I have a batch which is combining various elements and then keying the thing over a bgnd.
I was wondering if I could get a matte and a fill from the batch, you know like Action can render a few outputs and puts them on the desktop?
Or with Batch do you have change the flow inside and render different passes seperately?
I haven't described it well. I basically want a matte and fill of my batch to import them into an Avid.
When you create multiple outputs in Action, where do the files go? I don't see them on the desktop...like smoke 2012.
View 9 Replies View Relatedhow can I copy a batch Fx Text, to other one, without changing the text file, in smoke 2012 ext2?
View 3 Replies View RelatedI did a bunch of test fixes on a low resolution version of a project. All using batch.
Now I have the full resolution versions of the clips.
I thought I could drop the Batch set-up onto the new clips and then do an Apply & Scale to the Action nodes inside Batch. But that doesn't seem to work. At least from what I can see, all my gmasks are in the place they'd be if the footage were still smaller?
I am testing 2013 on Mac and have come across a few issues
1. When I load a batch set up it losses all media
2. When I go to the Library and drop the Media over the Red empty frame it only gives me a still random frame, not the correct media. If I move the media in from the Library and re parent it it works fine (see screen shot colour_glass_line-4)
3. If you see in the schematic there is a funny warning triangle what is that? The Batch renders OK when all the Media is attached.
4. When moving media in from the Library in batch it is very easy to move it out of the folder to another not good.
It would seem that when I restore an old archive and enter the batch fx that all the media is correct, all tracking etc is correct but the keyer is inaccessible and all keys are defaulted to luminance of the input. I can't enter and edit them at all.
I also tried restoring to a new project which I setup with the legacy option selected. Am I missing something or is this not supported in pr4?
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedIs there any way that Smoke can see/output sub-blacks and super whites? Can't find any way of seeing them on my scope, Smoke just clamps everything. It won't even see anything below zero in order for me to make a correction on it, everything seems to be clamped on import. I'm using ProRes HQ footage.
View 9 Replies View RelatedWhat is the best plugin to do spline warps in smoke?(need something like the distort in flame) I notice revisionfx don't make a warper for smoke on mac.
View 7 Replies View RelatedI am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
Can Smoke support the OFX architecture?
View 1 Replies View RelatedDoes Smoke have selection functionality similar to that of Combustion? As an example, you might want to selectively blur part of an image. In Combustion, you would draw a selection and then apply an operator above the selection to achieve this. I don't see a similar selection tool function in Smoke, but I imagine you could achieve the same effect by duplicating a layer and using a Gmask via the Wipe timeline FX.does Smoke not have a selection tool similar to Combustion?
View 3 Replies View RelatedWhats the dealing with importing TWs to Smoke? I have a show that's 70% keyframed with timewarps and need a way other then baking the effect to bring it into Smoke. It's comming from FCP7 and we have Automatic Duck but neither the XMLs or AAF bring anything other then the first speed of the clip. Any way to retain the keyframes?
View 1 Replies View RelatedIs it possible to run Flame or Smoke over a VPN? I mean, is it possible to get a license over VPN?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
I tried Smoke 2013 PR2 on my MacBook Air 11".
It uses all the available RAM that is 4GB.
Same experience with Smoke 2012 on my MacBook pro 13"".
Is that normal?
I have RED footage which I exported as EXR. When I import them back in, they look exactly like the RED footage. But when I import the EXR in Fusion, export it back out, and then import that EXR into Smoke, it looks brighter, although I didn't change anything in Fusion. (when I compare the EXR from Smoke and the EXR from fusion in my finder on my desktop, they look exactly the same). So what is Smoke doing with the "foreign" exr on import?I was also playing with the LUT settings. I get a result which is close, but I need to be exact.
View 6 Replies View RelatedWhere do you set context in batch in the 2013 prerelease?
View 9 Replies View RelatedWhen I export a XML from FCP 7 all of my files come over and link but there is no video with my HDV files (1440 x 1080) all of my other files (Canon FX etc) come over fine.
View 9 Replies View RelatedWhat is the best way to downconvert 5D HD to SD?
I converted the h.264 files to uncompressed 10bit. Bringing in the footage and XML was fine, but as soon as I resize to PAL (the timeline was changed to PAL, as was the output on the AJA) the picture starts anti aliasing in detail areas. I have processed this with every filter in Smoke with no satisfactory result.
I am having issues for a long time regarding importing XML into smoke 2013. Will try and explain you in breif.
First When we try an import XML into smoke it just doesnt do anything, in the message history box it comes up saying FOUND 0 SOURCES.
Nothing gets imported at all. No footage is imported, nothing is shown in timeline as well.
Second For a different project when the XML does get imported, the videos get imported but then again nothing is coming up in the timeline and in the message history box we get the following error.
XML Validation Failed.
Cannot process unliked media.
we have checked all the import options to make this work, including max up level and the rest but nothing is working.
