Photoshop :: Perspective Effect With Smart Objects (SO)?
Nov 2, 2012
i would like to create a perspective efect on smart objects.everything i read so far was that perspective effect doesn't work (distort) on SO.everybody place the SO almost as they want but to create the perspective effect, they rasterize layer and finish perspective effect using the Free Transform tool.
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1. I mean i have a lot of business cards design and i have a master design for their presentation... in this presentation i can change just 1
SO (the master one) and all other
SO (representing business cards) are automatically updated...
It is really great for creating a new presentation of product. However, if i must rasterize SO i loose this feature/possibility.
What I would like to do, for a logo I'm working on, is to add [what I call perspective] a "turn" or angle to the elements of the logo. If you imagine a couple of diagonal lines running north and south at a 45 degree angle. They are separated and meant to resemble the outline of a road.
Now I would like to add elements to the surface of this "road" and have the perspective be correct - as if they are laying on this surface.
I get to the warpping effect it seams photoshop offers more grid points than the perspective tool of GIMP. Any alternative technique or tool to accomplish this effect?
What I am trying to accomplish is to cut and paste a section of nail and lay it over the knotted rope but with only 4 grid points this does not cut it.
Here is cylinder made of rectangle using 3d Revolve effect.I want to change perspective of this cylinder like the red lines show, but it goes a bit to the left. I need exactly to the front. I think this is because perspective based on the center of rectangle (in the green circle) not on the center of cylinder. Is it possible to move the center of rectangle? If not, is any other decisions how to make what I want?
I'm trying to make a 3D cross section of a building in Illustrator CS5 and I've gotten a lot done already, but now I cannot transform the objects in 3D perspective space. Â See Attachment: I can draw and position them in perspective, but when I select the "Perspective Selection Tool (red)" and select an object, the handles in the corners / sides are not visible anymore (blue).
I recently upgraded to CS6 Master on Mac Mountain, and noticed that smart objects in Photoshop don't open in their respective applications. For example, when I double-click on the smart object, they open in Preview instead of Illustrator. How do I prevent Preview from opening smart objects? How do I make smart objects open in the application in which they were created?
Ok, so the title of this post sounds confusing. First off, I created a graphic in Illustrator CS3. It is to be used on a web page created in Dreamweaver CS3. I want to be able to streamline the editing process by using the Smart Object linking feature between Dreamweaver and Photoshop CS3.
Obviously, the problem is, I cannot link the Photoshop source to Dreamweaver because the source is not a Photoshop file, it is in Illustrator. The obvious solution to that is to export the Illustrator file as a Photoshop file. The problem with that is, I want to maintain the source in Illustrator and make edits in Illustrator.
So, my solution was to place the Illustrator file in Photoshop and make the Illustrator file a Smart Object in Photoshop. Then link that Photoshop file to the Dreamweaver page. So, basically, Photoshop is just the link between Dreamweaver and Illustrator. It works well! I click the little edit button in Dreamweaver abd it calls up the file in Photoshop. Then I double-click on the Smart Object layer in Photoshop and the source comes up in Illuistrator.
Now, here is the problem. To add to the confusion, I maintain versioning in Version Cue. So whenever I change the Illustrator file, I check it in to Version Cue. The Illustrator file I linked to in Photoshop is the local file on my computer. This file is syncronized with the version of the file that gets uploaded to Version Cue. This may sound complicated, but to see how I did it is pretty straight forward.
My assumption was, when I double clicked on the Smart Object layer in Photoshop, I would get the local copy of the Illustrator file to edit. But, that wasn't the case. Problem is, I got a temp file of the Illustrator graphic and NOT the original source file I linked to in Photoshop.
I can still edit the temp file and have those changes automatically made in Photoshop and then update the image in Dreamweaver. BUT, when I got to check in the new edits of the Illustrator file to Version Cue, it wants to create a new file and not rev-up to the new version of the original file. That's because the file I'm checking in is NOT the original file, it is a temp file.
Does anyone else use a workflow like this? If so, how do you do it?
