Steps:
1) create a CFX
2) drag the CFX in the time line from one clip to another without CFX
Observed Result:
You seem to get the CFX tree, but possibly inserted twice into the new CFX on the target clip.
Desired Result:
CFX tree should only be copied once into the new clip.
What happens when I drag a file directly from finder into smoke?What setting does smoke use? I don't see and option popup to interpret the footage or mp3.
View 1 Replies View Relatedwhat i like in fcp, i can easily doing cut very fast, because the clip is not 'sticky'. So i can grab the clip and move and i got a very 'light' drag. The timeline is more 'slippery' ... i don't know how to say it. The drawback is : it's sometime become too sensitive so i can easily by accident move the cut and mess up the edit. I become paranoid , so i have to hold my breath while clicking :-) . But again the pros : it's easy to do fast edit or to crumble cuts around.
In the other hand .. what i like in smoke , this will rarely happen that i accidentally move the clip while i intend to click it. It's more 'sticky' to the timeline. So there's like more friction while try to drag the clip (only when first click/drag the clip not when the clip is already floating). The drawback is sometime i feel , it's hard to do some fast cut just by moving the clip around. :-) well, as usual, if we have 2 options, option A and option B, then we will tend to ask : do i have option C ( somewhat between A and B) ?
I'm asking is there any sensitivity control while i drag the clip. So it's between FCP and SMOKE. Something like a 'treshold' parameter.
I got single clip in desktop and it got an alpha embedded. If i drag that clip into the cfx , the clip will be interpreted correctly where alpha will be recognized. The problem in action is when i drag into action schematic, the alpha is ignored Smoke should know if there's alpha embedded then by default it should use it. ANother problem is when in media list , i add new media then click the clip twice (to grab F and M from the same clip), the result : i got blank alpha. Again it should load the alpha while there's alpha embedded . I think , this should become the dafault behaviour to deal with alpha. Although loading this clip in cfx schematic will solve the problem, i think the action still need to be fixed.
Also it should be cool feature if i can drag the clip from library and drop it in media list , and it will replace the media of the selected item in media list.
I have a multi layer in my timeline , full graphic motion and long render. The base layer (layer 1) is a SOLID LAYER.
1. i select all that segment (multi layer) that has been rendered (yes, it's rendered). Now i drag it into my desktop (thumbnail view), but what happen is new clip is unrendered. So i have to re-render that clip. Why ?
2. i select all that layer, and collapse it ( contain selected). It collapse into a single clip but also i lost my render in my container. why ?
3. i mark in/out and create subclip. again i got the subclip but it's unrendered.
4. i mark in/out and drag into other timeline (same setting). and the pasted segment has no render file.
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedIs there any way that Smoke can see/output sub-blacks and super whites? Can't find any way of seeing them on my scope, Smoke just clamps everything. It won't even see anything below zero in order for me to make a correction on it, everything seems to be clamped on import. I'm using ProRes HQ footage.
View 9 Replies View RelatedWhat is the best plugin to do spline warps in smoke?(need something like the distort in flame) I notice revisionfx don't make a warper for smoke on mac.
View 7 Replies View RelatedI am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
Can Smoke support the OFX architecture?
View 1 Replies View RelatedDoes Smoke have selection functionality similar to that of Combustion? As an example, you might want to selectively blur part of an image. In Combustion, you would draw a selection and then apply an operator above the selection to achieve this. I don't see a similar selection tool function in Smoke, but I imagine you could achieve the same effect by duplicating a layer and using a Gmask via the Wipe timeline FX.does Smoke not have a selection tool similar to Combustion?
View 3 Replies View RelatedWhats the dealing with importing TWs to Smoke? I have a show that's 70% keyframed with timewarps and need a way other then baking the effect to bring it into Smoke. It's comming from FCP7 and we have Automatic Duck but neither the XMLs or AAF bring anything other then the first speed of the clip. Any way to retain the keyframes?
View 1 Replies View RelatedI'm refining some SVG files, imported into GIMP as paths. I added numerous guides on the images and drag anchors to the guides. All the paths consist of straight lines only. The problem is that on some anchors GIMP performs the "drag curve" operation instead of the "drag anchor". As a result, my straight lines become broken (curved).
The only solution I've found so far is to apply maximum zoom level, say 400%, and repeat the dragging in this resolution. This makes GIMP work properly, at least, I'm able to "drag anchor" as expected. But switching back and forth to the 400% zoom level is a bit annoying and inconvenient.
Is there a better way to "say" GIMP that "dragging anchor" is the "dragging anchor", not "dragging curve"?
Is it possible to run Flame or Smoke over a VPN? I mean, is it possible to get a license over VPN?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
I tried Smoke 2013 PR2 on my MacBook Air 11".
It uses all the available RAM that is 4GB.
Same experience with Smoke 2012 on my MacBook pro 13"".
Is that normal?
