i want to render my Premiere CC (v7.2.1) project to an .mp4 file. But some audio channels are not audible in the export. They are audible when I preview the timeline, but gone after export. Some audio channels are present, but others are not.
This is a huge problem for me, since I need to finish this project. The problem appears to have started after I moved the project files over to other storage.
I have a timeline of about 40 minutes long with several audio tracks and sounds, some mp3 from you tube and some recorded on the shooting day. everything sound just fine in premiere, I even exported one part of the timeline as a seperate movie and it was o.k. the problem is when I've import the hole track some of the audio tracks were missing/silent. it happend in 2 different projects.
I'm on windows 7 premiere cc update to latest version...
And also displaying weird. I believe it's a preference setting but I'm not sure what.
View 9 Replies View RelatedWhy have we never been able to modify audio channels once a clip is added to a sequence? I'm guessing there's a good reason Adobe has never had this feature. The lack of this feature is explicitly mentioned a few times in the audio section of the Premiere Pro CC manual, as if it's a benefit NOT to have it. But the benefit is entirely lost on me.
In my workflow, I synchronize my double-system video and audio before anything else. I do this in PluralEyes (and unfortunately I'll have to keep doing it this way, until PPr's sync on sound feature gets fixed—for me it's never worked).
Once PluralEyes has synched hours of footage and audio and placed it on a PLURALEYES GENERATED sequence, I import that sequence into Premiere. Note: Since I haven't gone through the step of creating a blank New Sequence, I don't get the opportunity to setup my audio channels the way I'd like in my sequence (i.e. Stereo recordings should occupy ONE track, not two. Typically these tracks come from a camcorder and are used for reference sound, or ambient noise at best, so I don't need them taking up precious real estate in my sequence).
Since PluralEyes doesn't merge my clips for me (or rather I don't want it to since I'm usually doing multi-cam sequences where I want to keep all 14, or so, tracks of audio), I have to go through the clips one by one and do a Merge Clip action once I've adjusted any minor sync issues, or determined which tracks I actually want to keep. But, and here's the key, at this stage I'm not yet 100% certain whether I'll use the nat sound or the wireless mic sound (separate audio recorder, etc). Furthermore, I don't really want to think about that at this point. After I've spent a few mind-numbing hours just ingesting files, sync and merges, I want to jump into the edit as soon as possible, before I lose all will to finish this edit. If I modify my audio channels right now, I'll lose the ability to make some creative decisions later on.
I'd like to start whacking out an assembly edit. And then after I have a rough program, I can start looking at which audio tracks (nat or double-system) I like better in each circumstance. This is where I become stumped that at this stage, I'm locked into whatever audio channels I've setup (or not) in the earliest stage of the edit, back before any media was actually on the timeline! It's at this stage, and usually only at this stage that I want to start Modifying Channels—FROM THE TIMELINE!
Feature Summary: Right-click on any clip, (master clip, sub-clip, merged, nested or otherwise) in the timeline and choose Modify > Audio Channels.
We are recording in two languages, one in left and the other in right channel. However, in Adobe Premiere Pro we are not able to split the track when we take up for rought cut. Both the tracks are found mixed. Since we need to maintian the split track to dubb into other languages.
View 2 Replies View RelatedI am newer to using Adobe CS 6, but I am having a problem I have never had before. When I play the video I edited in adobe timeline everything is perfect. But when I export the video, the video and audio export in different files. The video has no audio, and the audio has no video.
View 6 Replies View RelatedI'm having some audio issues which seem to be a recent developement, possibly since the last update.
some audio files on my timeline have a click at the begining of the file, even when an audio dissolve is applied.
even worse, on export, some audio cuts have an enormous 'Boing' sound, like a delay effect.
the only way I can seem to get around this is to export the audio seperately via Audition.
I'm using premiere Pro CC on a mac pro, with Mountain Lion.
Whats the quickest and easiest way to export audio stems for a sound guy who works with Pro Tools 10?
View 3 Replies View RelatedI have quite a few merged clips that the director wants me to export so that he can watch them elsewhere than the suite. If I export them individually within Premiere CC I have sound on the exports but if I use the queue function that opens Media Encoder they are mute of audio.....is this because they are merged clips?
is there a workaround other than doing them one at a time as there is alot of clips.
I am exporting dailes clips.We record dual system and there are two different audio levels - on the two different channels.However, when I export a clip from Premiere and set the audio option tol the uncompressed codec it defaults to a "single track" audio layout with no option to change. However, if i change the codec to AAC or any other I am allowed to chose whether I want a single mono track or a stereo track.