A lot of the hype about CS2 has been around the Vanishing Point tool; Certainly it's cool, and it's probably the easiest feature to awe an audience with. But I think there is a new tool that is waaay more useful: Smart Objects. This is a feature that Adobe has done a terrible job of advertising and explaining—looking at most descriptions of it, it seems to be relevant only to those who often import work in from Illustrator or other apps. I use it just within Photoshop and I'm totally blown away by its power.
What exactly is it?
Smart Objects allows you to take a layer or group of layers and treat them as a single unit—a unit that you can scale, warp, and transform in any way you like without losing any of the data from the orginal layers that make up the "smart object" set. This smart object can be duplicated as many times as you want, and then it is possible to edit the master smart object and see all the changes applied at once.
Here I have a set of four layers—the white shape, the green square, the red circle, and the blue squiggles, which I have combined into a smart object. I then duplicated the smart object and applied different transformations to each one.
Now I double clicked on one of my four smart objects, and in the sub-document that opened, I moved the green square layer up, and added a new layer with a black yin-yang. I saved and closed the subdocument, and all four instances of the smart object in the main document updated with my changes.
The other cool thing that smart objects allows you to do is undo a transformation without losing any of the original resolution. In this image, I took a raster graphic, duplicated it, and put one inside a smart object and left the other a regular layer. I transformed both of them the same way, and they looked identical. But when I transformed them each again, to try to regain the original shape, the smart object looked significantly better.
How to get smart objects Select one or more layers in the layers palette, and ctrl-click or right click and select "Group into new Smart Object." Now, you are free to transform and duplicate this new object however you wish. (Note: To duplicate a smart object so that all instances update together, duplicate it in the layers palette as you would any other layer; to duplicate it so it is independent, use "New Smart Object via Copy" in the Layers Menu.) Now, when you wish to edit the original set of layers, double click the Smart Object in the layers palette, and it will open them in a new document. Save and close it when you want your changes applied to your main document.
Smart objects are an incredible tool to add to the arsenal of "safe photoshop practices." Always use adjustment layers, not direct adjustments; always do everything on separate layers; save important history states; use vector art for clean, scalable shapes and text; and convert layers to smart objects before transforming them. (There are certainly more, but these are the ones that jump to mind.)
A little sidenote:
This is a little animation I did using smart objects and the new Warp transformation. It's fairly ugly, but the point of it was to demonstrate another use of Smart Objects. I won't go into how it was done here,
I have created a smart object in cs2 to help me create a webpage, but when I transfer the file to image ready it says it does not understand the smart object. When I go back to photoshop it has turned my smart object into a flat image that can not be altered anymore. Can anyone help me or give me some advice with this please. I know its an older version of photoshop, but it dosen't make sense that they have not made the two programs compatible for smart images.Â
Is there some way to move the corner control points of the perspective effect grid via the arrow keys? I have hand problems and any time I need to move something very precisely I use the arrow keys, or risk hurting my hands. If not, would there be some way to do this with a macro? Also, is there some setting for it – other than having to hold down the shift and control keys while you click and drag, which is just a killer for me – that will arrange it in ways that are only symmetrical (where if you move one side the other side moves equally in the opposite direction)? As far as I can see, rectangular and freehand settings behave the same.
I'm tearing my hair out after creating an iPod jukebox style ad (i.e. album cover carousel) where the pix made with the LEFT perspective using Mold tool work fine, but the two made with RIGHT perspective using Mold tool come out skewed rather than moulded after exporting to PDF.
All images are jpegs; I've checked and am doing exact same process on either side. Tried killing the images in bitmap gallery and re-importing - makes no difference.
I use to copy over a layer into a file. as a smart object, transform it. Then if I needed to replace the image. I would double click and the contents would open as a .psb file. I could then replace the image and save it and it was updated in the main comp file. Â Now, if I double click I just get Camera Raw? If I choice edit SO same thing. Replace content lets me choose another file, but I don't have the open .psb which I could work on before saving it back. Â What am I doing wrong now to not get the .psb to open and edit?
after resetting photoshop prefrences i noticed one problem, after resetting i cant select smart objects such as UI Kits or even text objects when i select the move tool and try to select it it doesnt select and show box around it why ?
