When I use a Pantone color in CS5 and then convert to process, I get certain values for CMYK. However, when I use that same Pantone color in CS6 and convert to process, I get different values for CMYK.
For example, Pantone 2685C converted to process in the both applications yields:
I need to use a spot black on some packaging. The spot black will be used as a vignette on top of a photograph of the product which is done in Photoshop. I have created the packaging in Illustrator and need to import this file but it needs to have the spot colour intact. So far I have created a PSD with a Spot channel which I thought was the answer but Illustrator can't read PSDs with spot channels. I then saved it as an eps but when I import an eps it only shows a white rectangle as opposed to the actual artwork.
I'm having an issue where I can't convert spot colors to CMYK in the swatches panel. Currently to fix I have to copy elements using the spot colors in to a new blank document, then convert them, then paste back into the original document.
Also if I try to delete the spot color, it doesn't fully delete the swatch.
I'm pretty new to preparing artwork for spot colour printing - it's a hoodie design in this case.
I created the artwork in CMYK originally, and have got some of the way towards converting into a 5 colour print job using Recolor Artwork, so I've got it down to 5 swatches.
However, the printer is asking for colours separated by layers, which makes sense - I think means knocking everything out so there is no overprinting - is this correct?
If so, what is the best approach to take, to avoid unnecessary work, to convert from the current artowrk, with a lot of overlapping artwork, to produce 5 layers each with vector artwork coloured with its own Pantone swatch?
I'd like to convert a file from RGB to CMYK. Normally, I can go into Assign Profile, and just select CMYK. However, in this case (actually hundreds of files), none of them have CMYK as an option. So, all the files remain in Untagged RGB, when I need them to be CMYK US Web Coated SWOP.
I have been trying to convert both Pantone Colors to CMYK and CMYK to Pantones on a few of my projects. I walk throught the steps but nothing happens. My counterpart which has CS5.5 also is able to do it both ways just fine. Is there a pre-set someplace that I need to be aware of?
I've created a logo, and I'd like to use it in some PDF documents. I've tried several different methods for converting it into an image, but the image quality really degrades when I do. Maybe I'm expecting too much - since the vector image is essentially perfect - but it seems like there should be a way to come up with a decent looking image. Is there a "best practice" for this process?
Using CS6 on a MacBookPro Is there a way to find the closest matching Pantone spot colors to the cmyk colors I've created in Illustrator? I know it's easy in Photoshop using the color picker, but there must be a way to do this in Illustrator.
When placing a .psd file with a spot channel into illustrator, and then later copying this and pasting back into Photoshop the color shifts.
Original Photoshop spot color channel (0/100/81/16) Color after pasting back into Photoshop (13/99/88/4)
We are making renders of packaging, so the designs are from illustrator. We correct this by removing the Photoshop spot channel and recreating this as a CMYK layer, but looking to avoid this step as we do many many renders. Even with assign color profile set to none this happens.
Viewing Photoshop channels you can see a difference in values between the linked image and illustrator flat tint.
when I pdf a coreldraw document, no matter which pdf-preset I use, the "Convert spot colours to: CMYK" is greyed out so I can't tick it. I need to pdf a document to send to newspaper print. I have never had a problem like this before using CorelDraw X3.
We would like to experiment mixing a spot colour in a normal CMYK image in order to expand the colour palette. Our problem is the fact that we cannot get Photoshop to show us the actual image once we have added the spot colour.
The spot channel shows as if it is being printed on top of the CMYK colours instead of being mixed with them. This makes it very difficult to judge what adjustments have to be made to the image. Of course, saving the file as a DCS2 and placing it in InDesign shows us what we want, but this is too much jumping back and forth between programmes to be efficient. We are runnnig CS3 on Windows XP Professional.
I just downloaded a St. Patrick's day background from i Stock Photo. Nice vibrant green. We all know when converting to CMYK from RGB, there is a color shift but this is pretty dang dramatic. Any basic tips on getting some of that vibrant color back after converting?
