I have a deadline for my art GCSE closing in and there's a major problem with my final piece!The actual art work is fine, and It looks fantastic viewed from photoshop. However, the printing company requires it to be in PDF format, and when I save as PDF the PDF file has darker, blander colours. Really noticable... I find with photoshop everything I print comes out darker also.. so I tried researching this and found out a bit about CMYK and RGB but to be honest I need someone too explain this to me in english, with no highly confusing technical terms. My final piece relies on bright pink and blue, and so I wouldn't want to waste the money printing it on A2, only for it to have dull colours.Thank you so much in advance I am extremely worried (I've uploaded a JPEG to show how I want it to look when printed, and then a PDF to show the annoying dull colour change)
I have inserted an xref but when it shows on my drawing the whole thing is shaded dark. When I look at the xref the colours are fine, until its on my drawing. I inserted it on its own layer.
Does it matter what colour I assign to that layer? I tried different colours but it changes nothing. What does that allocated colour determine?
My friend has taken some engagement photographs and unfortunately the couple have dark hair and the background is also dark - I think you can see her problem with the photos. Somehow the background needs to be lightened and neither of us know how (we both have Photoshop 7)
Whenever I create a new colour in the colour swatches it only stays there for a couple of actions while working on a project. I understand from others that once they create a colour it stays there. Why can't I get that to happen?
I am using CS6 and the Replace Colour Tool no longer allows me to replace multiple colours when I select the + . So when I have the panel open and I highlight the +, I used to then be able to click on several spots in my image and all of the colours that are in those spots are added to the selected colours that will be changed by using the sliders.  But now, when I use the + it has exactly the same effect as not using it - I can only choose one colour or an other, I can't add.....I want to reset this to the original way that this works.  Currently I have to open the panel, change one variation of a colour, save it, then re-open the panel and do it again (and again and again) until all the colour variations I am trying to remove are are changed. I know I also have the 'fuzziness' slider, but it does not give enough control.
I am designing a T Shirt for my ski club.I have taken an image from a banner (made in illustrator, full colour image attached) and I want to devide into a 3 colour image for the t shirt (I am only allowed 3 colours for printing).The colours I want to use are black, white and purple. The colour of the t shirt is a light blue.I want to then put the purple logo on top of the white and black too.So I'm after a black and white grunge background with a punchy purple logo on the top.All of this should be on a tranparent or, for design purposes, light bue (same as T Shirt colour) background. Â how to split a full colour image into using only 3 (4 including transparent/light blue background) exact colours. Â If I were going to black and white I might convert to grey scale and then paint areas to fully white or fully black using an overlay brush I don't think this works for me for more than just black and white though. Â I have attached two of my attempts where I used the colour range selection and level adjustments. Niether was really successful though (one does not use the right colours or number of colours but looks quite cool).
I will like to find out the colour code for the background colour on a particular web address. Unfortunately I am new here so not allowed to post links so will say this as creatively as possible. the address is theregentlagos (with the usual prefix beginning with w and suffix beginning with c for all websites). I am referring to the colour where the menu items like logo, home, brands etc are on.
I've been asked to convert an image to 2 colour for printing. I have the image as a full colour CMYK layout (with layers), but the whole thing needs to be converted to 2 colour. I have the pantone reference numbers for the 2 colours it is to be converted to. I am familiar with the hue/saturation tool, but this just seems to convert it to one colour, and you have no fine control over the exact colour you want.
I have copied some colour negatives using my digital camera. What is the best procedure for removing the orange base colour of the film prior to converting them to positives?
How do I see the object selected change colour dynamically as I adjust the colour sliders?  It seems the object only changes colour when I release the slider. But I want to see it dynamically change, so I can find the colour that works best without "hit or miss" - "trial and error" behaviour.  Yes... I'm aware some of you spend hours in colour programs creating a palette to work with. Good for you.  I'm just wanting to do it LIVE. Dynamically. In 2013. In Illustrator.
I'm just started using inventor 2013 (from 2010) & the way colours/materials are applied has completely changed so I'm learning again from scratch.
Here's my issue: A customer has sent a casting to me in Parasolid format. When I open it, all the unmachined surface are blue & look a bit garish. However, the colours of the machined faces are ok & I wish to keep them.
So, I want to chage all the surfaces that are blue - I can use the picker & select all the blue faces seperately (by holding CTRL down & select each face one be one) but this is a pain & takes ages (there are over 200 faces)
I can see & edit the blue color in the manager but how do I tell Inventor to replace all - can it be done?
I use EdHarvey's colour tint tool and it changes colour of the whole image, I'm looking for something similar but it only changes selected colour, so that the image is left with mutiple colour scheme rather than just one, any addon that can do this? Â From this example, you can see the figure on the right is in a brownish colour scheme, what tool can I use in order to make it's colour scheme blue like the figure on the left?
