But once I disselect it and then try to reselect the layer, I can't highlight the text layer anymore. Instead, it creates a text boundary and begins a new text layer.
I have ps7 and I'm trying to draw a quick 3d box with the pen tool. (I've just spent 3 days (!) reading about the pen tool and paths in the Photoshop 6 Bible (older but still relevant), and I thought I had a clear understanding but no. Code:
i just would like to write inside a hollow selection (or path).to make the issue unambiguous in order to eliminate useless answers, enclosed more details.
i make a square selection using the marquee tool, then i subtract from the selection a small square within the first selection (i.e., the small square does not intersect the edges of the bigger square). this gives me a square doughnut.from the selection i make a new path. using the text tool, i would like to write (have text) within the selected area (i.e. on the doughnut itself).
apparently, it is applicable to write within a long a path, or within a (not hollow) polygon.
The Photoshop CS6 (13.0.4) selection, text, and shape tool causes colored artifacts on screen. I'm running on a retina Macbook Pro updated to the latest ML release. I have disabled GPU acceleration. I have also tried starting Photoshop with no plugins but this does not work.
When I select a color for text and shapes, the software defaults to shades of gray, although black and white are available. I use the eyedropper to select red on the pallette, for example, and the red box is framed. But the color sample on both the menu bar and the tool bar sets to gray. Is there a swicth somewhere that inhibits red, green, blue, etc.?
I even reinstalled the program, thinking I had a glitch--no change. The color selection had always worked in the past.
When I enter text into an image, the letters are surrounded by the moving selection dashes, the font colour is not there, the image turns a strange red colour and I cannot get rid of the selection dashes.
I add text to an image using the text tool, after which the "active selection" (is that the right name?) is a rectangle around the text so that any edit I make will only be applied to this text.
That's fine, but what I can't seem to do is to get the "active selection" back to the whole image. If I use the rectangle selection tool, the selection appears but the selection around the text is still there and moreover, any edit I make will still only be made to the small box around the text.
I end up saving the image, closing, and reopening to continue working.
In lieu of a licensed copy of Photoshop, I use Paint.NET for my general design brainfarts. I've used it for a few years now and only now have found something I dislike - a lack of word/text wrapping functionality.
So I decided I'd pop in and even remembered my account details on the first go (woohoo! This never happens) and drop a request for this functionality, as much as I hate requesting things in general due to a patholo--moving on. My vision is thus:
Step 1. Enable Word Wrapping (a button up here, assumedly). This would ideally have a dropdown also allowing you to change whether it wraps on whitespace only or mid-word with a hyphen. Step 2. Make a selection. If there is no selection, it wraps to the image border. Step 3. Type. When the text hits the right (or left, for right-aligned text, or exceeds the width of the selection/image for center-aligned) it will wrap at the appropriate point. When out of vertical space the text would merely be cut off as it is now. Bonus points: Make center-aligned text centered relative to the selection. Justified text would also be possible when there are given bounds, but who even uses that? Sheesh.
As it is now, text is based only on an anchor point (and is rasterized only - no editable text is a bearable downside for the gigabyte of memory I save from what I last saw of Photoshop, but that's not saying I don't often want for it), having text based on selection bounds if a selection exists would be a very user-friendly way of making it all much more powerful. I know Paint.NET isn't a word processor but nicer text handling would be a big plus for those of us who use it for more design-oriented purposes. As noted, text being editable objects (I don't much like the 'text layer' thing, but I can't honestly think of a better way) would be cool too.
I'm sure I'm doing something wrong. I'm on the right layer, selected some text with the rectangle, clicked the move tool & tried to drag the selection (have the little hand showing so I'm in the right corner) but the box just expands the contents. (I tried both move tools, although I've no idea what the difference between them is.
I have used the move tool a little in the past, and it worked.
Is there a way to remove or make more transperent the grey highlight selection on text? When I adjust kerning to text in order to match spacing, the cursor highlight for the text covers up any image or artwork allowing you to only see the text selected. This also appears this way in wireframe?
I'm drawing a small map, and in several places there is text rotated so as to fit next to a slanted line. The problem comes when I decide to move the text, usually along a line parallel to itself, or perhaps in some other direction.
As far as I can tell, the only way to select the text is with the lasso tool, which can be very difficult, because of the close tolerances. Maybe the easiest way is simply to erase the text and re-create it. So, is there some way to rotate the selection box, so I can grab the slanted text easily?
Whenever I try to resize a text box with the selection tool, it won't allow me to resize. I tried the text tool as well, but it didn't work. I don't want to resize the text, just show text that is hidden. I'm currently using CS4.
I have been continually annoyed, when creating a vector mask-heavy document, with trying to select vector mask points by dragging a rectangle only to find that it instead selects a layer higher up which has a larger vector mask.
