What are the ranges for correct skin tones using RGB%? Used to using a scale from 0 to 255. But with LR it's RGB , I know 100% RGB is white. What do you use for %?
View 8 RepliesI shoot in Camera RAW on a Canon 5D2 in LR3 and I'm having colour issues; skin tones are often purple/magenta tinted and very difficult to correct. I usually set the WB to Custom and shoot a grey card and set the picture style on the camera to Neutral (why does the WB affect RAW images anyway, I thought it only operated on the jpgs?)
On import, pics often look ok then resolve into higher contrast, garish colour versions which are less pleasing - have I set a preference incorrectly or am I missing something else?
All of a sudden today when i went to process photos, in either Lightroom 4 or CS5 all the skin tones are bright pink? They are fine when viewing them on my computer, just not threw adobe products.
View 1 Replies View RelatedHow do you get that skin effect?
View 9 Replies View RelatedI am an online gamer and play Tom Clancey's Rainbow Six 3: Ravenshield. I am doing a sig for my buddy and I don't know how make both the doctors face and the hand holding the gun the same skin tone. I would like to keep the doc's face color.
View 1 Replies View RelatedI'm doing a Photoshop as a joke, I'm making some of our girls bald. I've gotten all of the hair removed, using the clone stamp, now I only need to match the skin tones to make it look natural, what is the best way to do that?
View 3 Replies View RelatedI have a number of photos to retouch and balance skin toning. The basic problem is that the young lady in the photographs has two distingt skin tones but no clearly defined 'tan line'. The differences are detectable and visible (between her back and backside for instance) and I guess caused purely by sun exposure pigmentation versus those bits that never see the sun!
View 1 Replies View RelatedI was wondering if anyone knew of any tutorials on matching skin tones, for example if I wanted to use a persons head from one image and place it onto the body of another.
View 4 Replies View RelatedI have trouble getting proper skin tones when I print eventho the color looks great on the screen. On print w/ preview, I have checked "Let photoshop determine the color". Skin tones look colorless when I print w/ my Canon Pro 9000. If I print using Automate, East Print, the colors are OK but the size can't be adjusted.
View 15 Replies View RelatedI just bought a certain Nikon camera, which I recently discovered is notoriuous for producing green shadows in skin tones, the darker the shadow the worse it looks.
How to isolate and adjust these shadows and make them more true to real skin tones? It can't be a globally applied color correction because only the shadows are out of whack and the rest of the image looks great. Reduce green globally will make the rest of the image too red.
matching the skintone of an object which I am pasting onto another skin tone.
View 2 Replies View RelatedDo I need to re caligrate the monitor or make some kind of adjsutment?
View 1 Replies View RelatedIs there a way to quickly assign all the Skin vertices with 0.0 weight to their correct biped link?
In my attachment there is about 50 vertices remaining having already corrected about 50 by hand. This is not a problem to do by hand however I have 20 more characters to modify after this any scripts/tips etc.
while processing images from a wedding, I stumbled about a weird color bug on a handfull of images in three different situations with CR2's (Canon Raw) Red-tones especially on lips and edges appear to be grey instead of red and orange.
I usually use a standard import preset, however, I completely zeroed everything out, and the mistake still occurs in Lighroom. However, in RAW-Therapee are all the colors just fine when zeroed or edited.
Frequently when I import raw Nikon files to lightroom 4 I initially see a picture with tone and white balance I really like. during this time (2 to 10 seconds) the histogram indicates that it is calculating. When the histogram is finished calculating the picture changes with bad tone (exposure, contrast ...). You can go and manually change the tone settings but it can take sometime and I would rather be able to quickly return to the picture settings that was initially presented. Is there a short cut or easier way?
View 2 Replies View RelatedWhen I am going through RAW files from my Canon cameras (1Ds MkIII and 6D) I edit them in the develop module and then convert to aRGB or sRGB depending on the output media. They look good in aRGB and sRGB too when I take into account the limitations of sRGB.
---> However, if I try the softproof to aRGB or sRGB the resulting proof crushes dark tones into solid black. Why is this when the actual conversions are way better? The actual conversions look good in both LR and PS CS5.
I have also noticed that when I upload images to my online galleries and view them with Firefox (latest version and color management enabled for all rendered graphics) they appear darker in the darkest tones than what they appear in LR. What gives?
- - - - - - - - -
Further info:
I am using LR 5.3, no updates suggested by the softwareWindows 8.1 clean installThe computer is a new one, fast processor, 32 gigs ram etc.Eizo CX270 hardware calibrated (16-bit internal LUT) with the Spyder 4 in ColorNavigator 6 software.The issue has always been like this
I occasionally use GIMP to burn-down parts of portraits that compete with the face. For example, bare shoulder, midriff over-light, hands over-lit.
The skin ends up looking greyish, not like less-lit skin. It works not too badly visually, as the emphasis is on the face, but fails on inspection.
I have tried the burn tool and just plain old Brightness, both on a selected area.
