When I have a drawing open in AutoCAD LT 2012 any xrefs are very dull or perhaps dark is a better description and on a black background tend to be very difficult to see. Is there a setting somewhere I can change to brighten up the xref?
My problem is this; I have several production sets (Sheet Sheets) of drawings in which the referenced drawing's layers are not carrying over.
To clarify; In my base file file I went through and froze out and changed the color of several layers. When I reference that drawing into my sheet sets all of the layers are turned back on and set to the original colors. I should also note that the offending referenced drawing is also an xref. It is a large architectural drawing with several dozen nested xrefs refernced into a base file in which I have inserted blocks and symbols.
I've tried different VISRETAIN settings and other options. Nothing seems to work. I've also went through various forums and tutorials to try and solve the problem before I posted here. I'm at my wits end!
I have a Base.dwg where I xref-Attach a Proposed.dwg file into. I changed the Color=gray and Plot Style=Existing of the Proposed xref in the Base. Visretain=1.
I now create a Sheet.dwg and xref Base into it (and Proposed comes along too). The settings for Proposed are not what I have set in the Base file, they are what's in the original Proposed file.
Can I get these settings to come through? I cannot go into the original Proposed file and change settings.
C3D 2012 sp1 W7Pro 64bit HP Z400 Workstation 16 GB RAM Intel Xeon CPU W3565@3.20GHz NVIDIA Quadro 4000
I have a Base.dwg where I xref-Attach a Proposed.dwg file into. I changed the Color=gray and Plot Style=Existing of the Proposed xref in the Base. Visretain=1.
I now create a Sheet.dwg and xref Base into it (and Proposed comes along too). The settings for Proposed are not what I have set in the Base file, they are what's in the original Proposed file.
Can I get these settings to come through? I cannot go into the original Proposed file and change settings.
C3D2012 W7 Tom C3D 2012 sp1 W7Pro 64bit HP Z400 Workstation 16 GB RAM Intel Xeon CPU W3565@3.20GHz NVIDIA Quadro 4000
I had a picture of a person. The picture taken in a low light place so the picture was very dark. I wanted to make the picture brighter so that the person in the picture can been see clearly. How to brighten it?
I am making some painting schemes for a truck. (The drawings are not finished yet but i would like to post the question in advance so i don't have to wait later on and i can experiment before going to the real deal)
I would like to brighten them up so the customer gets the best possible (within my power and knowledge of gimp )
it is possible to select a part of a video scene and apply brightness/contrast just to that part of the scene. I have a scene with a sign in the foreground which is in shade whereas the rest of the scene is well lit.
it is possible to select part of an image using the 'magic wand' feature of Paint Shop Pro and wondering if this can be done within VSX4.
I guess it could be done the hard way of splitting the clip into separate frames and then brighten the sign in each frame using Paintshop Pro and then 'reassemble' the frames back into a video clip but this would be very time consuming.
I have a picture of the Vietnam Veterans memorial and I would like to highlight three names. I want to make a video for my father and I would like each name to fade-in to a brighter color.
I know that in ACAD you can use the xref manager to see where the actual file for the xref resides on your computer/server/etc. What I'm curious about is whether or not the inverse action is possible. Can you somehow access the file (not the output sheet where it's being xref-ed) and see what other files are using it as an xref?
I've come in on a project that is nearing completion and have been assigned the task of "cleaning up the project folder." Unfortunately, there are a ton of files in the different folders that are no longer in use on the final output sheets and I need to keep the ones still in use and archive the ones that are no longer needed. What I've been doing is going through those sheets and reviewing the xref manager for each sheet to see which files are actually put onto those sheets and making a physical checklist from which to organize my findings. Once the checklist is made, I then archive all the files that are no longer being used.
Is it possible to run a lisp which can extract all the xref names, make a layer with that name and then change the xref on the layer? I have got a similar routine from earlier posts but it doesn't work if any xrefs inserted in paper space (works fine on model space). could change this routine allowing to change the layer of xref in paper space too.
(defun dxf (i a) (cdr (assoc i a))) (defun c:lxr ( ) (setq ss (ssget "x" '((0 . "INSERT"))))
I am using (trying to anyway) a :VLR-xrefSubcommandReloadItem reactor. My only question is how to get the xref/block name from the 'reactor callback data' Object ID.
I am ultimately trying to pass it to (vla-get-xrefdatabase ....), but I cannot figure out how to turn the second parameter from the reactor callback data into something I can use - for example the second parameter returned may be "65" or some other number.