The only workaround is to manually select the points of my mask or to drag a rectangle from outside the canvas, meaning I have to zoom out or scroll to the edge - sometimes annoying if I am zoomed in quite far.
I know that the move tool can be set to automatically select a layer, depending on what part of the image is clicked, but why is there not an option to turn this off for vector editing?
I am trying to create a very simple logo. Basically, I created two layers: one with the letter M and the other with the letter W. I now want to place another letter over top of them and then select it so I can delete the shape of the third letter from the other two and essentially be able to see the transparent background through the third letter.
I have done this in PS CS2 no problem, but I am trying to do it in illustrator so I can resize the design for anything from a business card to a billboard if needed. Bottom line is I need a solution that wont effect me being able to resize the vecotr to crazy sizes.
In the image below, the "S" is just a white letter. I need it to be a cut out through the M and W so that whatever Background it is on the page or document shows through that S space.
Using the Direct Selection Tool I will often click and drag over one corner or side of a shape to select those specific anchor points. This works perfectly on a shape. However, I've noticed this doesn't work on a text frame. Using the same technique on a text frame results in all anchor points being selected. The only way, to my knowledge, to select specific anchor points on a text frame is to actually click on the anchor points themselves. If my memory serves me correct (Though there's a good chance I'm imagining things.) in past versions of Illustrator the aforementioned technique would've worked. What gives, CS6?
If you look closely in the attached picture, there is a spot of light blue on the player's helmet, that looks like a mistake (think it should look like the grass behind it)...though it actually may be part of his helmet.
Regardless, I'd like to take it out. My idea was to select the blue with the quick selection tool, then bring that selection out to the grass, select the grass with that size/shape of selection, copy/paste and then bring the grass selection into the blue part so it looks like grass in what was the blue part.
The problem is I don't seem to be able to move the selection without taking the blue with it (so it's not an empty selection and therefore can't select a piece of the grass.)
I have Photoshop CS5 on a Mac OS 10.7.4 My problem is that when I am using curves or a slider, my selection does not stay in the same place. For example, I chose the number 8 on a slider, after I release my selection it will either go one number after or before my selected number. I have had this problem since I got my computer, December 2011, but it has only recently started to frustrated me because of having to use Photoshop a little more than I usually do.
how to "drop out" the background from this photo (I have loads to do which are very similar). Thus far I have tried channel selections and the calculations tool + all the normal quick selection tools and I just cant get it to work without spending hours adjusting things. The end effect I need to achieve is a perfect white background without loosing any of the detail if possible. On a side note I have also tried taking the photo on blue, green, black and white backgrounds but due to the number of colours present in the products its just not working for me.
how to create a text selection set using rotation and oblique angles. I am working isometric drawings from a Microstation conversion and want to create a lisp to set text style to conform to current standards. For example, iso text in the right plane would be rotated 30 degrees and have an oblique angle of 30 degrees based on the style from the conversion. however,
since (setq txt0 (ssget "X" '((0 . "MTEXT,TEXT")(50 . 0)))) returns all text at zero degrees, I figure there is something wrong about the way the angles are being entered.
What I am trying to do is create a selection set of the "y" values of text. I've started by pulling out all the text on the drawing, but I need it to continue to grab only the "y" values of the text on the drawing.
I am trying to cut a person out of a picture with a deatiled background so I am using the quickmask selection and paint brush. I'm done selecting the person and have gone back into normal editing mode. I then inversed the selection created within quickmask to select everything but the person in the background. When I click delete, the background vanishes and the person become opaque.
If I have mad a selection with say an ellipse marque, of say 100px and now I want to fether that same selection outwards, ie to start the feather 10 px outward of the 100px selection so that the 100th px has a 100% transparency and the 110th px has a transparency of zero,thus making the new selection 110px, how could I go about doing it. With the current feathering of the selection, it feathers only in the marquee already selected, not outward, and you cannot place negative feathering px. I know that there is most likely some sort of a ration where you would expand the selection by a certain amount of px, and then apply a ratio of feathering to it to enalble it to feather outside of the 100px marquee.
When I pasted a selection made with the Marquee tool there is a transform grid around the pasted selection. I use a MAC and Photoshop CS6 and would like to deactive a feature for this automatic grid, if there is one.
When I select a hatch or polyline or any object with grips for that matter, and hold down shift to select multiple grips on the object or objects and then press my middle mouse button to pan or scroll it to zoom, the grips that I have selected de-select, meaning I have to set up the view so that all the grips I want to move are visible before selecting them.
This is only happening on some drawings (although it is most of them) and only when I use 2012 not 2011. Which system variable it is that has gone screwy that I need to reset? or is it something else?