Inside the Camera Raw 8.1, Inside the Workflow Options, I Checked the Box for Open In Photoshop as a Smart Objects.I noticed Inside the Camera Raw, Open Image box turn to, Open Object box. I click on open, and It opened the Image as a Smart Objects Inside the Photoshop.  If I make any changes to the Image, and If I Double Click on the Smart Object, It will Open In Camera Raw again which Is good.I also noticed If I do any changes to the Image Inside the Camera Raw to the Smart Object after clicking on Open Smart Objects I see the changes Inside the Photoshop also. But If I do any changes to the Image Inside the Photoshop,and later I Double Click on the Image the Image opens Inside the Camera Raw, without any changes.  The Smart Object Image Is still a Raw Image ?I know If I open a Raw Image Inside the Camera Raw, and If I click on Done, the image is still a Raw Image, which Is good, and If I click on Reset Bottom, It will reset It back. If I only change the White Balance and Click on Done and go back to the Camera Raw again, and I choose As Shot, the Image goes back the Original Raw file.But If I do other changes such as the exposure, any color change, and click on done I can never go back to the original..  In the past month I been working with the Lightroom, and I noticed if I open a Raw image Inside the Lightroom, and do any changes to that Image,, any time I can click on the Reset and the Raw image goes back to its original.I don't think we can do this with Camera Raw can we ?
In Photoshop CC, smart objects that have a layer mask, always say they're at 100% (width and Height) even if they've been resized. If there is NO mask, the correct size appears. I hate this. It wasn't like this before, at least in CS4. Any reasons for this?
I've been working on some very large files where the primary image is converted to a smart object. For security I've backed up the PS files to another drive. Is the smart object part self contained? or stored as a separate lined file? Like if I had a PS file in illustrator. Backing up the Ill file would leave the image file behind? Â I just don't want to get surprised with an X in my layers down the road.Â
When opening and saving documents with smart objects photoshop freezes the adobe PS loader (circle dots) is replaced and the system loader (multi colored wheel of death) spins for 30 seconds or more. Â What I've tried so far based off looking at various posts. Â Photoshop Preferenes
Save in Background offMaximise PSD and PSB file compatability neverCache Tile Size: 128kAdvanced Graphic Processor Settings: Basic & NormalLayer Panel options: No Thumbnail Observations and workthroughs to date The file size and amount of smart objects effects the file expotentially i.e. The more smart objects you have the worse it getsThese files worked perfectly in PS CS5It also happens on files natively created in PS CS6The CPU is maxing out at 100% while PS loadsClosing or opening suitcase has no effect.Â
System: iMac 27-inch, Mid 2011Processor 3.4 GHz Intel Core i7Memory 16 GB 1333 MHz DDR3Graphics AMD Radeon HD 6970M 1024 MBMac OS X Lion 10.7.5 (11G63)Suitcase 4Â
I have several Photoshop documents that I would like to complie into one Photoshop document as separate Smart Objects. Â Can that be done in CC? Â I used to use Russel Brown's Place-A-Matic Script, but that is not supported in CC.
The help doesn't mention this as a benifit (that I can find), but I'm wondering if I can save on RAM by keeping a dozen layers in a smart object rather than keeping those dozen layers in the image itself.
I'm starting an image that's 30,000x10,000 pixels (8'x24' banner @ 100DPI), and I know my system is going to choke on all these layers even with 4GB of RAM and dedicated RAID 0 scratch disks.
I've got a PSD file in which I have pasted some vector paths from Illustrator as a Smart Object. Everything works as expected.
When I save the PSD as a PDF, the PDF that I receive is entirely raster based. The vector based paths are not preserved as vectors - they are rasterized.
Is this a limitation of the Smart Objects, or is there some way to yield a PDF which would include the Illustrator generated artwork as vectors?
