When i'm drag the cursor across the connecting line between a clip and a node or between two nodes.
The arrowed line is missing , i can only move the node not able to cut the link between them.
How do you select Multiple clips in a long sequence with many clips? I am cutting a short documentary and I need to move around a large quantity of clips. How do I quickly select a bunch of clips?
View 2 Replies View Related1) Using the the Burn 2012 SP2?
2) The Burn for Mac OSX 2012 that comes with the installer disk?
3) or Burn for Mac OSX 2012 SP2 that I can't seem to find anywhere?
I've tried the first two and can't get them running properly. The systems are a mixed lot of XW9400s and XW8600s all with QFX3800 cards and 8GB of ram running the ADSK Redhat 5.3 Burn install and generic 6.0 DKU install.
What is the ability to add multiple output nodes in CFX as same as the way you can in flame.
The default / primary CFX output would link back to the timeline as usual, and then other outputs would render back to a selectable folder in your project library.
OR
Quite often you are creating alternate versions for your edit, so I thought a reasonably elegant solution to route the various version outputs back to the timeline would be to place them into a container.
So on your timeline, the outputs you processed in CFX appears as a container, with the default / primary output visible - inside the container are the various outputs you just rendered. Depending on focus in the container will give you your different version back in the timeline.
But I guess the only snag with this idea is that you can't edit CFX once they are inside of a container. So you would "Uncontain" - modify one of the outputs and then "Make Container" again for the sake of keeping the timeline clean and manageable.
I have a project where I have a high res of an astronaut on the moon.
The elements are:
Foreground: Mid shot of Astronaut
Mid: Moon (as in the ground he is standing on behind him)
Background: Space
I've managed to separate out the elements, position them in actions' 3d space and even add a nice little lens flair in the reflection of his helmet as the camera slowly tracks from left to right. The effect (well we've all seen it before) is that it adds 3d depth via parallax scrolling to the photo.
What I can't achieve is a realistic reflection of the moon surface (i.e. the ground in front of him) reflecting in his helmets mirror-like visor.
In order to fake the reflection I essentially want the motion in the reflection of the moons surface to be opposite to that of the mid ground behind him.
My plan was to re-use the mid ground moon surface flipped horizontally and view it through a matte/alpha describing the visors shape and then animate it moving in the opposite direction with a couple of simple keyframes.
How I tried to achieve this was:
Prepare the layered file in photoshop including helmet visors alpha layer (a simple coloured layer with a hole in it)
Bring into action and separate out all the layers in 3d ensuring the helmet matte remains in the same position as the astronaut layer
Animate camera tracking
Come out in to connect fx
Dupe the action node twice and rename the new ones 'helmet alpha' and 'moon reflection'
Go into 'helmet alpha' and delete everything except the camera and the helmet alpha
Go into the 'moon reflection' and delete all except the camera and the moon surface
Go back into cfx and use some compositing node to flip the moon surface (and plug the moon surface action node into that..?)
Then create a new node which allows me to plug the helmet alpha into the alpha channel and the moon surface into the fill channel
Create another new node which allows me to combine the result of this previous node with the original node and layer it on top.
I've got a window to hammer the machine for a day! In an action schematic I know I can save selected nodes and media. I now want to load those saved nodes into another action but the load tab won't open to give me the options of load all, add nodes, add nodes & media.
View 3 Replies View RelatedScenario: You need to make a film strip with 30 stills from the same clip. Then you take a clip, creates 30 Mux nodes, freezes the frames that you need and feeds into Action.
Problem: You have to manually go into each Mux node and puts them to repeat the last frame.
Solution: It should be possible to select multiple equal nodes, and change any parameter contextually, all at once, like any other graphic soft that i know. Another thing, these values must accept simple mathematical functions, i.e. : +10, -15, * 20...
I can't seem to remove nodes from the Matte Blender by holding down the "Control" & "Option" keys as stated in the online tutorial.
View 2 Replies View RelatedHow to bypass/disable multiple nodes without have to do it one by one ?