I have RED footage which I exported as EXR. When I import them back in, they look exactly like the RED footage. But when I import the EXR in Fusion, export it back out, and then import that EXR into Smoke, it looks brighter, although I didn't change anything in Fusion. (when I compare the EXR from Smoke and the EXR from fusion in my finder on my desktop, they look exactly the same). So what is Smoke doing with the "foreign" exr on import?I was also playing with the LUT settings. I get a result which is close, but I need to be exact.
View 6 Replies View RelatedWhere do you set context in batch in the 2013 prerelease?
View 9 Replies View RelatedWhen I export a XML from FCP 7 all of my files come over and link but there is no video with my HDV files (1440 x 1080) all of my other files (Canon FX etc) come over fine.
View 9 Replies View RelatedWhat is the best way to downconvert 5D HD to SD?
I converted the h.264 files to uncompressed 10bit. Bringing in the footage and XML was fine, but as soon as I resize to PAL (the timeline was changed to PAL, as was the output on the AJA) the picture starts anti aliasing in detail areas. I have processed this with every filter in Smoke with no satisfactory result.
I am having issues for a long time regarding importing XML into smoke 2013. Will try and explain you in breif.
First When we try an import XML into smoke it just doesnt do anything, in the message history box it comes up saying FOUND 0 SOURCES.
Nothing gets imported at all. No footage is imported, nothing is shown in timeline as well.
Second For a different project when the XML does get imported, the videos get imported but then again nothing is coming up in the timeline and in the message history box we get the following error.
XML Validation Failed.
Cannot process unliked media.
we have checked all the import options to make this work, including max up level and the rest but nothing is working.
I must have changed a setting because today my interactivity in CFX has taken a hit, specifically when making Axis moves. The move doesnt register until after I have made a change in the Axis field.
I know there is a setting for this but cannot remember. Am not having the same issue grabbing Axis in viewer.
I'm currently trying to conform an XML from FCP 7 into Smoke 2012 (Linux). The issue I have is that the files I want to conform with are MFX, however the files used in the FCP timeline are PRORES, therefore have a '.mov' extension. This means the Smoke is not seeing the MXF files due to the extension & the only way around it I have found, is to edit all of the '.mov' extensions to '.mxf' extensions in the actual XML. This works well, but is a complete nightmare, particularly as I'll have to do this for 13 half hour episodes!!!!
I have tried all the different combinations of Filename, Timecode, Tape, etc, but none work due to other metadata issues from the filming of the footage to it being delivered to our edit suites!!!!
Any way of making the Smoke ignore the file extension?
Can i remove the fx history ? for example i render a cfx clip. then i want to keep the render only and disconnect the relationship with its 'cfx history' . And is there any practical benefit of it ? You maybe will ask me : 'why do you wanna do it?' , my answer is " i don't know man, it just came across my mind .
View 3 Replies View RelatedGetting a depth of field result in Smoke 2012. A tutorial on this would be really beneficial for a new comer like me.
View 9 Replies View RelatedAll of a sudden, I'm unable to scroll through clips with real time feedback. Did I turn on some preference?
Also, I've noticed that when I'm in Action, I don't get realtime feedback going to the broadcast monitor, but rather the image catches up upon pen up. I don't see anything about it in the options in Action or global preferences.
When applying CFX to the clip it ignores resolution of the project and the time line and creates a resolution of the whole CFX based on clip.
In other words 1080 clip in 720 timeline creates CFX with 1080 out node, ( all action creates in 1080 swell) and only then send 1080 output to timeline where it applying resize soft effect. I know i can change resolution of action, but a can't change resolution of output node ( the las node that feeds output to timeline.) Is there an easy way to work around to feed lets say 720 to escape resizing in timeline.
I'm on 2012 SP3. I'm able to import and work with ProRes 422 just fine. But when I go to output and choose Quicktime, no ProRes options appear. Do I have to set this up somehow?
View 1 Replies View RelatedI'm doing far too many inadvertent moves/deletes/copies, simply by clicking pen for menu to appear, only for it to commit to whatever the pen position was at. This happening in the library area is no fun at all....not sure what the answer is really! but it's not ideal....
View 9 Replies View RelatedI just want to import some media (and do a conform) via the network. I can see everything, but it won't connect. I also don't get any error messages. I already restarted all components and they all show a green status. I don't know what else to do....
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Is there a way to access the timeline within CFX ( much like in Flame ) ? I see the timing button but this doesn't seem to have the same control as a timeline for a specific clip.
Also, is there a way other then "explode one" or "explode all" to go within a CFX within a CFX ( pre comp ) ? i.e. a setup that is then put within the BG of action.
I find the need to keep manually refreshing directory listings to be kind of retro. Would it be possible to add a preference to auto-refresh after each export. Its very disconcerting in this day and age to export a file and not see it listed without additional manual interaction.
Also I find it a bit odd that the GUI refers to File Sequence not Image sequence but i can live with that if I don't have to keep refreshing.