, i have my transparent image w/ clipping paths. (forgive my mangled jargon). i have tried doing things such as using blending layer effects > inner-shadow, or bevel/ emboss... which sometimes seems to help the problem a bit, but i'm sure there is a better way.
I use clipping paths on images to create contour cut items for various media. Think - turning a picture of a woman holding a product converted to a cardboard display of a same woman and product.
Been using some outsourced clipping path services and get a wide variety of formats returned to me (even from within the same companies who've done multiple jobs for me). I think what happens is the jobs get passed to whoever and they assume I use the pics for web applications.
Anyway, after jumping through a few different vendors trying to get some consistent deliverables, thought I might just see if someone can teach me to do it myself.
I'd be happy to forward an "original" and the delivered "version that works for me" and a sample of the "version that doesn't work for me." Need advice on steps to convert the "not working" file to "one that works." The main problem is that many timeswhile the clipping path is around the correct object, when I import into my software (FlexiSIGN) I then see the image on the white background (good) but when you click the image it is "framed" in the original square outline of the photograph (not so good). My machine wants to cut around the square outline not around the image.
Can I produce clipping paths using Photoshop Elements 12
View 1 Replies View RelatedHow can I retain clipping paths in Photoshop CS6 when saving the file as jpg or png?
View 1 Replies View RelatedWhen I open up previous versions of Illustrator files (i.e. CS5), why are all of my paths messed up. Every object is embedded in a Clipping Mask, paths are compounded and in most cases type on a path is expanded into multiple non-editable objects. This causes complete redesign.
View 1 Replies View Relatedfor my daily work I have to assign clipping-paths to images. ALOT.
So is there a way to assign them automatically? Maybe with Scripts oder Search & Change?
It would save alot of time for me.
I bought a graphic which separate objects should be color changeable due to given clipping paths.Unfortunately, I did not manage to change any attributes of this graphic. I would like to get rid of the white background and I to change the color of the different objects, but no way.
View 14 Replies View RelatedI'd like to be able to make Clipping Paths out of (unexpanded) Compound Shapes. We can't do that already.I'd also like the Expand button to work like it did in CS4 again.
View 9 Replies View RelatedI use my script to embeding a placed graphic (MyImage.embed();). Then I always get a group with the correct paths and two clipping paths in a grouped grouped groupItem.
My question is: I want to delete the two clipping paths to get only the correct paths of the graphic.
This is, what I always have:
and this is, what i want:
Is there any want to retain the clipping paths from certain stock photos (or any images which include paths) within either CorelDraw or Photo-Paint? Sure I can create my own or use the cutout tool, but sometimes it's nice to simply use what's already there.
View 9 Replies View RelatedI want to create an illustration with black outlines. Within these outlines I want to have some spots without outlines that stay clean within the lines. I have tried 3 options so far and have found a solution but it's far from ideal.
1. Create clipping masks for each element that has a spot on it and assign a stroke to the clipping path again after. However by creating the clipping path, the path styles dissapear. In this case I want to keep the pointed ends to the open path outlines (see top image).
2. Draw in the lines where the spots are and create a live paint object of the entire illustration. Then paint in the spots and other areas. However when I create this live paint object the lines again lose their applied styles and even 'end' at each intersection, creating nasty edges where the lines should go 'underneath' smoothly (see bottom image).
3. The option Im using now. Duplicate the path outlines and create clipping masks for the spots without strokes. Then put the stroked outline with the desired styles on top. The problem with this is that I have almost twice as much elements in my illustration now than I actually 'need'. And the styled outlines are not connected with the color underneath, so its very easy to accidentally move something around...
Any easier way to create this effect without all the hassle?
I cannot get the clipping mask to work. I have tried Ctrl + G and have gone the long route and it will not blend in at all. I am trying to teach myself and have searched and searched but cannot find an answer. I have also checked to make sure I am on the correct layer.
View 9 Replies View RelatedI'm using Tiger and Photoshop CS2.
We are having a problem with one of our clipping paths. Once we convert the image into a compression image for use, the image does not appear at all. No path, no image no nothing. Any idea why this happened? I know that the designer who worked on the original file used the incorrect "path area" selection (at the top) but changed that.