The other strange thing is when i think i can do it by define a new hotkey for disable/enable the bypass button, i found that everytime i change a hotkey for the bypass button, it will apply only to current node. So do i have to set hotkey for every single node ?? and of course everytime i create new cfx , the hotkey will be reset.
How do I Hide or Unhide Axis or other Nodes in Action?
View 3 Replies View RelatedI'm trying to add a dissolve on the timeline between two clips as I have many times before and one of them will not allow me to dissolve to or from it. It won't allow any dissolves at all actually.
Both are 1920x1080 10bit clips rendered out of action. Any attempts to put a dissolve on the cut ends up with it being only on the end-tag (the second clip). If it tell it to be centered it puts a one frame dissolve on the end-tag. If i tell it Up To Cut it does nothing. From Cut works as expected.
I can't find a way to add clips to an existent archive....
View 3 Replies View RelatedWhat I don't get is when it says "navigate to the project that contains the clips you want to copy." Does that refer to /usr/discreet/project/<project name>? Because when I navigate to there, I don't see any media to import.
View 3 Replies View RelatedI have a folder of clips that I'd like to unrender then archive so that I just end up archiving the metadata. I can't find a way to do this in Smoke 2013. When I choose archive links only the archive seems to be massive so my guess is it is still archiving rendered shots.
View 5 Replies View RelatedI have got some questions:
1. How can I select many clips on the timeline? (I work with a Wacom tablet.) When I press the pen onto the tablet and move it, I can only pull the gap. In connect fx it works, when I hold cmd.
2. If I set markers in the timeline, is there a way to also see them in connect fx?
3.There is a function in Final Cut: When I I select a clip from the timeline and press "f" , I can go on working on its source clip in the viewer. Is there something similar in smoke? I cannot find the name for this function, so I cannot search for it in the keyboard shortcuts.
4. If I render something, is there a way that Smoke automatically copies the file (without copying the effects)? The reason for that question is: I applied timewarp to a clip, then I wanted to go on working on the clip in connect fx, but the length of the clip changed - it was shorter. When I went on working in action and put some lense flares and rendered it, everything was bended and looked weird. It looked great but I did not intend to do something like this.
The next questions are no real questions but rather problems.
5. When I work with audio (audio clip locked), I cannot really cut on the music, because 5a. sometimes the amplitudes do not match the music. An example: There is no amplitude, but the music goes on for 2 seconds. 5b. And when it is correct and I cut on the beat and render it, it is not sync anymore some moments later or when I restart smoke. (It only displaces 1 or 2 seconds from the sync.)
6. Since I have updated from pre-release 4 to pre-release 5, I cannot export anymore. I have read a lot on blogs, but I could not really find my problem. I cannot even press the export button.
I was wondering if when I stop a looping clip playing in my timeline, I could have it stop at the frame I stop on instead of stopping at the positioner or in-point. This is a very vital problem I'm having.
I have come up with a work-a-round but it doesn't work near as smoothly as I would like it to.
All I do for the workaround is instead of hitting space when I stop, I hit right alt to set an in point then hit space to stop and "A" to move to my newly created in-point. But it doesn't work as smoothly as it should. I would really like it to perform like playing a clip in the desktop works. It just loops around and when I stop, it actually stops.
We're having an issue loading avc-intra clips. The audio is coming in fine but we only get black for video.
View 1 Replies View Relatedis it hard for Autodesk to have/create fully RGBA clips (clips with embedded alpha).I'm not so sure what's the main advantage to have clip with separate matte (black & white), since all compositing software even FCP can handle it.
I found that this function a bit outdated n you end up doing lot of steps even to accomplish simple result.
I unarchived a 2013 Linux sequence.
I took all of the clips an unlinked them in 2013 Mac.
I then gathered the source material on to a new USB portable drive. I then went through a conform and relinked all fo the clips that aren't in a CFX.
I can't see how to relink or get the clips inside the CFX show up.
I dragged the clips from the Sources folder, and collected them into a new folder in my Media Library.
If I collect those "checkerboard" clips into a new sequence and look at it via the Conform tab, it shows that the clips are Linked, as parts of them were also in the main timeline.
Check out the Premiumbeat Smoke Blog [URL]....
