AutoDesk Smoke :: Auto Stabilizing High Resolution Clip?
Feb 4, 2013
I've been trying to use the auto stabilize module on the desktop on a R3D clip that's at full 5K and I've been encountering some problems.
I can't seem to process the stabilization at anything higher than 1080p. But I need the extra info in the 5K in order to crop into the footage.
When I'm trying to analyze the footage, I'm getting the error: "Cannot read all frames required for the analysis"
So far I've tried:
-Caching the footage
-Converting the R3D to full 5K DPX and importing that
-Using proxies at 50% frame size and do the analysis on the proxies
So far nothing seems to be doing the trick, the proxy frames did go through the analysis, but when I applied the correction on the high-res the module gave me an error and crashed.
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Jan 3, 2013
I can't figure out how to import the stabilizing data in mocha. ( I found out how to import the tracking and camera data thru a nice tut) I know there is a nice auto stabilized node, but over the break I didn't have access to smoke. So I just went and did it in mocha pro. I can export the ''stabilizer'' from mocha, but am lost from there.
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Jun 13, 2012
This is based on prior work with Adobe Premiere and switching over to Smoke 2013...
since you were asking for feedback on the editor UI from Mac users...
a) is there a cut button that allows to cut a clip into two at the current marker positions? (e.g. to repeat certain elements)
b) is there an easy way to add extra frames at the beginning or the end of the clip by holding the first or last frame? (very important, but cannot find how to do this). Ideally this would just require dragging the beginning or end of the clip somehow...
c) There should be an easy option to add frames by extending the last or first frame in the case of transitions. Is there one? On Premiere, there's an option for this, makes it much faster to add transitions if there is limited movement in the source material
d) is there a way to auto stretch a clip on insert into the timeline to the selected region? time warp and frame-hold options (beginning, end, both)?
e) why is it not possible to drag clips back into the media hub on the left? (e.g. imported an AAF with a bunch of clips, now want to store some of the clips for later re-use in another timeline or part instead of having to keep it on the timeline)
f) the zooming into the timeline is cumbersome - is there a way to draw a rectangle to auto-zoom into that area? Premiere has a little scroller at the boom to select the zoom level. very useful.
g) for timeline zooming, could you support gestures on the MacBook touch pad? If you push two fingers apart, the timeline should horizontally zoom in. Two fingers together should allow to zoom out. This is actually not just for the timeline. We need this in all views in Connect FX, Action etc. Would make working so much quicker. And it's really standard Mac stuff. (Two fingers without pushing apart could enable panning? And/or space + mouse movement to pan?)
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Nov 22, 2012
1. I put a clip in a timeline , then i put a cfx clip on top of the first clip. Add axis clip to cfx clip, set transparancy to 100% (fully transparent) , when hit render , this cfx is still calculated.
2. if i have stack of cfx clips, the clips are solid (no matte or transparancy ). one clip is on top of the other. In the top layer , i add a axis fx and cut a very small hole. We can see even a very small hole ( that will exposed small part of the bg ) will trigger smoke to render both of the clip full frame. Actually i only will see small part of the BG so i'm expecting smoke to render only that visible pixel. How to control this ? In some case i will waste my time waiting smoke to render part that i don't need.
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May 12, 2011
All of a sudden, I'm unable to scroll through clips with real time feedback. Did I turn on some preference?
Also, I've noticed that when I'm in Action, I don't get realtime feedback going to the broadcast monitor, but rather the image catches up upon pen up. I don't see anything about it in the options in Action or global preferences.
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Feb 3, 2012
is there a way to put a LUT on a clip, without having to 'bake' (process) it? So I can turn it on and off?
Our process is:
import R3E Raw files with User Settings in Red Log (so the image looks flat, with most color information).
then turn on a Display LUT (which settings would I use here?)
then do the color correction with the LUT on and after I'm finished, turn the LUT of and then export a dpx 10 Bit sequence to the vfx department, so they can work with it (in fusion).
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
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Jan 18, 2013
Exporting 25fps QTs using H264 1080i (10mbit) settings produces quick times that jump at the start and have strange frame rates (20.7 and 25.17).
