I have just ordered a Chroma Key green screen to use for some fashion photography.
Have any of you used one of these ?
I will be wanting to cut the green backdrop out so that I can place my models on any backdrop I desire.
I'm trying to find out if Corel Paintshop X4 Pro has a tool or setting to remove a chromakey green screen background?
View 3 Replies View RelatedI have a new customer who sent me a few hundred images which one of his employees shot against a green background. It would be easy enough to remove the background, but the green is reflecting on lighter colored products (Like a gray sweatshirt) and some of the pictures are of transparent items, (like a clear, plastic cup, or a product in a clear, plastic bag).
He claims that Photoshop (Which he admitedly knows nothing about) has a "Chroma Green Remover" - You just wave your magic wand and the green disappears. He also claims that he used to send his images "overseas" to have this done and they came back in a matter of an hour or two.
I have been using Photoshop since version 3.5 and have never heard of such a technique (Using CS3 now). Is there a way to do this, or should I have him re-shoot the pics?
I had an image on a green screen and I want to cut out the person. using colourr ange leaves a lot of handwork to be done afterwards. Extract obviously works great, but does take a while. Hasn't there got to be a special way to take out green screens or blue screens?
View 4 Replies View RelatedHow do i get rid of the green screen in a photo of mine? Trying not to delete the person in the picture or mess with her flowing hair. I have photoshop element 12.
View 2 Replies View RelatedHow can I remove the green screen from a video sequence in Photoshop?
View 4 Replies View RelatedHow do I place a green screen photo on a background?
View 1 Replies View RelatedIm using PSE 11. How do I remove an image from a green screen and place on a different background?
View 1 Replies View RelatedI recently purchased Pro x6. While I love the new features, something has been happening today that is frustrating. I captured some video from my Canon HG10 and placed it on the timeline. When I try to play it in the editor, a green screen appears over the video. I can hear the audio but cannot see it.
View 1 Replies View RelatedLooking for green screen effects, like explosions, fire and so forth. I found this site Detonation Films , but the clips crashes SV.
View 3 Replies View RelatedToday I downloaded a trial version of PSE. This means of course that I'm new to the game. I can follow a step-by-step guide though. Here's what I'd like to do: I've taken a dozen photos of an actor with a green screen as a background. Is there a way that I can chroma-key out the green and put in another color, like gray or perhaps a textured off-white?
View 3 Replies View RelatedUsed the software to create a virtual spokesperson for their own website? I am new toe green screen techniques and want to create a virtual spokesperson for my own website. What I mean by steps is, if I shoot the video can I use Corel to actually get a product ready to be used in a way like this?
View 1 Replies View RelatedGimp 2.6.6 on Ubuntu Linux 8.04.Scanning using VueScan Professional 8.5.20 with an "Epson Perfection 4490 Photo" scanner. Color profile has been built for the scanner using available photo color target from a well-known German source (can't remember name).Almost all my scanning is of postage stamps and related items -- scanning the actual physical objects, not photos of the objects.
Problem:
The stamps are currently scanned on a black background (for lack of other color possibilities; the final goal is on a black background). After scanning, the background is selected and turned to 100% black to have greatest contrast for the object. When a stamp has a postmark that crosses the edge of the stamp paper, the color of the postmark (usually dark or black) is very close to the color of the scanning background and thus when the background is selected, the selection "leaks" and "follows" the postmark onto the stamp. We have to manually exclude those "leaks" from the desired selection area.
Goal:
To be able to select the background (for change to 100% black) without any "leakage" of the selection onto the stamp objects AND without ANY non-black color artifacts remaining after changing the selection to 100% black.
Attempted Solutions:
We have tried scanning on many different non-black background colors and surfaces, but there are always some extreme-edge color artifacts remaining ... leaving a sort of "halo" effect around the stamp object.Some of this could be attributable to the particular model of scanner, though every scanner I have ever owned had a similar problem to a greater or lesser degree. The width of the "halo" usually depends upon which side of the object it is on vs the direction of travel of the scanner device.
In television broadcasting it is extremely common for somebody to stand in front of a "green screen" and for the green to be electronically replaced with some image or video, etc. (For example, the weather person standing in front of a weather map.) It is rare to see a green "halo" if everything has been done correctly and if the person is wearing the correct type of clothing fabric.
