Photoshop :: Where Does Adobe Bridge Store Custom Document Output Settings
Jul 18, 2012
I'm changing computers and need to transfer over my custom document output settings in Bridge but don't know how to locate them. I have several types of custom documents.
Product: CS4 64 bit: Adobe Output Module-Adobe updater downloads 2 updates 75.9mb (Camera Raw 5.3). After download and permission to continue under user account control, I receive popup menu advising me that Installation Incomplete, close Adobe Bridge - 3 choices, which always fail. My Adobe CS4 and Bridge are not open. I tried this several times with the same result.I downloaded the zip file, saved, unzip, and still get the same notice - close Bridge.
where Photoshop (CS3) stashes the files for Custom Actions, once you create them? What does it call them? I'd like to export an action I created on one computer into another computer.
I recently downloaded some brushes off the internet, and while loading them into Photoshop, I accidentally clicked "Replace" (which is inexplicably set as the default), instead of "Append". ALL of the custom brushes that I've ever made were instantly gone. I never saved my brushes as an actual Set. So I don't have an .abr file with my brushes in it. But Photoshop has to store these brushes SOMEWHERE right? Please tell me they're not gone forever. Where does Photoshop store these brushes if they're not saved to a specific set?
My goal is to be able to store any object type (mainly an image jpg/bmp) inside a part that is not accessable through the normal user interface to be used with my addin.
I have been searching around and it seems like GetPrivateStream is the way to go.
Any working example of GetPrivateStream in vb.net and confirm if it actually stores the data inside the part.
I can't find a solution anywhere or any decent referencing material for this. If there is a better method of achieving this?
I've some problems with Adobe Brigde, it's the first time using that an I wanna export some photos but I don't have the tool Output or extract (I don't know the excatlly name in English, I'm working with the french version).
I tried with Ctrl+K ->bootscript but I cannot find the Output took inside.
Another problem with Adobe Extention Manager CC, it's impossible to install new extention, I rode the tutorial but it doesn't work, I want to install some brush for exemple.
We were talking a while back, about the apparent demise of the Output Module in Bridge CC. In case this slipped you by, John Nack blogged this info a couple of days ago: URL....
i recieved a prom pic from my daughter and i was going to print it and frame it, but 2 things happend.
The first one was that when i tried to print it it said it was tooooooo big 40inx60in so i resized it to 8.5x11 and it got very blurry, after about an hour i figured out how to get it sharp again (by accident) and forgot how i did it DOH!!! It was some kind of compairson with 4 of the same photo and resizeing the file from 9.5M to about 400kb and actualy adding some blur.
The next problem is when i printed it, it was so washed out it looked like an old 70's poloroid but on screen it looks great. Now I've read the color settings section but i think i might have set some settings wrong [U]and i don't think i fully understand what i'm reading . I know there are settings to either let photoshop take care of the printing or let the printer.Personaly i think i would like to let photoshop do it that way any email's or photo's i shoot will have a common baseline. The printer i'm using is an hp psc 2410 and the camera is a minolta dimage7i, is this a good camera / printer. I'm in adobe rgb(1998) mode and i think i saw somwhere in the printer software to choose between adobe rgb or the hp printer.Do these have to match.
Put simply how can i print it the way i see it on screen
I know ....long winded but i try to give all the info i can
Output sharpening in Adobe Camera Raw (ACR) and Photoshop CS5 I want to do two-pass sharpening - capture and output - with output capture done just before I print. I do the initial (capture) sharpening in the ACR Detail/Sharpening panel, with Amount slider set to, for example, 100. Then, I open the image to PS CS5 as a Smart Object, and use layers and masks for further editting.
My question is, can I go back to ACR for the final (output) sharpening pass? When I re-open the file in ACR, the Sharpening Amount slider is back to zero, but the other three sliders are still at the settings I used at the start of the process, i.e., the capture sharpening. If I again set the Amount slider to a positive value, then again open the image in PS for printing, will my second pass through the ACR Sharpening panel take effect - will it accumulate on top of the initial sharpening?
By the way, the reason I want do output sharpening in ACR rather than, say, PS Unsharp Mask, is so I can use the Masking slider in ACR, which is much easier than the comparable techniques available in PS. I am aware that some say you should not do any masking for the output sharpening. I'd like to though.
Just upgraded to CS5.1 I see contact sheet II has changed and is handled by Bridge / Output module.I don't like that you can't print directly from Bridge, but have to save as a pdf, then reopen the doc and print from Reader or PS.I can only hope that changes.
I created a custom layout in Bridge, 3.9 inch x3.9 inch at 300ppi. 3 across and 3 down. Made the contact sheet, saved as pdf. Opened in CS5.1Here's the problem. The document which is suposed to be 3.9.x3.9 (square) is actually 3.092 inch x 2.318 inch (not square!).
