After Effects :: How To Extend Time A Frame Stays In Place
Apr 21, 2013
I have this video clip and you can see that at second 3 the frame moves to the left and it's too little time for people to read the whole sentece (take ownership of your career).I think it has something to do with camera1.
How do I extend a horizontal line like such... _________ outwards from both directions left and right simultaniously, basically giving the effect that it is growing longer from both ends out, like such ______________________________. ( and still looking very clean and as the same line, as it extends )
When I stretch an object to the right using the right hand side handles, the left side of the object also moves slightly to the right. How can I stop this from happening and keep have the left side stay perfectly in place. Is there anything in the settings I can change?
How can I extend the whole clip. Composition setting a setupped for 1min and 30 sec. My clip is 45 sec. How can i extend it to 1.30. when I press Ctr + Alt+T. Its allows me to extend a orange frames , but without extended the content inside.
I'm almost certain this hotkey existed:.. but I cant find it!
Extend the selected layer to the last layer of that comp?
Currently I have to select the layer. then scroll....... all..... the.... way..... down to the end of my layers.. then shift + click. to select I have a repetative task of shifting things around.. and is becoming difficult.
I have PSE11 and purchased Paint the Moon effects. How can I view both the Layers panel and the Effects panel at the same time? Was this an option in older versions of PSE that are used in the Paint the Moon tutorials?
Can I place more than one images in the frame? My frame is 1020 by 320. Instead of having one image fill up the space I would like to have 3 images side by side. How do I do this?
its possible to place more than one flare at a time without having to goto filters>render each time, or maybe there is a plugin that allows you to do this?
A book scan produced about 250 images (one per page) that have gray around the edges where the old paper was yellowed (almost brown). I want to write a batch program to place a white frame of a specified width around the perimeter of the images to eliminate this unwanted gray. How can I do this?
I'm getting very long run times to edit x refs in place. Once the exref drawing opens, sometimes after 2 or three minutes, and I make my edit, It can take ten minuted to close the xref.
Drawing are clean, purged, -purged, recovered audited. Computer is new workstation and dedicated to CAD only. Very little opportunity for corrupted files.
I'm doing' music and animation, but I want to place markers every few seconds, or consistently to the bpm. It would save me a WHOLE not lot, but ton, of time.
when I import files from Illustrator, and import them as footage to preserve the layers, I get an object for every layer. However, when I move those layers into my comp, they are either moved by default into the center or wherever I drop them. How would I move them into the comp while preserving the position of the layers in my actual ai file?
I have created a slide show by Inserting Media file to Timeline, Insert Photos. I then Share, and then Create Video File. This is a great product, so easy. However I noticed that the time delay on each picture frame is about 3 seconds. I have manually increased each slide to 5 seconds using the slider on the timeline. But this is cumbersome. Is there a place to change this default 3 seconds to what I want in the software? I cannot find it.
if anyone knows of some Photoship filters that would allow me to add cool edge effects on my pictures.
I am building an online portfolio with landscapes pictures, and I just thought it would look nice to add some edge effects instead of just leaving the pictures as is.
I am looking for something a little arty.
Extensis Photoframe is probably a nice software but it is expensive and the trial version do not allow do work with your pictures.
I have a Quicktime render of a project I made a few months ago that was originally created at 23.976 FPS.
I now need to prepare this Quicktime render for digital projection in a movie theater -- the file I need to give my client has to be 24 FPS progressive.
I'd like to try and convert my Quicktime and audio without going back to the project itself, as this is a complex project and would take a really long time to re-render at 24 FPS.
Best method to convert my 23.976 Quicktime movie? Are there specialty plug-ins I should look into?
I'm experiencing some problems with the rendering of some videos on AE CS4. I haven't had this problem before.
When i first installed After Effects a few months ago, i tried to render videos and AE rendered them beautifully, without a single issue. After a while(some months) it started crashing in certain points of the videos, and after a while it couldn't render more than 300 frames(after 300 or less frames it crashed).
I tried all the solutions available in this site and other sites, but none of them worked. I suspected that my computer had became slower over time and assumed that that was the problem, so I decided to reformat(myself) it as soon as possible.
I thought i fixed the problem by formatting my PC. When i tried to render the same video , it couldn't go beyond 200 frames .how is it possible that before, AE could render the same video without crashing even once , and now (even after formatting) it can't go beyond 200 frames.