Additionally - if that single uncompressed track is an amalgamation of my original two tracks - or if it has just defaulted to one or the other.
Have reinstalled Premiere Pro 6.0.5 because I cannot drag Audio Transitions or Effects to any Timeline sequences in my Projects. Have tried modifier keys, but to no avail.
View 1 Replies View RelatedI had a file that the L audio channel is English and the R audio channel is Chinese, so I want delete L audio channel. How can I do that? I using VS Pro X4 Ultimate.
View 3 Replies View RelatedI need to make a video file which has different sound in the left and right channels. I have the sounds as separte files. Do I can make VS play one of these in the left channel and the other in the right channel? If it's not possible with VS, can MovieStudio do it?
View 4 Replies View RelatedUsing Extension 1, I am importing an RGB Uncompressed clip with 8 channels of audio with 7&8 a stereo pair. Only the first 6 come in correctly, the 7th channel has no audio and is not marked as a stereo channel. The 8th channel is not shown at all.
I tested the same clip in Flame 2012 and all 8 channels import correctly.
I have recently upgraded my old VideoStudio 12.00 to VideoStudio Pro X4 and have only just started using the program again after a couple of years of absence so I am still on a learning curve.
Can I extract the audio from a video clip and if so how and how can I convert it, if necessary into an Audio Interchange File Format, so that I can export it to a program such as Audacity for removing background wind noise before importing the Audio back into the videoStudio project.
I have tried using all the audio filter functions in VS to remove the background noise, to no avail.
I rendered a PSD sequence from Cinema 4D to do some manual texturing, I added some object buffers to make it less painfull as it's going to be frame by frame.
When I open 1 single frame I can see my object buffers in the channels, when I open my sequence I just get R, G, B, RGB.
The pictures came out fine. But then I upgraded to a (then) newer version of ACDSee, and the first time I opened the folder with these pictures in them, ACDSee turned them all magenta. ACDSee claims that this is impossible – but I assure you it happened...
I’ve posted one of the pictures here, including a screen shot of the Info pallet while the cursor is over an area of the image. As you can see, there isn’t any info for the yellow or black channels.
My question is – is there any hope for restoring the proper color to these images? I‘ve played around a bit with Curves, Hue & saturation, etc. - but getting natural color has eluded me. [URL]
I haven't tested every single combination yet in the publish menus. To save me trying them all, is there any option that works to publish all the shots in a sequence together with alpha channel?
I have a sequence of CFXa clips with matte output connected in CFX, I duplicate the sequence and commit cfx... every clip has a matte container. So far, so good. Now I want to output the whole sequence as individual shots with alpha.
Tried the EDL option, changing file type to OpenEXR... no alpha. Tried EDL, changing output type to movie and then selecting ProRes 4444. Alpha was solid black.
Is it possible to get publish to create individual movie files for each shot at all? Everytime I try this it writes one continuous quicktime file even though I select a shot number token. Writing individual shots seems only to work with image sequences, is that the case?
I am trying the new audio sync feature in Premiere CC. I am highlighting audio from videoclip and audio from my external harddisk audio recorder. I can press the merge, but cannot choose the "sync by audio" option. I can also not choose the "synchronize" option from the list, as it is geryed out.
Anoter smaller issue , is that i have not figured out how to view the waveforms, i have solid color blocks.
I can't get any audio to play while in Premiere Pro. The computer's programs has audio in the speakers and headphones with everything but Premiere, including exported premiere files but I'm not sure why. It was fine just two days ago.
View 3 Replies View RelatedI'm using Pr CC on a Win7 64bit Dell Precision M6700 laptop. I've shot and edited a number of interviews sans problemo but today I'm having problems with outputting a simple edit with audio and video in sync using the h.264 Youtube 720 preset. It's not terrible but enough to grate on the nerves! I attach a screen shot of both my video and audio setting. I've tried both 1 and 2 pass and plain cbr. It's now 2 in the morning CET, I'm knackered and I'm meeting the client first thing.
View 3 Replies View RelatedI am trying to record an audio track in Premire Pro CS6 and cannot seem to get it to work.
I have a USB microphone that funcations fine, I can see the levels in Premiere and it reconds well in other programs. When I sletect my track for recording I can see the levels in the Audio Mixer, but when I press Record then Play the levels do not transfer over to the Master track and after I stop recording the audio does not get tracked, it was like it didn't record.
I have followed the steps in this article: [URL]
I have Premiere CC7.1 and am having problems playing back the audio after importing a synced sequence from Plural Eyes. The wierd thing is that everything plays back beautifully until I close Premiere. When I reopen the program, I see the audio on the timeline and it plays back in the source monitor but there's no audio in the program monitor.