I am brand spanking new to Paint and completely lost! I was referred here when asking how to edit an image I took. I took and image of a shoe on an all white background. However, there are shadows and you can see the seams in the background. I would like to brighten the white and remove shadows so that the shoe image looks professional. I tried uploading the image but it would not allow it........i will attempt again
when you bind an xref the link disappears from the xref manager.
is it possible to bind an xref, but preserve that link in the xref manager? i realize that will lead to two copies of the same object in the drawing (one xref, plus the new block). everyone's okay with that happening.
This is happening in Lightroom 4 final and is possibly related to this issue: Re: Brightening shadows darkens highlightsBrightening shadows darkens highlights.
Start with a fresh imageSet Whites to a highish value, like 55-60 or better 100.Slowly move the Highlights or Shadows slider to the left
The image gets brighter even it is supposed to get darker. If you move Highlights to the positive side, the image gets darker.
I have Elements 10. Whenever I try to edit, brighten, enhance in any way animated GIF files with Photoshop, after I save the files again on my computer, the files no longer are animated, I.E they don't move no more.
I save the files as GIFs. The files were originally saved to my computer right, they moved like they should. How can I edit animated GIF files and still have them be animated?
How do I get the full Xref Path name instead of Xref.dwg? I'm scratching my head is this totally under my nose... cause I don't see where the property is stored. I'm getting EV_BDR.dwg instead of C:folderEV_BDR.dwg
Adjustment layer- curves. I have always used a Curves Adjustment Layer in CS3 to brighten images and increase contrast. I have just upgraded to CS6 and when I open the adjustment layer and try to Command Click choose points in the photograph to drag the line up or down to darken or lighten I get instead some crazy saturation changes.
how to birhgten and shapren and use the stamp tool to remove unwanted objects. but how would i go about making this picture look fantastic. im using it as my desktop but it looks a little fuzzy. i added title and switz flag to it.
I’m a long time Photoshop user but recently picked up LR4 to try to fine tune my workflow. I’ve noticed that after importing new files (RAW, I haven’t tried with jpg) into my library as I scroll through them (1-up, not in grid) the preview comes up and then after a second or so the WB changes to a much colder image.
Does LR4 initially preview at specific settings and then change to the individual image settings? Even if so, the final images seem very cool and I feel like I have to up the temp more than I should have to. My previous workflow was to sort in Bridge and then use ACR to import to Photoshop. I feel like I did much less tweaking of my WB this way. I feel like I’m starting from square one with LR4.
Photoshop CS5 v12.1. Mac OS 10.6. I'm printing to an Epson R1800 printer.
Print. Choose Color Management. Choose Document. Choose "Photoshop manages color". Choose the correct printer profile that matches the paper I'm using. Choose Relative Colorimetric.
THEN, I click Print Settings...under the 4th drop downu I choose "Print setting..." again. Under "Basic" "color" and "Color settings" are grayed out as are some of the "Media Type" options.
Is this normal? The problem is my black and white prints are printing really badly. They have color tones. I've cleaned the nozzles on my Epson printer, done everything the print utility suggests. All the test prints look fine.
i recieved a prom pic from my daughter and i was going to print it and frame it, but 2 things happend.
The first one was that when i tried to print it it said it was tooooooo big 40inx60in so i resized it to 8.5x11 and it got very blurry, after about an hour i figured out how to get it sharp again (by accident) and forgot how i did it DOH!!! It was some kind of compairson with 4 of the same photo and resizeing the file from 9.5M to about 400kb and actualy adding some blur.
The next problem is when i printed it, it was so washed out it looked like an old 70's poloroid but on screen it looks great. Now I've read the color settings section but i think i might have set some settings wrong [U]and i don't think i fully understand what i'm reading . I know there are settings to either let photoshop take care of the printing or let the printer.Personaly i think i would like to let photoshop do it that way any email's or photo's i shoot will have a common baseline. The printer i'm using is an hp psc 2410 and the camera is a minolta dimage7i, is this a good camera / printer. I'm in adobe rgb(1998) mode and i think i saw somwhere in the printer software to choose between adobe rgb or the hp printer.Do these have to match.
Put simply how can i print it the way i see it on screen
I know ....long winded but i try to give all the info i can
I'm having some problems with drawing paths in Illustrator. Everytime I draw a new path, this new path shows up in the standard settings. The 'brush defenition' turns back to 'basic' and the 'variable width profile' back to 'uniform'. It would save me a lot of time if I could change those standard settings into what I prefer.
When the 'up' arrow appears in a thumbnail and comes up with the message:
The metadata for one or more of these photos has been changed by another application. Should Lightroom import settings from disk or overwrite disk settings with those from the catalog?
What exactly does that mean? This seems to happen every time I export an image to PS (CS5) and return to LR. What exactly has changed? What settings are being imported if I choose 'import settings from disk'.