Is there an equivalent command to the FCP alt up/down arrow to move a clip up and down between tracks? I can drag but it doesn't snap to the anything ie where the clip originally was on another track.
View 3 Replies View RelatedHow is the best way to keep sync with clips that have audio. In Premiere for example, when a clip contains audio it handles both video and audio as a single thing until I explicitly unlink them. But in Smoke, even with the option Select linked, which as far as I can tell it only works for selecting and activate that little arrow (do not remember the name of the function) in the tracks table, keeps all ok but only on that track.
This is the normal operation of Smoke? He really will always treat the audio and video of same clip as separate things? Am I missing something? Because at least for me, that's came from Premiere, always be remembering to set all the tracks and always go to the menu and select Enable linked is what most complicates the editorial work in Smoke.
Whenever we try to import video clips they show up as all black. The length of the video is there, so it might be 15 minutes of black. But no matter what video (Sony, Red, etc.) it's all the same.
We're running pre-release 3 on the latest iMac. As far as we know the graphics card is compatible.
As we don't have the warper module. Is there a workflow for creating a morph between two clips?
MacBook Pro Retina
2.7GHz Intel Core i7
16GB RAM
It's not a show stopper but if you select more than one clip on the thumbnail desktop and pen copy they don't copy to where you place them but jump to be half hidden off the source area.
View 1 Replies View RelatedI imported a Final Cut sequence via XML into Smoke. The media is 1080p25 ProRes 422 HQ and is located on our SAN. I need to do some green screen work. I have two clips and an Axis effect on the upper clip.
Adjusting the keyer and scrubbing that segment of the timeline is painfully slow so I want to copy just the two clips I am working on, to the local storage.
Is there a way to do this directly from the timeline? I only want what's in the timeline. Not the whole length of the original media.
I'm coming from a Symphony and FCP background. I do a lot of keying in the timeline when I'm finishing, so I'm often moving the green screen clip from track 1 to 2 and then putting the BG on the lower track. I'm used to being able to constrain the movement of the clip so that it doesn't slide around on the timeline and get out of sync when I move it. Does smoke have a hotkey for this? I've noticed if I hold shift, I get some indication of where Smoke is lining up the clip relative to other clips by some highlighting, but this does not constrain the clip I'm moving.
View 9 Replies View Relatedaccidentally turned off the Aspect Ratio on the clips of my Viewing Panel. What is the shortcut or the option located to turn it on again?
View 1 Replies View RelatedI have tried to get transitions between clips by using the transition button by the FX button on upper left of timeline box and by using the hotkey shortcut command T neither inserts a transition.... What am I doing wrong
View 5 Replies View RelatedI have recently upgraded to Smoke 2012 sp2 and have a small issue regarding the reordering of my clips in the source area.
On 2011 when you placed clips in the source area in a specific order and saved it to the library and when you recalled it from the library it would put the clips back in exactly the same place you left them. Now in 2012 when you do that it re-orders them in some sort of chronological order.
Is there a setting that I'm not aware of that will stop doing that as I place them in a specific structure which makes sense to me and is easy to find and understand on large builds, now I'm having to sift through the clips and waste time finding what I did last and checking through versions to find the latest one.
I can't get clips to render to the stone in the background. I am running 2012 SP2. I looked and the Backburner version is 2013.
How do I get rid of this? I have run the uninstaller, but that is less than a complete un-install it seems.
I haven't tested every single combination yet in the publish menus. To save me trying them all, is there any option that works to publish all the shots in a sequence together with alpha channel?
I have a sequence of CFXa clips with matte output connected in CFX, I duplicate the sequence and commit cfx... every clip has a matte container. So far, so good. Now I want to output the whole sequence as individual shots with alpha.
Tried the EDL option, changing file type to OpenEXR... no alpha. Tried EDL, changing output type to movie and then selecting ProRes 4444. Alpha was solid black.
Is it possible to get publish to create individual movie files for each shot at all? Everytime I try this it writes one continuous quicktime file even though I select a shot number token. Writing individual shots seems only to work with image sequences, is that the case?