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Jan 15, 2013
I just started playing around with Smoke 2013. I played around with the CFX and did some keying. Now, on the timeline, I have a clip with CFXa and an axis effect. Now I thought, that it should be a container, and that I could simply double click the clip, step into the container and copy out the matte. But that doesn't work anymore, since double clicking now enters the editor again.
So, how can I access the matte (and how can I step into the container)?
Oh, and now that the unrendered clip is on the timeline, I only get the message Unrendered Frame. Obviously Smoke can't play back an unrendered clip, but why doesn't it at least show the frame I'm parked on? And also, I started rendering, but it took forever, so I stopped after 10 min. In Smoke 2012 it rendered at least partially, but now I still only have a dotted line......
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
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Aug 28, 2012
Tell me that I'm wrong on this but with the new CFX clip in SP3, it looks like you can't update the original CFX Clip and have it update/link to all shots where it is placed. It would be so perfect. Now it is just another "fancy" way to copy&paste comps?
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Sep 15, 2012
Is there a way to remove/delete the history from a rendered clip, other than re-rendering the clip without history enabled? Flame has a desktop function that can delete the history from an entire desktop (which would be convenient in my case here on Smoke 2012).
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Feb 7, 2013
Is there any short cut for moving the clip from one track to other(above or below track)?
like we have in FCP.
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Nov 20, 2012
can i clone (not copy) cfx clip ? so any update made to the cfx clip will automatically update all the instance ?
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Aug 16, 2011
I created a stereoscopic timeline in Smoke. That seems to work so far, but now I want to output it in full resolution on a 3D TV (Samsung). The TV only supports HDMI in.
I'm working on a Smoke for Mac 2012 with a NVIDIA Quadro 4000 (which has 1xDVI and 2x Display Ports). And we have the AJA Kona 3G (SDI out and mini HDMI). We have a reference monitor which is connected via SDI and that works.
We tried to connect the Mac via mini HDMI to HDMI. We did get a signal from Final Cut Pro, but we didn't get a signal out of Smoke.
I tried all kinds of settings, but there is no way of outputting an image from Smoke. What options do we have, so we can get a 3D signal out?
I heard that Smoke for Mac doesn't support Dual SDI out. Is that right? Would it work to simply buy a converter from SDI to HDMI? Would I still get full res HD out then?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
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Jun 5, 2012
I have R3D footage which I imported in 2K. For a couple shots I need a higher resolution, so I matched out my original clip from my timeline, saved it to my library, double clicked and selected Modify Clip History, where I set my layering to full. I don't change anything else, however, now my In and Out TC are not correct anymore! Everything is fine, just until I hit the Modify Clip History and Apply the changes.
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Jan 31, 2013
If there is still an option somewhere where I can force my import to be frames and set duration to 5 or 10 frames like in 2012. or force a set of sequences o be imported as one clip.
Update: Found the frames option but no frame durations available. But no single clip available in case of importing multiple sequences or frames that need to be in a single sequence.
Currently dancing between Flame Premium 2013x2sp3/2013Sp4 nd Smoke on mac 2013Ext1
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May 17, 2013
I am trying to export a :30 spot and only :04 clips are exported.
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Sep 19, 2012
what does exactly mean the red line under a clip in the timeline ?
I noticed the clip with red timeline has red effect, but it doesn't seems to mean i have to render them.
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Mar 5, 2013
in paint module, when i do the 'wipe' , i only can wipe the single/current frame. I can't find the setting to wipe the whole clip. am i allowed to wipe the whole clip using a single click ?
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Dec 1, 2012
How to hide selected clips in timeline without turn off layer visibility (eye icon) ? i found no hotkey and also there's such option in contextual (RMB) menu.
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Jul 7, 2013
So I have a soft imported clip with cfx applied...right click consolidate handles...and it seems to work...
But then archiving gives a crazy size estimate so I checked handles again...it turns out the handles haven't been consolidated at all. Timeline says it has been consolidated but entering cfx and exiting again the handles come back.
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Dec 7, 2012
I need my audio to reverse with my video clip, doesn't seem like Smoke wants to do that or am I missing something?