The reason for the problem is that I drag and drop the contact sheet onto another document template (it has logo, name, etc.) to print. The other document is 4.5" x 4.5" So the contact pdf doesn't fit the template. (This used to work great in CS3 as you didn't have to save the contact sheet as it was created. It was a layered doc which you could drag onto another doc / template.) I can't see any reason the contact sheet would not be the same as created in Bridge / output mod. when opened up in CS5
Is there a way to save a custom artboard setup with a custom document profile in illustrator cs5? I do technical illustrations and our page size is odd (7.19 x 8.96. It the size that our Framemaker layout is set to.). I have a custom document profile that I use, but I use the grids all the time so that my callouts are spaced out evenly around the art. I would like to have a way to set the artboard up so that the grid will align to the center of the artboard everytime I turn them on. Right now they always start from the top left and when I center art in the center of the page, the grid spacing isn't the same on each side of the art. I just want to be able to open my document profile, turn on my grids, have them start from the center, and I can get down to business. As it is now I have to go into my artboard settings and manually adjust the grid to the center. Small annoyance, but it still annoys me. I have tried to save it a few different ways, but nothing has worked. Maybe there just isn't a way.
Can we place a custom menu and commands in Adobe Illustrator and invoke custom actions? The need for us is to call a C# DLL from these menu commands. I see C++ support but none on COM or NET support.
Adobe Bridge and reading from three cd's worth of pics. As you can see from the attached screen shot, I'm getting strange posterization. Sometimes the thumbnail is posterized and opens correctly, sometimes the thumbnail is good, but opens up in ACR posterized, sometimes the thumbnail and image open correctly, and sometimes they're both posterized. I've cleared the cache several times. My verson of Bridge is up-to-date.
I am using the Classroom in a Book tutorial and have the following problems. I am using Windows XP Home Edition.
1. When I copy the Lessons to my hard drive they are a read-only file and I cannot apply another attribute.
2. When I try to open the Lessons in Adobe Bridge from the CD but will not open. It gives me a message "No items to display with current document kind filter". I can see the files in the left pane and the folders in the roght pane but nothing will open.
3. I have been able to do a workaround by using Widows Explorer, double click on the lesson and it will open in PS CS2 but it will not open in Bridge.
Does anyone like the 'bridge'. I can move images into the workspace faster from a folder on the desktop. Tried using the bridge and found it slow and not user friendly.
Color Management while Printing has been one of the challenging areas which has been discussed a lot over user forums and has been a painful area in terms of clear understanding while taking print outputs.Here is an easy-to-understand KB (Knowledge Base) article ‘Color management settings for the best print output’ to get the best from your printers using PSE and bridge that knowledge gap.
This article explains color management in Photoshop Elements, how to get better prints, and addresses some of the following issues like horizontal / vertical streaks in print output, too dark or too light print output, ICC profile problems and Color differences between prints from PSE and other applications.
I am trying to uninstall adobe photoshop cs5.1 trial. It will not uninstall until I can uninstall Adobe Bridgecs5.1 (Bridge.exe) How do I uninstall adobe Bridge?
I just upgraded to the Creative Cloud on my PC, downloaded PS CS6 - Bridge and Camera Raw. I'm configuring and working with CR2 files, no problem, however, Bridge will not let me delete, rename or update the metadata of my jpgs.
CR2 files ,I can't see CR2 files in adobe bridge when I open Adobe Photoshop cs5- help- about plugins- no camera raw plugins. When i go Edit- preference and click on camera raw shows message that Adobe camera raw plugin cannot be found
I've got gigs and gigs of image data on my HD, and I'm a bit nervous. I was keeping things in esoteric folders, buring CDs occasionally, and sometimes actually backing up. In recent months, I've decided to take my 'shopping seriously (in a business sense) and started to investigate workflow methods. Right now, I'm concentrating on capture and archiving. Some of the Bridge's new features are quite appealing, but still not all that I want.
What I want from my friends here is a discussion on particular approaches, and why they do/don't work for you.
Here's what I am putting together now... Until today, I would dump my camera files directly into a TEMP folder with a date-based name, something like 2005-17-05, that reflects the dump date, not the actual shoot date. I would then let these sit for quite a while before doing anything with them. Really, the problem was that I got too caught up in details when trying to devise a folder structure, so I didn't follow through and kept inventing new things to confuse me. I'm very good at that.
I've decided on a handful of broad categories that represent my usual work, and have 3 main folders: Stock, Working, Final. Stock is essentially the images straight from the camera, working is a copy of the file saved as .PSD and where I actually do the image work, and Final is a flat, full-res .PSD of the completed image, as well as output-specific formats like web or print.
