I was wondering how I am able to do 2.5d relighting by having Normal pass inside CFX.
Smoke 2013 Ext1
Mac OS X 10.7.5
2*2.4 Ghz Quad-Core Intel Xeon
14 GB RAM
Quadro 4000
I will receive a 2D object and a normal pass. And from that I need to create some shperical image that will be mapped on to the image without being in 3D space. I know it's somehow possible in Fusion using some global pointers. Is something similar possible in Smoke?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Smoke is good for us, we like true 3d environment. Smoke is all in one solution, but we missing Particle system and camera tracker. And how we composite position pass from 3d package in smoke?
View 5 Replies View RelatedI unarchived a 2013 Linux sequence.
I took all of the clips an unlinked them in 2013 Mac.
I then gathered the source material on to a new USB portable drive. I then went through a conform and relinked all fo the clips that aren't in a CFX.
I can't see how to relink or get the clips inside the CFX show up.
I dragged the clips from the Sources folder, and collected them into a new folder in my Media Library.
If I collect those "checkerboard" clips into a new sequence and look at it via the Conform tab, it shows that the clips are Linked, as parts of them were also in the main timeline.
Check out the Premiumbeat Smoke Blog [URL]....
In cfx, i have a source clip which i want to grab just 1 frame of it. So what is the best way to do it in term of efficiency ?
If i'm in timeline editing outside cfx then i can use alt-E and drag the clip to have a 1 frame copy. It's cool but how to do the same thing inside cfx ? i want to do it inside cfx schematic. Actually I can use a timewarp node or mux or maybe there's some other node that can do the same function. But is it gonna affect the speed of the whole tree ?
i'm comparing the two scenarios :
1. i did 1 frame grab in the editing then bring it into cfx
2. i bring the full source clip inside cfx and apply timewarp to get 1 frame to work with.
Is there gonna be different in speed ? if only single clip , i won't see any different. What i want to know : what is happening internally ? does the second scenario will eat up more processing ? If yes, then we need to feature to extract 1 frame inside cfx (just like in editing).
As an addition, in media bin, when i'm in editing module (outside cfx) , i can ctrl-E (cursor change to red icon) to grab 1 frame . But when i go to cfx then it won't work. ctrl-E in media bin won't do anything. It will be great to have that feature in cfx.
if you have the Update Numeric button on inside CFX everything gets pretty slow. That wasnt happening before the SP1.
View 1 Replies View RelatedIn the mk the final output has to be sent to the 'result' node. The weird thing why this node has 3 input ( fg , bg ,matte ) ? the single stream of the matte should make it work. Is there any good explaination ? In what condition we need to connect all the output ? if i connect the fg to other image/clip then when we go back to action, the fg of the related layer will be replaced. But why we want to replace the fg using mk?
View 4 Replies View Relateda look at 3d text integration techniques inside of action [URL]....
View 2 Replies View Relatedi can't find the mblur setting inside axis timeline fx. Is it there somewhere ? or does it have the mblur setting ?
View 3 Replies View Relatedi'm in action schematic and if i reset any node (for example images/surface) then some parameter is still not affected. For example : the blend type and surface type and couple more are not affected by that reset function. Is this a bug ?
View 3 Replies View RelatedI know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedIs there any way that Smoke can see/output sub-blacks and super whites? Can't find any way of seeing them on my scope, Smoke just clamps everything. It won't even see anything below zero in order for me to make a correction on it, everything seems to be clamped on import. I'm using ProRes HQ footage.
View 9 Replies View RelatedWhat is the best plugin to do spline warps in smoke?(need something like the distort in flame) I notice revisionfx don't make a warper for smoke on mac.
View 7 Replies View RelatedI am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
Can Smoke support the OFX architecture?
View 1 Replies View RelatedDoes Smoke have selection functionality similar to that of Combustion? As an example, you might want to selectively blur part of an image. In Combustion, you would draw a selection and then apply an operator above the selection to achieve this. I don't see a similar selection tool function in Smoke, but I imagine you could achieve the same effect by duplicating a layer and using a Gmask via the Wipe timeline FX.does Smoke not have a selection tool similar to Combustion?
View 3 Replies View RelatedWhats the dealing with importing TWs to Smoke? I have a show that's 70% keyframed with timewarps and need a way other then baking the effect to bring it into Smoke. It's comming from FCP7 and we have Automatic Duck but neither the XMLs or AAF bring anything other then the first speed of the clip. Any way to retain the keyframes?
