If I work in CFX on a shot in, say, a 60" commercial and then want to drop it into the 30" cutdown. I need to trim a couple of frames from the head to match the cutdown, if I do this gesturally, it un-renders and when I re-render, all the source material has been slipped inside CFX.
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I can roll trim with the mouse - but not with the keyboard (I can slip and slide with the keyboard) - am I missing something?
Also is asymmetric/bidirectional trimming possible?
Is it possible to grab the head or tail of the video segment and have the timeline stay stationay and you drag the edge to the timeline position?
View 6 Replies View Relatedis it possible to stabilize a shot within the Modular Keyer in Action?
View 3 Replies View RelatedHow to correct aspect ratio when put HD shot in SD project, such as FCP 7 do that...
Screen shot attached
How do I display just the current shot in Color Corrector Page time line, not whole sequence ?
Screen grab shows I am parked on a shot in Colour Warper but timeline shows whole 6 minute sequence rather than the shot I am working on.
I try to copy an edit from one project library to anothe project library, I get the error message: Clip Mgt: Entry "..." has pending rendered video media. Deselecting entry.
How can I find out which media ist still pending render? Because everything is processed, everything has been loaded in via store local copy... The only thing I couldn' figure out is, my edit has the little lightgrey SOFT icon on it (although no clip within my edit has that icon....the only light grey icon there is in my edit is the H for clip history. so I don't know where this is coming from, and maybe it all connects together...)
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
I am trying to figure out how to add handle length to an edit...
so here is my detailed workflow: Footage Alexa Prores -> converted via Davinci (with LUTs) to MXF -> offline edit in avid... export as AAF (link to media)
conform in smoke (with original prores files) ... all good, BUT I want to add 12 frames handles to every shot and export the sequence as DPX for grading in davinci
I need the handles due to possible reedit on different music afterwards.... Which step i can add the handles (conform in smoke? export in smoke?)
after grading I have to go back to smoke for compositing and hope there is somehow also a automatic way of telling smoke to conform the graded DPX back to the original edit
In tracks editor, if let say i have 5 keyframes then i select 3 of them in the middle , then how to do the X-scale ? Among the available operation, i can't find scaling.
View 5 Replies View RelatedHow do you share media and edit sequences between projects?
View 2 Replies View RelatedIs there a hotkey to add/edit a soft effect?
I know that the Euphonix panel we have has an edit soft effect button. But it doesn't add the effect as well. (plus you have to hit the "NAV" button to make it accessible)
Does this function already exist?
I've got HD sources in a SD timeline with some comps done on the desktop. all fine . I want to resize the timeline to somewhere between SD and HD but.
Trial1. create new Timeline at new resolution, copy all edits from SD TL and insert in new TL.. this doesn't work because there's a bug and all the edits reset themselves to 0 frames of head i.e. slips all the edits.
Trial2.. save edit in the library and reformat it to the new resolution, i don't know what goes wrong here but it doesn't work.
Is it possible to edit text in directly in the timeline, without going to EDITOR?
View 9 Replies View RelatedI followed the upgrade procedures and the projects appear in the projects list but they are empty once I enter them.I noticed a workspace icon appears next to the edit button the first time a try to launch a project. See attached screenshot. The only choice there is workspace.
View 1 Replies View Relatedi have a clip in layer 1 and i want to move it to layer 2 , i don't want accidentally move in horizontal direction (change edit point), i want to move straight vertically. Using FCP hotkey, i can activate snap (shift key) to constraint it to a cut, but that only works if i got another clip, if there's no other clip , i can't do constraint since there's no reference. In FCP i can still doing it because it can use the current clip's previous position as reference edit. But in Smoke , i can't do that. I think there should be a feature added for this process. The workaround is : do not move the clip but using duplicate, then delete the original one... but seems too complex for that little tiny task.