Detail: when AE renders the video, it begins very fast and just crashes at a random frame ( not at the same frame every time)
My PC specs: Win7 ultimate SP1 Processor: Pentium(R) Dual-Core E700 2 3.00 GHZ 2.99GHZ
INSTALLED Memory(Ram): 2.00 Gb (1,75 usable) System type: 32-bit operating system
I have read that you can use Time Remapping to hold the last frame of a png sequence so that you can create a pause between transitions, without importing the last frame or anything.
I have tried the technique described here >>URL.... but I think my workflow is in the way.
My entire animation (+/- 600 frames) has been rendered in 3D and imported as one sequence in AFX. I composite my highlights and shadows in a composition and called it Master. Then I made smaller compositions and placed the Master comp inside them and cut it up to size. I placed the separate sequences in a comp called Stage. So now I can just import one single sequence when I render again.
Now I am trying to let the last frame of the smaller sequences to hold for a few frames, before transitioning into the next. The Time Remapping just doesnt seem to work, because it is not holding anything when I move the last frame, it just shows the next part of the master animation.
Is there a way around this or do I need to import every sequence as a unique set?
I'm using the particle playground FX and need to interpolate the radius of my particles. I'm able to change the radius, but so far I've had zero luck keyframing the radius size. I've attached two screenshots: one with the radius set to 10 and another with the radius set to 100. As you can see the particle size doesn't change.
I know how to set a poster frame for a comp (With comp selected, Composition>Set Poster Frame) but how does one set the poster frame for a footage item in the project panel? Obviously that option is grayed out as it is under the composition window. Is there any way to do this? Google has failed me. All my clips start with black video and I just want a way to quickly preview what their actual content is using the poster thumbnail.
I had my Mac crash on me a few days ago and since then I've been only able to work on my current project for ten minutes at a time before I get the above dialogue come up.
It's not just this file that suffers from this and there doesn't appear to be a pattern to which file is affected. The files that are mentioned in the dialogue are outputs from both FCP and from AE itself, they are always Quicktimes and they are compressed with the Animation codec, although I've used a number of other codecs and it doesn't seem to make any difference. If I quit and restart AE, I can continue working for a while on a composition with the same file that caused the dialogue to appear, until it happens again, often with a different file mentioned in the dialogue.
We have re-installed the CC suite after an uninstall and clean-up, but to no avail.
Do we need to reinstall the OS? Could it be a quicktime thing?
I have a clip on a layer that is 6:20 in length. I want to hold on last frame for the remaining time in comp (10:00). I am fairly new to AE. I am using CS6.
I'm using the trial version of After Effects. Sometimes the rendering que will render an entire project, other times it will only render a single frame of the project. Is there a reason why the rendering process is performing in such a way?
I have two compositions, second is a copy of the first. On the second's layers i use other footages with other start points, while the keyframes of the layers should stay there (related to the layer). I have replaced the the second's footages by alt-drag&drop. But i can not set other start points. So how can i shift the footage behind the layer?
I am self-taught in AE and must have missed something basic here.
I am simply trying to set which image (frame) will appear as the icon for a renedered comp. I understand how to set the poster frame for a comp, and I get the desired result in the project window when the comp is selected. I "set poster time" while the timeline window is selected as well, but when my comp is renedered the icon is always the frame at 10 seconds on the timeline.
After creating a shape fron vector layer in After Effects, I can set the extrusion depth, toggle on a 3-D layer, and extrude this object inasmuch as I see its extruded wire frame. However, the shape which I wish to extrude seems to remain flat, as though an image glued to one side of a box, How do I get this shape to take the depth or appearance of its wire frame? Ray tracing is active, and under Geometry options I set an extrusion depth of 77.
I'm working on a time-lapse project where I have taken 240 shots of a highway heading into my city, and have erased the cars from the shot, creating the look of an "empty city". This will be one of many sequences like this.
I got the highway background plate perfect, no cars, and I threw that into my AE comp (CS6), along with the 240 images as a JPEG sequence. I've layered the background plate on top of the image sequence and used a mask to "hide" the cars from the highway. The problem is, some of the cars are taller than the roadway (trucks, busses, etc), so they push into the upper part of the frame where the motion is supposed to happen. If I extend the mask upward, you can see a literal bisection between the still plate and the animated JPEGs. If I just move the mask path to hide cars as they go by, the moving mask becomes VERY obvious in the exported QuickTime.