Is there some Gimp method or plug-in or other tool that will better handle this type of use?Recently poster Ron Guilmette discussed his use of "Darla-PurpleFringe.scm" plug-in to remove an artifact caused by a digital camera and subsequent processing.
Is there something like that which can be used to remove a color "halo" that results from using a "green screen" approach to scanning? (I would likely have to select different colors of "green screen" so that such colors are not included in the design of the postage stamp.
When I open up the image that I want 2 use 4 my background the image fills the (working) window. Then, as instructed, I go in2 "Layer" & import the pic w/the green screen background. But when I then go 2 "Effects" & choose/use ChromaKey (again, as instructed) the background pic is now only a small square in the upper left hand corner of the window & the rest of it is white. Therefore, my pic/finished result has a background w/a little square in the upper left hand corner & the rest is white?
View 3 Replies View RelatedVS6 Ultimate
Windows 7
I am trying to render some small animated clips to be used as overlays in home movies. I am animating in a program called Poser. I animate 30 to 60 second clips rendering them over a green background (0 blue, 0 red, 255 green) and output them in Uncompressed AVI at 1280x720. When I bring them into VS6 they look great on track 1 but when I put them onto an overlay track they suddenly 'go small'; I right click and change to 'Project Size' (which I have set to 16:9) and apply the Chroma Key; this is where I begin to get the Jagged Edge effect? Especially on anything with a straight edge - for example: I have a Skull and Crossed Swords that I want to spin 360 - the sword edges become so horribly jagged, it just is not acceptable.
However, still using Poser as my 3D rendering engine, I can render a still and save out as a PNG and it will import into VS6 and overlay (as a Still) just fine. I did try rendering Each Frame of the spinning skull as PNGs and assemble the animation in VS6 and again I ended up with the jagged edges...even if this did work it would not be do-able with my 6sec clip of a waving flag (too many frames!)
Perhaps my AVI aspect size to VS6? I notice that while in VS6 I am working in only 720x480 however my final target is to burn to DVD in Wide Screen (I also would like to have MPG and/or AVI to play direct from computer on home entertainment system to TV)
A little background: I do historic reenacting at various events, shows, parties, Tall Ship events, Ren Fairs, and such. The overlays I want for various use: Title effects, overlay photos/videos within the project. Video files come from my Sony HDR-CX430V, photos from Canon SD790IS.
I have just installed Smoke Ext 1 and tried Keying with Green Screen Footage. The Master Keyer result is not even close. Is it a bug with the Master Keyer?
View 1 Replies View RelatedI have greenscreen footage, where a green screen was put on a window with tracking markers. A person is moving in front of it, so you can see the reflection. If I just key it and put a garbage mask around it, I can get rid of the green and the tracking markers, but how can i get the reflections back now? Cause if I just screen the original desaturated part back on, you can still see the tracking markers.... Is the only way to first paint over the markers and then screen it back on, or is there another way? I'm on Smoke for mac 2012.
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Is there any way that I can filter one color (chromakey) out of a picture in Photoshop?
I really want to take out all the whites in a picture... But the Magic erasor tool has its limits... :P
I come from the video field, I started taking professionals photographs recently and took some pictures against a green background for a video that I was doing.
What is the BEST way to do a chroma key on photoshop? I dont find any 'chroma key' function as in Adobe Premiere for example, but I know there must be a way. I tried 'selecting' and area but I dont think that's the best way to do it
Please have in mind I am not an 'expert' on photoshop, I know my way around it and can follow instructions very well.
I am using the CS2 version.
When photographing a subject in front of or standing on a Chromakey background, I always get reflected blue light on the subject. I can't seem to get rid of the background in photoshop without spilling over into the subject.
What can I do? I have CS 2.
My company is switching from ctb files to stb files. With the ctb file, we make concrete hatch with two layers. A top layer with the concrete hatch pattern and a background layer with a solid hatch patern. The ctb file concrete plots the concete hatch black and the solid background hatch light gray. I am using civil 3d 2013 and the hatch allows a seperate background color mask. I am trying to make all my concrete layers (Top of Curb, Curb Flowline, etc.) a certain color scheme, i.e. shades of green. I would like my on screen concrete hatch patern to be a green color with a gray background, but plot the concrete hatch black with a gray background. I can not figure out how to do this without making two layers. Is there a way to use one layer and utilize the background color mask to show on screen green and gray, but plot black and gray?