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Nov 17, 2012
I got a clip in timeline, apply connect fx then cut the clip (ctrl-v). The problem i cannot uncut this clip immediately , even if i haven't changed/modified anything yet. The simple solver will be throw out one part and trim back the clip. I'm just curious .. Is this normal ?
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Jul 22, 2013
Kind of at my wits end with this software. Decided to give it a proper test on a job involving some wire removal and a bit of 3D comping. Every day brings hourly crashes, corrupted sequences, black frame renders, inability to archive projects, on and on. It's like every shot on this project is a minefield of troubleshooting and trying to find workarounds just to get a render complete. I'm spending easily an extra 20 hours a week just trying to overcome problems with the software.
Now I've got a sequence that I literally spent 4 hours on and just trying to open it brings smoke to a hard crash. Trying to make a cfx clip of the sequence takes half an hour to save so I've only been doing that once a day.
Smoke 2013 EXT1
iMac i7 3.4Ghz
NVIDIA GeForce GTX 680MX 2048 MB
32GB RAM
MAC OS X 10.8.3
Promise R6
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Oct 19, 2011
I'm trying to apply noise to a shot using the ReGrain effect. BUt it's not working....no matter what settings I try (e.g. custom and then playing with the sliders) I don't receive any effect.... is there anything I have to be beware of?
Or is there another way to apply noise to a clip?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
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Dec 6, 2012
When applying CFX to the clip it ignores resolution of the project and the time line and creates a resolution of the whole CFX based on clip.
In other words 1080 clip in 720 timeline creates CFX with 1080 out node, ( all action creates in 1080 swell) and only then send 1080 output to timeline where it applying resize soft effect. I know i can change resolution of action, but a can't change resolution of output node ( the las node that feeds output to timeline.) Is there an easy way to work around to feed lets say 720 to escape resizing in timeline.
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Feb 18, 2012
Is there a way to foce relink a clip when conforming an xml?
I have an xml based on 5d footage with no clip names that I need to relinked to graded dpx files. Using clip name and TC isn't working since the xml is looking for .mov etension. Using TC alone dosent work because each of the 5d clips start at :00.
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Jul 19, 2012
How to make the Clip play from last frame to first frame?
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Nov 29, 2012
when i select the clip in cfx schematic, how to tell which clip is it inside the timing editor ? there's only small thumbnail and this won't work when i got multiple sama clips on the cfx schematic, the thumbnail will look the same. There has to be a visual relationship between the two areas.
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Jul 7, 2012
I recently got a movie file from a client. This file is actually an edited video with straight cut edits. So I dragged this from the bin / media library onto the timeline and proceed to chop up the video according to where the cuts are using ctrl v, like how I usually do in premiere pro. I then selected one of the clips and added color correction to this clip. I found out that all the other clips were being color corrected as well.
I removed every thing and re-started from scratch using the source monitor to mark in and out for every cut. This time it worked properly with just the selected clip being color corrected. Is there any way I can do this like in premiere pro timeline with the razor blade but each clip becomes an individual one?
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Feb 15, 2012
I am usually in the position of taking an FCP edit, relinking it to the hires and putting it out for desktop computers to work on. So as part of this process after I relink, I match source out the clips, rename them from whatever A016_C015 name they have from the footage to our naming structure, something like plate_SC030 or something, and putting it back into the conform and saving the shots separately.
The annoying this is this name doesn't stick. If I match source it out again, old name. If i relink a new XML to this reel of renamed clips, all old names. This turns into a real problem when I get successive new versions of the cut and i would love to just relink to the renamed clips and see at a glance what the changes are between versions. Instead I'm stuck staring a timeline full of A00x_C00x.
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Nov 22, 2012
Why can't i commit the clip on desktop ? there's no 'commit' in the right click menu. To get this menu, i have to right- clicking the clip in timeline. So let say my clip in the desktop , first i have to drag it into timeline , or open it as sequence. Now in timeline , i commit the clip, then put back (drag) the clip into desktop. That's weird workflow... why can't i just do commit the clip in desktop so i don't need to go through that process ?
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