So i'm trying to get the clipping mask shortcut working for Photoshop CC on OS X 10.9, when I try to use the shortcut, nothing happens. I even tried deleting the shortcut and remaking it, but when I remake it, it doesn't recognize I'm pressing Command Option G, even though I can press these keys in the System Keyboard Shortcuts and it works, for some reason Photoshop is ignoring me pressing Command and Option at the same time?
Also sometimes when I press Command Option Z to undo it just ignores it as well, I have to manually undo the change using my mouse, then it works again.
I'm new to the CS6 interface. In the past this was my process to make add a gradient overlay adjustment to a portion of a layer:
1. Make a selection on a layer
2. Go to the Layers Panel > Select 'fx' menu
3. Choose 'Gradient Overlay' and go from there
Result: a Gradient Overlay adjustment layer with a clipping mask applied to the layer below.
Now in CS6 when I follow this process, it does not automatically create a clipping mask from my selection and make a new adjustment layer with the clipping mask. Instead, it applies the Gradient Overlay to the entire layer. It does this for any option in the 'fx' menu in the Layers Panel. It behaves the same as it did before with any of the options in the Adjustment Layer, however.
I want to take two 3D views from (autodesk) Revit Architecture 2012 to Illustrator CS5 and then make use of the live paint bucket tool*. I've printed the two 3D views into pdf files and imported them in Illustrator**. When I select the whole image in Illustrator and then click with the Live Paint Bucket tool on the drawing to modify the drawing so I can color the surfaces, Illustrator gives me the following error:
"The selection contains objects that cannot be converted. Live Paint groups can only contain paths and compound paths. Clipping paths are not allowed."
Exporting images (jpg, png and tiff) from Revit results in the same error. Is there a way to easily convert my vector drawing into a non-clipping paths drawing? Also I'm not sure if the problem should be found in either Revit or Illustrator. What's also strange is that I'm using a tutorial provided by my university, in which there are no issues with clipping paths or anything.
* This in order to make an conceptual image of my building, which I've modeled in Revit. I want to add basic colors to surfaces in Illustrator and then take the image to Photoshop to add shadow, materials, sky etc.
** They only consist of lines, using the 'hidden line' visual style in my views in Revit, in case you know a bit of Revit.
Basically, I open photoshop, and I select the pen tool. I then make a small shape, like a square or circle or something with it. So now obviously, I have a closed work path in such a shape.
Black is my foreground colour. I right click the path with the pen tool still selected, and choose 'Fill Path' and click ok. But for some reason, it's everything but the path that gets filled with black!
how I did this, but does anyone know how to change it so that it's the area that's boxed off which gets filled, rather than the area outside it?
Photoshop CS5 - Working with the pen tool is something I do a lot but it is such a pain because I can barely make the lines out sometimes. It can get so bad that my eyes hurt. I found, adding an adjustment layer and changing the level. This kind of works but I find it difficult to believe that they can't be made more visable. Turning off the anti-aliasing hasn't seemed to have made any difference either.
Is CS6 any better?
When i do clipping mask in illustrator CS5 and exported to WMF, it does not comes like vector image. The clipping mask area becomes blurred when exported to WMF.
View 8 Replies View RelatedSince version CS it was very easy working with paths with the direct selection tool. I just upgraded to Photoshop CC, and noticed this annoying bug:
When I select and anchor point using the Direct Selection Tool, I can no longer de-select it clicking inside the shape. This is so frustrating when working with icons.
I used to grab the Path Selection Tool to select the entire vector shape, then I switched to the Direct Selection Tool if I wanted to modify a specific anchor point. All I needed to do was clicking inside the shape, then select the anchor point I wanted to work with. Now if I switch from the Path tool to the Direct Selection one, if I click inside the shape it doesn't deselect anything, if I click on an anchor point, it doesn't deselect the other anchor points. I figured out that if I click on the path of a different vector shape, then I can go back and select an anchor point on the vector shape I was working with, but it's too much work for de-selecting a point.Is it a bug or a new way Photoshop CC behaves?
Is there any "view" that enables you to see the path/shape lines (not the fill, just the lines) that you have done in different layers?
I hate to keep switching opacity on and off to see where the other lines end and stuff.. I know you can turn of and on the paths with CTRL ALT H, but that is only for one layer.. and I want to see them for all the layers while Im working on one.