I must have changed a setting because today my interactivity in CFX has taken a hit, specifically when making Axis moves. The move doesnt register until after I have made a change in the Axis field.
I know there is a setting for this but cannot remember. Am not having the same issue grabbing Axis in viewer.
I'm currently trying to conform an XML from FCP 7 into Smoke 2012 (Linux). The issue I have is that the files I want to conform with are MFX, however the files used in the FCP timeline are PRORES, therefore have a '.mov' extension. This means the Smoke is not seeing the MXF files due to the extension & the only way around it I have found, is to edit all of the '.mov' extensions to '.mxf' extensions in the actual XML. This works well, but is a complete nightmare, particularly as I'll have to do this for 13 half hour episodes!!!!
I have tried all the different combinations of Filename, Timecode, Tape, etc, but none work due to other metadata issues from the filming of the footage to it being delivered to our edit suites!!!!
Any way of making the Smoke ignore the file extension?
When I render a project selecting an “HDV” setting, the result is corrupted. Only about 40% of the image height is displayed. The bottom 10% of the image is inverted to the top, followed by the next 30%, and the balance (the top of the image) is absent. (Audio is normal.) No difference whether I play these files on the PC or on a PS3.
I am using VideoStudio Pro X2. My source files are video only. I do not use transitions or titles.
I capture the video files with a Canon Vixia HF200. They are MTS files, ranging in size from 10MB to 300MB each. I download them to a Dell Dimension 4600 using a USB 2.0 port.
I create smart proxy files and I am able to edit them normally.
Project properties:
·Duration = 5 to 10 mins
·NTSC drop frame (29.97 fps)
·MPEG files
·24 bits, 720 x 480, 29.97 fps
·Lower Field First
·(DVD-NTSC), 16:9
·Video data rate: Variable (Max. 8000 kbps)
·LPCM Audio, 48000 Hz, Stereo
I am able to burn them to a DVD normally. Until sometime in March 2010, I also was able to create HD video files normally. Those old projects had the same properties as above. Those old files still play normally. But if I create a new HD video file now, it is corrupted.
Output format = “create video file,” and “HDV 720 – 30p”
Output Properties:
·MPEG files
·24 bits, 1280 x 720, 29.97 fps
·Frame-based
·(MPEG-2) (Transport stream), 16:9
·Video data rate: 18300 kbps
·Audio data rate: 384 kbps
·MPEG audio layer 2, 48 KHz, Stereo
Error Codes = none
This problem affects all “HDV” and “Blu-ray” output formats. Other output formats are OK. The files burn to DVD OK. (I have not tried burning a AVCHD disk lately.)
I downloaded and installed the latest version of DirectX using the link in one of the “Announcements” at the top of this board. This did not solve the problem. (In fact, now if I render a file using HDV 720-30p it does not show at all, and no audio.)
I downloaded and installed the patch for VS Pro X2. This did not solve the problem.
Can i remove the fx history ? for example i render a cfx clip. then i want to keep the render only and disconnect the relationship with its 'cfx history' . And is there any practical benefit of it ? You maybe will ask me : 'why do you wanna do it?' , my answer is " i don't know man, it just came across my mind .
View 3 Replies View RelatedGetting a depth of field result in Smoke 2012. A tutorial on this would be really beneficial for a new comer like me.
View 9 Replies View RelatedAll of a sudden, I'm unable to scroll through clips with real time feedback. Did I turn on some preference?
Also, I've noticed that when I'm in Action, I don't get realtime feedback going to the broadcast monitor, but rather the image catches up upon pen up. I don't see anything about it in the options in Action or global preferences.
When applying CFX to the clip it ignores resolution of the project and the time line and creates a resolution of the whole CFX based on clip.
In other words 1080 clip in 720 timeline creates CFX with 1080 out node, ( all action creates in 1080 swell) and only then send 1080 output to timeline where it applying resize soft effect. I know i can change resolution of action, but a can't change resolution of output node ( the las node that feeds output to timeline.) Is there an easy way to work around to feed lets say 720 to escape resizing in timeline.
I'm on 2012 SP3. I'm able to import and work with ProRes 422 just fine. But when I go to output and choose Quicktime, no ProRes options appear. Do I have to set this up somehow?
View 1 Replies View RelatedI'm doing far too many inadvertent moves/deletes/copies, simply by clicking pen for menu to appear, only for it to commit to whatever the pen position was at. This happening in the library area is no fun at all....not sure what the answer is really! but it's not ideal....
View 9 Replies View RelatedI just want to import some media (and do a conform) via the network. I can see everything, but it won't connect. I also don't get any error messages. I already restarted all components and they all show a green status. I don't know what else to do....
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Is there a way to access the timeline within CFX ( much like in Flame ) ? I see the timing button but this doesn't seem to have the same control as a timeline for a specific clip.
Also, is there a way other then "explode one" or "explode all" to go within a CFX within a CFX ( pre comp ) ? i.e. a setup that is then put within the BG of action.