I am trying to create a header for my e newsletter in Photoshop. I want to put the logo on top of a background of the same color as my logo. I have the CMYK ref for the logo, and this looks fine when I print it out. However, when viewed online or just on the computer - the background red is slightly brighter than in print.
I have tried using an RGB converter to change CMYK to RGB but this hasn't done anything.
My CreateSpace pdf in both the Proofer online and the hard copy I just received have great color variance from what I submitted in my pdf cover and interior files. The vibrancy's gone. The bright spring green is dull. The light bluegreens more like gray.
SO, next to learn: I need to know the easiest way to convert my RGB to CMYK files, so I can replace what I've got in my CreateSpace book project interior and exterior spots. I would like to do this in the pdf state, from RGB pdf to CMYK pdf. I am happy to do page by page. The 44-page book has text, plus color images (from original watercolor paintings), with some black ink drawings as well. I work on a MacBook 10.6.8. I assembled the pdfs (page by page as "images") in GIMP 2.8. The original text I formatted in iStudio, easily uploading into GIMP, as images, then working each image in layers. Unfortunately, I didn't realize that flattened images can't be unflattened, so if I need to go back to a pre-pdf pages ('images' in GIMP lingo), I'll have to do quite a bit of reconstructing. The last layered building steps are now bound within the flattened images in 44-page pdf. Fortunately, I can easily alter one page at a time within my full pdf. I want to find an RGB to CMYK conversion that I can do page by page, popping out and back into my full pdf.
How a drawing in CMYK can be converted to RGB ? At present i am selecting each element of the drawing and manually converting it.Tried the Visual Basic 'File Converter' option, but it doesn't work.
I hope there is a better way as i have many images to convert.
I have a cartoon/photo image that I need printed onto a t-shirt. I made the image in Photoshop CS V8 as an RGB image, and now when I convert it to CMYK for the printer, the image looks duller. Is there any way to maintain the 'brilliance' of the colours when converting?
I have about 200 PSDs that were supplied by another designer, and I have to use them in an InDesign document.
Unfortunately some are RGB, some are CMYK and all are layered. I'm wondering if there is some kind of preset or shortcut that enables me to convert them all to flattened CMYK PSDs, without having to open each one up and change it manually.
When working with our product photos, I keep them in RGB and add drop shadows to them by drawing rectangular marquees on a separate layer, fill them with black and then apply gaussian and motin blur to them. Works quite well. Plus with the shadow on it's own layer, I can turn it off in InDesign if need be.
The problem is when I convert the photo to CMYK for offset printing. It's asks if I want merge the layers to which I say no since I want to be able to turn the shadows off if need be, but when I say no, then the shadows get bigger and do not look as good as they did in RGB. If I say yes to merge, then the shadows look the same as they did in RGB but I lose the ability to turn them off in InDesign.
Is there a way to keep the shadows looking the same when converted to CMYK without having to merge the layers? Using PS CS6 64 bit.
I work at a small newspaper and use CorelDraw X5 (the rest of the newspapers in our company all use Adobe products).
When we get for example, a logo sent to us (also happens with PDF's that are sent to us as well), many times the black is registration black and I need it to be CMYK.
When we PDF the ad to send it for printing the black is on all 4 plates (CMYK) our printer says, drop CorelDraw spend $2000+ and get in design and CS5 and your troubles will go away. I am hoping there is a solution that lets me continue to use CorelDraw as I love this program and do not want to switch.
I want to make macro for converting Vector RGB to CMYK. So I did New Macro Project > New Module > Start Rec. > Converted some vector RGB to CMYK > Stop Recording .
Then use same macro to other but it didn't work like photoshop action. VBA basic knowledge, So any easy method can some one know which can be use as macro. Or the proper method to do it.
My design was originally created as a CMYK. Now, it needs to be converted to a Black + one PMS. Using channels, then copying and pasting portions into a new PMS channel, I thought I had it. However, two portions of the design are not looking right, and they were grayscale from the get-go!:
1) The grayscale photo I placed in the design is very washed out and I don't know why. It almost appears like it has hard light on it.