Adobe Colour Management Print defaults seems to be assigning RGB meta to B&W pages and incurring Colour Print charges for B&W prints.I can manually change the print colour management to Printer managed on a per print basis instead of the default adobe colour managed which "cures" the issue but I do not seem to be able to save that setting as the default.
I am working on a website that has existing template images. One of these in particular has a predominate blue background colour, specifically #0a2a35 (195 81 21 [HSV], 10 42 53 [RGB], 81 21 0 79 [CMYK]). I want to transform this colour to an orange colour, #be5d27 (21 79 75 [HSV], 190 93 39 [RGB], 0 51 79 25 [CMYK]). At the same time, I want to change the lighter and darker blue accent colours of the image to become variations of the orange colour.
I have tried several things already, and one method that almost worked for me was using the "Colorize" tool to match the HSV values of the blue colour to orange colour. It almost works except the RGB values don't quite match up.
copy specific fill colour so that it can be filled in as stroke colour in other compound path. I attached 2 screen shots as below. I want to copy the blue olour to replace he red stroke.colour.
I have photographed some colour negatives in RAW. Any outline of a process as to how to convert these to positives using Lightroom v5. I have tried and failed!
I am trying to to use Colour to Alpha by picking a specific colour from an image. But I can't get the colour picker to work.
The image has an alpha channel.
I choose Colour to Alpha, then click on the From swatch. The Colour to Alpha Colour Picker window appears. I click on the eyedropper. But when I move the eyedropper over the image, the cursor changes to the previous tool that was used. For example, if I used the zoom tool, the eyedropper changes to zoom as the cursor leaves the Colour to Alpha Colour Picker window, and zoom becomes active.
I would like to be able to select a colour like you can in photoshop. The swatches are very limited. I would like to select it from the colour 'wheel', where you can move up and down the slider to select the value and then move over the circle to select your colour? Or where can I find a huge swatch of colours?
Calibrating the monitor doesn't help.....it means that the brightness of the photos is okay but then again everything else on the screen is too light.
Tried changing color prfofiles etc but no difference.
The strange thing is that it only happens with photoshop....cs, cs2 and elements. With oher programs as I mentioned the photos when dispalyed are the original brightness they need to be.
I am using CS5 on a Mac printing to an Epson artisan50 but prints turn out too dark. The image on the monitor is correct in all applications including CS5. The prints are correct in other applications but only in CS5 are they too dark.Â
I saved the image used in the tutorial but it looks darker than it does on the website. Why is that? When I adjust the levels the blacks look too dark even though I made sure my foreground color is less black.
In CS3, I'm having trouble getting my prints to match the appearance on monitor -- my prints are uniformly 1-2 stops too dark, color otherwise is very good. I have calibrated my Dell monitor with Colorvision's Spyder2 colorimeter. Prints are also a hair too dark in CS2, but not as dark.
Photos and Photoshop are in RGB color space. Printer is Epson R2400 with updated drivers I just downloaded and updated into Photoshop. I also downloaded updated ICC color profiles for the Epson Premium Glossy Paper I use.
Printer settings in Photoshop are: Photoshop manages color; Adobe RGB printer profile; perceptual rendering intent; black point compensation "on"; ICM color management; color management set to "Off". I'm using North American Prepress 2 color setting. These are the exact settings Scott Kelby recommends in his "Adobe Photoshop CS3 Book for Digital Photographers" for getting calibrated prints.
I am in Photoshop, all the colors are darker and more saturated. but when I save the file, it gets all light and not how I wanted it. Just to let you know, I am running CS2.
Much more full of color. This is what I wanted. I also might add that when I load pictures they are darker than when I open them out of photoshop. For some reason it just makes everything darker when in photoshop.
I am using Photoshop CS3. We also use Indesign CS2. Our photos usually come out really dark in our newspaper. Whenever I lighten the photos the color looks washed out but if I don't lighten them, they become extremely dark. Same thing with our grayscale photos. I have emailed another paper and they suggest we open the midtones on our photos and use a highlight dot at 2% and shadow dot range from 93-97%, depending on how much black area there is in the photo. My question? When they say open the midtones, where do I find the highlight dot and shadow dot?
Old: CS3 printing to Epson 3800. New: CS4 prints dark on Epson 3800. Regardless of picture sent over. Same settings as with CS3 and every variation I can think of. Epson 3800 hasn't changed. Only Adobe Photoshop version has. I can print the same pics from (example) Windows picture manager, and what I see on the CALIBRATED screen I see on the Epson, so this isn't an Epson issue.
i print using cs3 to either a epson r1900 or 2400 printers i do not flatten my images and i switch of all the printer color controls . i have calibrated ny screen (eye one pro) when i print out from photoshop onto epson high gloss paper the ptints are about 1-1.5 stops darker than the image on the screen my profile is adobe 1998 not srgb