View 4 Replies View RelatedI'm currently working on a project in which I'm taking still images of various products against a static background. Up to this point, I've been manually cutting the products out of their background, a very tedious activity.
Taking a step back, I realized that I have many thousands of photos to take and clean up, and that this manual manipulation just isn't going to "cut it" (pun, haha).
I have been trying to find a program of sorts that will remove a particular color (preferably specified by its hex code) from a photo, and perhaps replace it with white, or resize/crop the image.
With this program I would be able to take the pictures against an obnoxious background color that could be quickly done away with by a computer.
I guess this is known by many terms in "the industry", including chroma key, matting, compositing, etc.
I have run across a couple of possible programs (Ultimatte, Adobe After Effects), but I don't know much about any of them.
One other feature that would be, well, desired would be command-line functionality. Ideally, I would be able to incorporate said program into a script that can process a huge list of photos while I'm off doing other things.
I've attached a leaf image. We'd like to "Autumnize" the leaf even more and remove the green from the leaf. I've tried playing with the various options in the Color drop down (Color Balance, Hue Saturation, Colorize, Brightness-Contrast, Threshold, Levels, Curves), but I can't seem to do it.
View 2 Replies View RelatedI'm editing videos that are 1080i (I forget the model number, but it's a Canon camcorder and I think it's actually 1440x1080.) When rendered normally, everything looks fine and the interlacing is not really noticable.
However, some of the videos have been resized, and the background replaced using a green screen / chroma key. When someone's hands move away from their body and over the background, the interlacing is very noticable and looks pretty bad. I have tried rendering using both default templates with Upper Field First, and custom Frame Based templates, none of which work to reduce the interlacing. Is there a way to reduce it, or am I stuck with it?
The chromakey function works passably well when I'm using it without any effects (I still have issues with transparency) but seems to work not at all when I apply an effect. I've tried applying sketch, rotosketch, colored ink, emboss, etc to the overlay after I've chroma keyed out the green and it basically eliminates the green screen effect.
There are SOOO many issues with this program that are really beginning to make it unusable for me.
-- Transitions applied to overlays (even a simple cross fade) usually affect all clips playing at that time (not just the specified overlay effect) which makes them unusable for overlays.
-- Even with smart proxy turned on, the preview video gets garbled and choppy after a few playings.
It's just a shame because the interface really is more intuitive than any other program I've used (after effects, Premiere, Vegas).
how to apply the Mask & Chroma Key. I've dragged a Color into the timeline, and selected OPTIONS and then Mask & Chroma Key, but all I have now is a neon green glob on my screen that covers everything else (because that's the color I chose.)
So how do I blot out the background of a brief video clip?
And - for that matter - I'm trying to find some tutorials so I can try out features without continuing to bother everyone?
I am having issue with a simple project. It's a simple green chroma keying project which looks ok inside Premiere, but once exported it turns into a nightmare. I will post screens instead of writing the details. I am not using any external plugins. The output is rendered with tweaked settings for H.264 Vimeo 720p 29.97 fps MP4 format. I'm working with an NDA, but the problem is only in the shadows as far as I can tell.
This is how it looks inside premiere (both reference and program look the same) This is how the matte looks.And this is the final render (checked in Quick Time and VLC).Never in my life of editing in Pr, FCPX or Smoke have I enountered this issue before.
How to unite the red and green parts of the leaf into one solid green leaf? See attached “Leaf” file. (How do I attach the AI file?)
I tried the Pathfinder UNITE command and the Live Paint MERGE command.
I'm here with 2013 SP2 64 bit Build 200 and two screens. Left screen is graphics area, Browser is on the left of right screen. Graphics is ATI Fire Pro V7800 with driver 9.3.3.3000.
In video (zipped MP4) you see a cutout of both screens, think of screens changing at the left of the browser.
Now, in many cases, after doing an operation, the browser is jumping back to the middle of my graphics in the left screen.
I have used "Share My Screen" meeting feature a few times on my machine.
a client and it gave me the blue screen of death crash and forced a restart. After it did this 3 times I gave up.
Windows XP Home 2002 SP3
PhotoshopCS4 Extended
CS4 Production Premium
RADEON X300 SE 128MB Hypermemory
Intel Pentium (R) CPU 3.00 GHz 2.99 Ghz
2.50 GB RAM
Action to repair green eye. I might do my own but was wondering if there are too many variations of green eye for one action to handle
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