2) The grayscale illy design that I placed in this Photoshop design is also washed out.
It's almost as if the mid-range color (albeit grayscale) has been lost.
Thanks in advance for any advice. I'm placing the design into an InDesign piece, and have half a mind to just delete the photo and graphic from Photoshop, and then bring them in straight into ID.....
Is there a way to keep the visual effects of the RGB modes like, multiply, screen, etc. when converting the file to CMYK. All of my images get muddy and I loose the bright colors when converting to CMYK. I know there are colors that a printer can print, but my CMYK files loose their bright colors when converting to CMYK for printers...
My problem is that I am converting RGB native images to CMYK and my Key (Black) comes out rich, contains equal levels of CMY and K, instead of true black, only k.
Currently my way around this is to do the standard convert to profile CMYK and with my path selected to the section I would like to be true black simply turn off all CM and Y channels and re-save the image but this is a little labor intensive.
Is there a way that I can go straight from RGB to CMYK and achieve true black without alteration?
I have a document which contains around 100 RGB bitmaps arranged in a collage. Now this is going to be printed offset, delivered via pdf with cmyk swopv2 color profile.
Most of the rgb to cmyk converted images look best with relative colormetric as they're fairly close to the cmyk gamut and this maintains the saturation and colors I'm looking for. However, some wider-gamut images look much better with perceptual rendering intent.
Is there any quick way to pick my rendering intent when doing individual bitmap mode conversions in draw, so I can hand select which images are converted using relative colormetric and which using perceptual?
i.e. click one bitmap, menu bitmap, mode, cmyk using perceptual,or menu bitmap, mode, cmyk using relative colormetric?
Right now the quickest way I can seem to achieve this is to manually set the whole color management to perceptual, select by eye and convert those images to cmyk that are well outside the cmyk gamut, then set it back to relative colormetric and generate the pdf cmyk which then makes those rgb images not manually converted while it was set to perceptual be converted via the now set relative colorimetric. It works, but I wish I had more interactive control on the mode conversion bitmap by bitmap.
I've created some graphic artwork in Photoshop RGB, and now its time to output these graphics to an Illustrator CMYK file.
I have a bunch of layers that I have created for lens flares / light effects and I created these via filling a layer black and then using the Lens Flare Filter and then converting the layer to a Screen layer blend.
I notice that when I convert to CMYK in photoshop I lose the effect of those screen layers, is there anyway I can get those layers to look the same in CMYK without having recreate them from scratch in the CMYK space?
In my illustrator file I have a gradient background and was hoping to bring in these transparent lens flare lighting effects to place over the top of the gradient. I was thinking I might be able to merge the layers in Photoshop but unfortunately I need those screen layers to remain transparent.
I also tried turning the layer to normal 100%, convert to CMYK, placing into my CMYK illustrator file and then changing the layer to screen mode there but its doesnt look the same, its turn transparent like I wanted but it looks like where there is transparency there is a 25% opacity white.
Last night I created a quick little logo to watermark some pictures with; however, after alot of trying I have been unsuccessful at creating a scalable path around everything in such a way that it doesn't blur the edges. I am trying to do what is found at the link below so that I can later automate the process of inserting the watermarks:
The logo design (see below) is made from a capital letter 'D' and a lower case letter 'm' sharing vertical starting strokes with another font. I am thinking that since the two letters ('D' and 'm') are no longer text that this may not be do able. I couldn't figure out how to delete part of the 'D' and 'm' but still make it possible to 'Create Work Path'. I hope I explained this correctly...I am pretty new to photoshop. Is it possible to take what I have (the .psd version doesn't have the white background) and use it to do what they did on the link?
I always use CMYK in my designs and the Pantone color codes for their logo design. I have never had to convert them before and have searched forums and boards with no luck in finding an easy way to do this.