I'm looking at now is described as a 15in by 10in file in the Info Panel. If I'm going to be printing to 4x6 photo paper should I use Smart Objects to downsize this image or does Photoshop print utility automatically do this without affecting the original file quality? If that's the case, then when exactly are Smart Objects even needed?
I'm using a smart object in photoshop, I click to edit it in illustrator, make the changes and save but when I return to photoshop the Object is not updated and disappears from view leaving just a blank layer.
There seem to be 2 kinds of smart objects: One kind where you can replace the contents, no matter what size it has and it will fit into the bounding box of the smart object which is already there.The other kind where this doesn't happen. Is there any way to control that behaviour? I found that in older PS-files, replacing contents always made the new content fit into the bounding box, but since CS3, the transformation stays the same which means I have to rescale the smart-object if the content-size has changed. Example:Imagine a game cover with screenshots on the back side. Now each screenshot is a smartobject.All Screenshots are at 640x480 (assumend the standard screen dpi of 72)Now I found them in a better resolution (1024x768, also 72dpi) and replace the old ones with "replace content". The old photoshop behaviour: Photoshop would fit the larger image to occupy exactly the same area than it's predecessor.The new behaviour: The whole Smartobject is enlarged by 160% (not the transformation parameters, the visual appearance.), I have to scale it down to make it fit to the old size. And I really wonder about having older and newer Photoshop-Files where these Smartobjects behave differently.Now did I miss something in the help section or is there a way to control this behaviour?
When I try to edit smart objects via right-click>>edit contents (or double-click on the smart oject layer icon for that matter) this happens:
A.) if I disable [preferences>>file handling>>prefer ACR for JPEG files], PS calculates some seconds with intense HDD activity and then nothing happens visually, no window opens-up for editing, but the history log has the usual new entry "edit contents". Repeated tries result in repeated "edit contents" logs, but no visual changes. [[In one instance the raster grahpic encapsulated into the smart object got enlarged by 200%-300%. But again, no window opened up for editing. I hit "edit contents" 3-4 times and I could always reproduce this. But ever since that day, it never happened to me again).
B.) if I enable [preferences>>file handling>>prefer ACR for JPEG files], ACR launches and displays the raster graphic the smart object is based on. Upon closing ACR, no window opens-up for editing the smart object.
I have been working with smart objects for some months now and everything worked fine. This bug started occurring some 3 weeks ago, but as I said, sometimes it works, sometimes not. I cannot find any regularities as to what could lead to this malfunctioning. The only regularity I found so far (but could be a coincidence) is that the smart objects affected by the bug were always (at least I don't remember any other case) .jpeg files that I opened in Photoshop(CS3) with abovementioned preference set so that ACR launches upon opening a .jpeg file. In ACR I alt-clicked the open button so that it says "open objects". So the smart objects were always based on a single layer .jpeg raster graphic opened in ACR.
My best bet would be that there is something that ACR writes into the smart object that isn't 100% identical to the way Photoshop would write smart object if I:
1) open the .jpeg file in ACR
2) click open/open copy (not open object)
3) convert the raster graphic to a smart object inside Photoshop itself.
But that's only a guess. I have quite a lot of work to do currently, but I hope to be able to provide additional information quickly enough if need be.
I need to find a way to add "perspective" to grouped objects that include a bitmap and other drawn objects. I can convert everything to a bitmap in needed. What I need this for is I engrave this grouped artwork onto drinking glasses and I have to adjust the artwork for the differences in the diameter of the glass. I need to be able to set the width of the top of the artwork with a numeric value and the bottom with a different numeric value.
An example of the problem with the engraving is that if I wanted to engrave a one inch square half way down the glass I would have to make the top of the square 1.1 inches wide and the bottom of the square 1.2 inches (the math is not right with this example) so a trapezoid turns into a square once engrave on the tapered glass.
The image below shows a sample of the artwork I need to engrave. The right side image is an exaggerated example of what the artwork would need to look like to work right once engraved. I could only adjust the black ring but not the text or image in the center. The third image is to show a trapezoid.