Within those folders I have subfolders for various things. The philosophy is this; Stock is broken into general categories that reflect the image's intent (Nature/Trees, or Places/Buildings for example). I also have a Projects folder for directed or consigned collections. Working also has folders, but they are based on the intent of a collection of images that may have different subjects, but fall into a project scheme (New Mexico Hikes, Horses, etc) - more on this in a bit. And the Final folder is a duplicate structure of Working.
I'm OK with 'Stock' as-is, but I'm still waffling on the Working/Final folders. An alternate approach is to keep the same structure from Stock in Working and Final, then have a separate Projects folder for collections. The advantage here is that I can work piecemeal and decide on a collection from a gallery of finals. I can also go back and find the layered PSD used in a Final simply by looking in the same-named Working folder. The disadvantage is in the fact that if I decide early on (before the working file) to create a collection, I'd have to make another collections folder in Working folder, which now spreads out my images. Put another way, I'd have thematically similar works potentially in several locations which makes finding them later a real challenge.
I guess I could just make a list of the images I wanted to use and track them through that way...
In any case, I do not rename any files, except in the case of versions, until I get to the final collection (which will have a text file relating the names to the originals).
Now let's throw in DNG! Not all of my shots are in RAW format, and I've not read enough about the Adobe DNG converter to know if it will 'force' the format on JPGs (I would guess not). So, part of the new workflow would be to automate RAW conversion. The question here is whether to save the original RAW file elsewhere, or in the DNG file itself. That's up for debate, but I will probably keep the RAW data directly in the DNG file.
Finally, we come to Adobe Bridge, which can help sort all this out. Mostly...
I spent most of today devising and implementing a handful of keywords/sets, as well as descriptions and applying copyright via the interface. Good stuff. Since I've got a mixed bag of formats in Stock, I've ended up with a LOT of XMP files, and decided to keep the Cache distributed (read up on Bridge if you aren't familiar with this). Doing this helped me sort and shuffle my collections into the scheme I've laid out above. There is some collateral damage since I've not been consistent in my naming or storage locations, but it's a real head start.
Now I'm on to Archiving, and I see a little snag. I can potentially save all my stock files to a fistful of DVDs, then do the same with the working files and finals. Since I'm using single-use DVDs, I can't add files later to fill up. And since I'll be adding stuff randomly to Stock, I've got to decide on an archiving scheme that doesn't just totally waste time creating a new DVD every time I add a handful of images. There is too much info to squeeze it all onto one disc, so I have to break it up somehow (and yes, I've been considering removable HDs).
The other problem here is that Bridge doesn't appear to support cataloging removable media. I may be mistaken, but I've not found it. That means I'll have to maintain some log that tells me what images are on what disc. Sure, I can use another application, but this would be a killer feature for Bridge 2.0 (are you listening Mr. Brown?).
I've been retreiving picture files from CD's and saving them to my computer through Adobe Bridge in CS3. When I put the CD in the CD drive, I would get a dialog box asking "Open With" and listing all the different programs that are in the computer like Adobe CS3, Adobe Bridge, Windows Media Player, etc. I highlight "Adobe Bridge" then "OK", and then click on that drive in my folders list and the pics open up in Bridge. My problem is that I (stupidly?) checked the box at the bottom of the dialog box that says something like "Always open with this program". Now when I load in the CD, that dialog box doesn't come up and the pic files don't come up in Bridge, even after going to that drive in my folders menu and clicking it..
Adobe Bridge (CS2 on Windows XP) suddenly stopped the work. After several days of trying to get this program to run again, i deinstalled and installed Photoshop with all it´s programms.
But Bridge still is not working anymore. I can visit some folders once or twice, but after 2 tries, it stopps and give no reaction.
I have been having problems with Adobe Bridge and ACR and after talking with others, including NAPP Help Desk, it has been determined that I need to uninstall and reinstall both programs. I was told to uninstall through the Adobe Application Manager, however, I see NO option there to uninstall.
But the adobe bridge which is present with in photoshop, "Help"->"update" option is not greyed out and thows error "unable to update, you do not have internet connection or you are not an system administrator". Same is the case with AAMEE configuration. But if I delete this preference file, then I can launch it. Here my requirement is to grey our the update option both in photoshop and bridge as this will be deployed enterprise wide.
"<?xml version="1.0" encoding="UTF-8" ?><Preferences><Suppressed>1</Suppressed></Preferences> OS: windows 7
I am trying to set photoshop as the default program for opening photos in Adobe Bridge. When I go to open with it only gives me windows live as an option.