View 1 Replies View RelatedThere are many examples of creating rectangular patterns, but not many, if any, of interrogating existing patterns.I have attached the files and a screenshot of a rectangular part inside an assembly. The part contains a rectangular pattern of holes and workplanes.how do I get hold of each proxy of the workplane in the pattern?In other words I don't know what to put in the for loop at the end of this code fragment:
If _invApp.Documents.Count = 0 Then MsgBox("Need to open an the assembly document") ReturnEnd If If _invApp.ActiveDocument.DocumentType <> DocumentTypeEnum.kAssemblyDocumentObject Then MsgBox("Need to have an Assembly document active") ReturnEnd If Dim asmDoc As Assembly Document asmDoc = _invApp.ActiveDocument Dim asmDef As AssemblyComponentDefinition asmDef = asmDoc.ComponentDefinition im occurrences As ComponentOccurrencesoccurrences.
[code]....
Is it possible to run Flame or Smoke over a VPN? I mean, is it possible to get a license over VPN?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
I tried Smoke 2013 PR2 on my MacBook Air 11".
It uses all the available RAM that is 4GB.
Same experience with Smoke 2012 on my MacBook pro 13"".
Is that normal?
I have RED footage which I exported as EXR. When I import them back in, they look exactly like the RED footage. But when I import the EXR in Fusion, export it back out, and then import that EXR into Smoke, it looks brighter, although I didn't change anything in Fusion. (when I compare the EXR from Smoke and the EXR from fusion in my finder on my desktop, they look exactly the same). So what is Smoke doing with the "foreign" exr on import?I was also playing with the LUT settings. I get a result which is close, but I need to be exact.
View 6 Replies View RelatedWhere do you set context in batch in the 2013 prerelease?
View 9 Replies View RelatedWhen I export a XML from FCP 7 all of my files come over and link but there is no video with my HDV files (1440 x 1080) all of my other files (Canon FX etc) come over fine.
View 9 Replies View RelatedWhat is the best way to downconvert 5D HD to SD?
I converted the h.264 files to uncompressed 10bit. Bringing in the footage and XML was fine, but as soon as I resize to PAL (the timeline was changed to PAL, as was the output on the AJA) the picture starts anti aliasing in detail areas. I have processed this with every filter in Smoke with no satisfactory result.
I am having issues for a long time regarding importing XML into smoke 2013. Will try and explain you in breif.
First When we try an import XML into smoke it just doesnt do anything, in the message history box it comes up saying FOUND 0 SOURCES.
Nothing gets imported at all. No footage is imported, nothing is shown in timeline as well.
Second For a different project when the XML does get imported, the videos get imported but then again nothing is coming up in the timeline and in the message history box we get the following error.
XML Validation Failed.
Cannot process unliked media.
we have checked all the import options to make this work, including max up level and the rest but nothing is working.
I must have changed a setting because today my interactivity in CFX has taken a hit, specifically when making Axis moves. The move doesnt register until after I have made a change in the Axis field.
I know there is a setting for this but cannot remember. Am not having the same issue grabbing Axis in viewer.
I'm currently trying to conform an XML from FCP 7 into Smoke 2012 (Linux). The issue I have is that the files I want to conform with are MFX, however the files used in the FCP timeline are PRORES, therefore have a '.mov' extension. This means the Smoke is not seeing the MXF files due to the extension & the only way around it I have found, is to edit all of the '.mov' extensions to '.mxf' extensions in the actual XML. This works well, but is a complete nightmare, particularly as I'll have to do this for 13 half hour episodes!!!!
I have tried all the different combinations of Filename, Timecode, Tape, etc, but none work due to other metadata issues from the filming of the footage to it being delivered to our edit suites!!!!
Any way of making the Smoke ignore the file extension?
Can i remove the fx history ? for example i render a cfx clip. then i want to keep the render only and disconnect the relationship with its 'cfx history' . And is there any practical benefit of it ? You maybe will ask me : 'why do you wanna do it?' , my answer is " i don't know man, it just came across my mind .
View 3 Replies View RelatedGetting a depth of field result in Smoke 2012. A tutorial on this would be really beneficial for a new comer like me.
View 9 Replies View RelatedAll of a sudden, I'm unable to scroll through clips with real time feedback. Did I turn on some preference?
Also, I've noticed that when I'm in Action, I don't get realtime feedback going to the broadcast monitor, but rather the image catches up upon pen up. I don't see anything about it in the options in Action or global preferences.
When applying CFX to the clip it ignores resolution of the project and the time line and creates a resolution of the whole CFX based on clip.
In other words 1080 clip in 720 timeline creates CFX with 1080 out node, ( all action creates in 1080 swell) and only then send 1080 output to timeline where it applying resize soft effect. I know i can change resolution of action, but a can't change resolution of output node ( the las node that feeds output to timeline.) Is there an easy way to work around to feed lets say 720 to escape resizing in timeline.