Scenario: I am using Photoshop to design aerial maps of cities and countries for an RPG that run. Terrain is created by painting a heightmap and then applying textures to various ranges of greyscale like so:
Black = WaterDk. Gray = SandMed Gray = GrassLt Gray = ScrubWhite = Rock
Examples:
Example 1Example 2
Problem: Right now, in order in order to apply the textures to each specific grayscale band, I have to use Select-> Color Range, and manually make a separate Clipping Mask for each individual texture. While this achieves the desired look, it is time-consuming and does not allow me to simply paint on the heightmap layer and see the various textures fade into view the way they might in UnrealEd, Bryce, etc. I can add an Adjustment Layer with a custom Gradient Map over the heightmap to represent the correct colors (like on a relief map), but what I would really like to do is assign Patterns to the various Color Stops.
Failing that, would there be some way to create individual Pattern Fill layers that each show up for only a specified grayscale range? I can manage this for a single texture by using a Selective Color Adjustment Layer, but the problem is that these look at all layers below them instead of the bottom-most one. (If it matters, I'm using CS3 right now, but hope to upgrade within the next month or two.)
I've got a surface that displays contours correctly. When I go to Surface Properties-Analysis tab, I can set an arbitrary number of ranges for contours, directions, elevations, slope arrows, etc, and they display correctly.
I can set an arbitrary number of ranges in the slope range box too, but when I click the Analyze button, Civil 3D 2014 hotfix 1 only displays two slope ranges: 0% to 2979736.0077% and 2979736.0077% to 99999900.0001%. (!)
I can not get the slope analysis to come up with 10 slope ranges. My ranges are set to 10, but my Range details populate to 22? Screen Cap included. I've tried this with Equal Interval, Quartile, and Standard Deviation. Nothing will create 10 intervals.
My "slope analysis" surface style is set to show Slope, with the range set to 10. In surface properties, my range is set to 10.
I am developing a plugin that retrieves data from external system and fills the data in text ranges. The text ranges have a "type" associated with it. I want to display the type in illustrator above the text range (like a title), but should not be saved as part of the file - it should be dynamically displayed "for info only". I have seen a plugin doing exactly same thing. See the image below - has been rendered by the plugin I mentioned. The "Type" heading with border appears dynamically. If I switch to another window and switch back, the border and "Type" heading is redrawn. When exported, heading does not appear in the image. When saved, heading does not get saved. There are no additional layers, and the heading is not selectable. How can I achieve the same?
Looks like the heading and border is around the layer that consists of textrange.
How do I soften skin in a portrait. Is there a soft focus setting in LR4?
View 8 Replies View RelatedI am grading a parking lot and trying to highlight areas with less than 1% slope.
I can't find the spot to set user slope ranges in the setting tab.
I can find setting number of ranges with three options of minimal use.
This used to be so simple in LDD.
The examples I have seen for this function all show odd ranges of limited value.
I take a photo that is a girl.Her skin tone is near yellow tone.
How to make skin tone like newborn baby? It means: brightly, have a little pink, and translucent (I don't know how to say that...).
When I go to the adjustment brush, the pop-ups for skin softening and teeth whitening do not pop-up. How can I get these to show up on my screen?
View 1 Replies View Relatedtoday the preset brushes i use a lot aren't working properly.Dodge and soften skin are my main ones i use but they are making NO impact at all on the photos i use them on, im doing nothing different!
View 1 Replies View RelatedThe creation of viewframes with automatic station range at scale 1/2000 produces viewframes and sheets with ranges 0+000 - 0+738 then 0+738 - 1+456 and so on.
It is possible to creat onyl 1 viewframe with user specified station range i;e; 0+000 - 0+700. For a long alignment it involves to repeat the operation all along the alignment by ranges of 700 m. Or use the automatic range option and then make boring adjustments on viewframes and long profiles of the sheets to fit to the 700 m successive ranges we would like to draw.
Is there a possibility to produce directly multiple viewframes with a user specified station range of, say, 700 m on the entire alignment. If this is possible it would be great.
More great: would it be possible to set an overlap of 50 m for example between successive viewframes (sheets)ranges so that we have ranges 0+000 - 0+700 then 0+650 - 1+350 then 1+300 -2+000 and so forth.
Is there a way to generate the station ranges for each sheet title block when generating sheets? It seems like there should be some sheet set manager variable for it or something but I haven't been able to find it.
View 8 Replies View RelatedI am working on a large park project. I have a proposed and existing surface. I have created a volume surface to show elevation banding with cut and fill ranges. I need to create a drawing for someone who doesn't have civil 3d showing all the "cut" areas. They really want a boundary of hatch. What is the best way to do this after I change my analysis to -30 feet cut to 0 feet cut.
View 9 Replies View RelatedDavid Boxing_WIP.png (202.28K)
Number of downloads: 19
Could I have a description of how to match the skin color of the head to the boxer's skin color?
Is there any way using the adjustment brush to soften skin blemishes and wrinkles in portrait photography? I know in PS CS5 I can selectively use gaussian blur to achieve this but want to use LR extensively if I can. I have LR 4.4
View 4 Replies View Related