View 3 Replies View RelatedI'm using Premiere CS6 and I have a AVI file that loads video just fine, but no audio. In windows movie maker, the same file loads audio, but no video. VLC Player can play the file perfectly (audio and video) so I clearly have the right codecs installed.
I ran a program called gspot on the file, and it identified the video codec as "xvid", and the audio codecs as - "ac3 (0x2000) Dolby Laboratories, Inc". Is it possible to just point adobe to whatever codec VLC is using? I copy this "ad2ac3dec.dll" file into the root premiere pro directory. But it didn't work for me (I put the dll in my Adobe/Adobe Premiere Pro CS6 directory).
audio clips, usually less than 20 seconds, are now being cut off at the last few seconds of the clip. Can't figure out wny it is happening or how to correct it. If I select Edit, Play Original, I can hear the full clip.
View 1 Replies View RelatedI am not getting the keyframes on my Audio graph: A1, A2, or A3. I want to be able to fade out parts from my audio clip during the editing process and also tweak the audio levels at various points during the editing. How can I get the keyframes to appear back near my audio waves?
View 1 Replies View RelatedI have several business partners that are supplying me with .mp4 files from Adobe live flash media encoder, using the h.264 codec, but the only audio choice is for an MP3 codec. this combination displays/plays no audio in Premiere Pro CS5. Only after I use handbrake to convert the audio to the AAC codec with it play in the Timeline.The upgrade to the main concept plug-in for AFMLE will allow for this, but the business partners are reluctant to spend the $ .is CS6 compatible with the default of FMLE with h.264 and the .mp3 audio? if so I will upgrade.
View 1 Replies View RelatedMove my audio track (along with my video) down the timeline a bit and have the (audio) keyframes move with it.
What I'm doing exactly is:
- Select the Timeline Panel and Ctrl A (Select All)
- Then, click on my mouse on the selected area and drag/move the media down the timeline a bit
- All media moves fine BUT, the keyframes in my audio track A2 does not move
The video keyframes I have move just fine.
The audio on A2 is currently checked as Track Keyframes. I tried selecting Clip Keyframes, but no difference when moved; the keyframes stay at the same original place.
Is it even possible to do what I need to achieve ... or do I have to redo my keyframes manually as Clip Keyframes?
We've got some Sony XDCam footage coming into Premiere in a .MXF container. Playing back the audio yields a very 'crunchy' distorted sound. 'S' sounds sound lispy and there is generally a lot of additional noise.Opening these files in Sony Vegas doesn't have any audio problems at all, everything sounds fine which leads me to beleive that Premiere is the problem.
However, I've tried exporting audio from Sony Vegas to re-sync with the clips in Premiere, but the audio STILL sounds distorted and crunchy.Opening the audio in Audition ends up being a little better, but still not as clean as how the original audio sounds in Sony Vegas.
Here are all the details I've got for ya:
- Audio recorded in 3 channels, 2 stereo channels from the on board mic and 1 channel through a boom mic (The Sony cams handle up to 8 channels)
- Footage was ingested through Prelude and renamed when copied. (The actual files were not renamed, only the metadata that Prelude tags onto the clips)
- We are working on PC machines (Windows 8) as well as Mac (OS Mavericks) and ALL machines are having the same problem.- We experience the same problem regardless of whether the files are stored on our network NAS or locally
- We are all on the latest version of Premiere CC 7.2.1 (4)
I suspect that it has to do something with how Premiere is decoding the audio from the .MXF clips. Sony apparently decodes it just fine, which makes sense since the Cameras are Sony cams to begin with.I am now noticing that ALL audio in Premiere is experiencing this same effect! Regardless of container/codec.
I'm making a video with Premiere Pro CS5.0 in Windows 8.1, from footage from an HD camcorder with a 5.1 microphone. When I make the basic sequences, the 5.1 sound is preserved. My New Sequence Settings include: Master track type:5.1, Mono tracks:0, Stereo tracks:0, 5.1 tracks:1, Submix tracks: all zero.
However, when I create a Master sequence (same settings) and drop a basic sequence onto it, the sound appears onto a new Audio 2 Stereo track, although the initial Audio 1 and Master tracks are showing as 5.1.
since I updated my Mac OS to 10.9.2, my Adobe Premiere Pro CS6 has a problem: when I import MTS-files (AVCHD) from a Sony video camera, I get the video, but I don’t get the audio! That’s strange, because when I import other video formats like mp4, everything is fine, and I get video AND audio.
I also tried Premiere CC test version, but there’s the same problem.
Before my update I had Mac OS 10.6 and Premiere worked fine.