View 5 Replies View RelatedI'm using fcp hotkey , by default the 'drag copy (single frame)' is mapped to ' alt-c' . Normally this will work fine. But in some case where a cfx clip is selected or my time indicator is parked on top of a cfx clip in active timeline , then do 'alt-c' will give an error message "connectfx cannot be modified inside the containers. Proceed with edit ? "
So to solve this temporarily, i have to first deselect the cfx clip or move the current positioner on top of a non-cfx clip.
Part of my daily workflow is to export a single frame of my edit for client approvals. In the export menu, is there a way to NOT have Smoke add the zeros to the end of the file name?
Also, what's the best (fastest) way to export a single frame? The way I'm doing it now is that I'm copying a segment to the the desktop then going into tools then using the repeat function. is there a better way?
I am making a screen shot video for my website. I created 6 individual short videos that look great. When you play them individually, they look great. These are "how to use the website" short videos that do have typing on the screen. The typed words are perfectly clear as individual videos.
As soon as i merge the clips into 1 video, the typed words and the whole video gets fuzzy. I have re-shot new videos and I get the same result.
I have searched all over the internet for the last couple of weeks researching a solution. I've enlisted smart proxy and gone through just about every setting in "preferences" painstakingly slow and I still can't figure it out.
All of my information for my computer should be correct, but wasn't sure if i got the video card correct.
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedIs there any way that Smoke can see/output sub-blacks and super whites? Can't find any way of seeing them on my scope, Smoke just clamps everything. It won't even see anything below zero in order for me to make a correction on it, everything seems to be clamped on import. I'm using ProRes HQ footage.
View 9 Replies View RelatedWhat is the best plugin to do spline warps in smoke?(need something like the distort in flame) I notice revisionfx don't make a warper for smoke on mac.
View 7 Replies View RelatedI am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
I did something and I'm not sure what. But my selection tool has changed. Now when I try to alter the length of a clip in a timeline, it automatically switches to the rolling edit tool with the 2 arrows on either side of a line. If I try to just grab the end of a clip it also drags the end of the clip beside it as well. It affects inserts and almost anything I do. I can't figure out how to return my selection tool to normal.
View 2 Replies View RelatedCan Smoke support the OFX architecture?
View 1 Replies View RelatedDoes Smoke have selection functionality similar to that of Combustion? As an example, you might want to selectively blur part of an image. In Combustion, you would draw a selection and then apply an operator above the selection to achieve this. I don't see a similar selection tool function in Smoke, but I imagine you could achieve the same effect by duplicating a layer and using a Gmask via the Wipe timeline FX.does Smoke not have a selection tool similar to Combustion?
View 3 Replies View RelatedWhats the dealing with importing TWs to Smoke? I have a show that's 70% keyframed with timewarps and need a way other then baking the effect to bring it into Smoke. It's comming from FCP7 and we have Automatic Duck but neither the XMLs or AAF bring anything other then the first speed of the clip. Any way to retain the keyframes?
View 1 Replies View RelatedIs it possible to run Flame or Smoke over a VPN? I mean, is it possible to get a license over VPN?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
I tried Smoke 2013 PR2 on my MacBook Air 11".
It uses all the available RAM that is 4GB.
Same experience with Smoke 2012 on my MacBook pro 13"".
Is that normal?
I have RED footage which I exported as EXR. When I import them back in, they look exactly like the RED footage. But when I import the EXR in Fusion, export it back out, and then import that EXR into Smoke, it looks brighter, although I didn't change anything in Fusion. (when I compare the EXR from Smoke and the EXR from fusion in my finder on my desktop, they look exactly the same). So what is Smoke doing with the "foreign" exr on import?I was also playing with the LUT settings. I get a result which is close, but I need to be exact.
View 6 Replies View RelatedWhere do you set context in batch in the 2013 prerelease?
View 9 Replies View RelatedWhen I export a XML from FCP 7 all of my files come over and link but there is no video with my HDV files (1440 x 1080) all of my other files (Canon FX etc) come over fine.
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