I'm trying to select blue text antialiased against a yellow background, then display it against an orange background. I've tried various combinations of making an antialiased selection with the magic wand and then using the defringe command, but the result never turns out well.
Since the colors are fairly pure, is there some clever way to use the channel mixer or something to subtract out the yellow layer from the blue?
Is there a defringing option in ACR in PS CC?
View 1 Replies View RelatedI have noticed that when I create animations in Photoshop/ImageReady they have this tattered white fringe around them. It shows up really bad when I display them against a white background.
Is there any way that I can defringe my animations? I know this can be done in Photoshop, however, in ImageReady there is no defringe feature. More accurately quoted, "If there is one it is not in the same location as Photoshop's."
Thin black branches against a blue sky are always problematic. Problematic for Lightroom, that is. The jpegs straight out of my D5100 totally eliminate all CA and purple fringing, so I know it can be done. It's just that no matter how I play with the "Defringe" sliders I cannot eliminate the bluish case on the branches. I go back and forth between my attempts in LR4.4 to my jpeg of the same scene and the jpeg handles it perfectly.
"Remove Chromatic Aberration" box is checked. Is it maybe a fact of life that Lightroom 4.4 just doesn't handle nefs as well as maybe Canon raws?
My workflow is such that I have to work on a ton of images at one time, so I have a "prest upon import" set up. Then I export as tiffs. So I'd like to keep all the tweaking in Lightroom for efficiency's sake. Very few of my images actually have this "problem" but in a video tutorial on the use of these sliders the commentator mentioned that the submittal of images to a client (magazine, whatever) requires that all CA/defringing to be totally done or you'd look like an amateur. All his video did was get close, just like my attempts just get me closer but nowhere as good as the SOOC jpegs do.
I have been continually annoyed, when creating a vector mask-heavy document, with trying to select vector mask points by dragging a rectangle only to find that it instead selects a layer higher up which has a larger vector mask.
The only workaround is to manually select the points of my mask or to drag a rectangle from outside the canvas, meaning I have to zoom out or scroll to the edge - sometimes annoying if I am zoomed in quite far.
I know that the move tool can be set to automatically select a layer, depending on what part of the image is clicked, but why is there not an option to turn this off for vector editing?
If you look closely in the attached picture, there is a spot of light blue on the player's helmet, that looks like a mistake (think it should look like the grass behind it)...though it actually may be part of his helmet.
Regardless, I'd like to take it out. My idea was to select the blue with the quick selection tool, then bring that selection out to the grass, select the grass with that size/shape of selection, copy/paste and then bring the grass selection into the blue part so it looks like grass in what was the blue part.
The problem is I don't seem to be able to move the selection without taking the blue with it (so it's not an empty selection and therefore can't select a piece of the grass.)
I have Photoshop CS5 on a Mac OS 10.7.4 My problem is that when I am using curves or a slider, my selection does not stay in the same place. For example, I chose the number 8 on a slider, after I release my selection it will either go one number after or before my selected number. I have had this problem since I got my computer, December 2011, but it has only recently started to frustrated me because of having to use Photoshop a little more than I usually do.
View 2 Replies View Relatedhow to "drop out" the background from this photo (I have loads to do which are very similar). Thus far I have tried channel selections and the calculations tool + all the normal quick selection tools and I just cant get it to work without spending hours adjusting things. The end effect I need to achieve is a perfect white background without loosing any of the detail if possible. On a side note I have also tried taking the photo on blue, green, black and white backgrounds but due to the number of colours present in the products its just not working for me.
View 5 Replies View RelatedUsing photoshop, how do you make a selection out of a text and expand the selection?
View 4 Replies View RelatedI am trying to cut a person out of a picture with a deatiled background so I am using the quickmask selection and paint brush. I'm done selecting the person and have gone back into normal editing mode. I then inversed the selection created within quickmask to select everything but the person in the background. When I click delete, the background vanishes and the person become opaque.
View 3 Replies View RelatedIf I have mad a selection with say an ellipse marque, of say 100px and now I want to fether that same selection outwards, ie to start the feather 10 px outward of the 100px selection so that the 100th px has a 100% transparency and the 110th px has a transparency of zero,thus making the new selection 110px, how could I go about doing it. With the current feathering of the selection, it feathers only in the marquee already selected, not outward, and you cannot place negative feathering px. I know that there is most likely some sort of a ration where you would expand the selection by a certain amount of px, and then apply a ratio of feathering to it to enalble it to feather outside of the 100px marquee.
View 3 Replies View RelatedWhen I pasted a selection made with the Marquee tool there is a transform grid around the pasted selection. I use a MAC and Photoshop CS6 and would like to deactive a feature for this automatic grid, if there is one.
View 3 Replies View RelatedWhen I select a hatch or polyline or any object with grips for that matter, and hold down shift to select multiple grips on the object or objects and then press my middle mouse button to pan or scroll it to zoom, the grips that I have selected de-select, meaning I have to set up the view so that all the grips I want to move are visible before selecting them.
This is only happening on some drawings (although it is most of them) and only when I use 2012 not 2011. Which system variable it is that has gone screwy that I need to reset? or is it something else?
I have a flexible sub-assembly in my top assembly. Sometiems I'm trying to demonstrate to others how a mechanism in the sub-assembly works using this flexibility feature. It works great, but when I move just one little part of a flexible assembly, Inventor displays the wire-mesh of the entire flexible assembly, because technically the entire assembly is selected, even though I'm only moving one part. It clutters up the screen very badly, detracting from what I'm trying to show.
Is there a way to prevent Inventor from displaying the selection lines? Either only when I'm moving a part in a flexible assembly (which would be great), or to just turn them off completely when I'm presenting like this? I know I can turn off pre-select, but that doesn't work, because once I start moving a part in the flexible assembly, the assembly is "selected" and the wire-mesh displays.
When creating a selection Command using the PromptXXXOptions and PromptXXXResult. The entities are selected on the current view, but once the selection ends the entities return to an unselected state.
Is it possible to leave them in selection mode.
I want to this, because it will be better to use Editor.SelectImplied() instead of saving the last selection object Ids.
I've created a lisp that draws the boltholes of a pipe flanges, using the correct number of holes, at the correct diameter at the correct bolt-hole diameter and then rotates. Everything works seamlessly, when i do just one flange. But I've discovered that fewuently there will be mulitple times when a user will have to perform the command.
So the idea I had was to do the following:
Select all circles with (setq CirclesFirst (ssget "X" (list (cons 0 "CIRCLE"))))
Go through the code to create the new circles.
Select all circles with (setq Circles (ssget "X" (list (cons 0 "CIRCLE"))))
Remove selection set "CirclesFirst" from "Circles".
But what for some reason (command "_.select" Circles "R" CirclesFirst "") does not work.
Right after one makes a selection, say by using the Rectangle SelectTool, is presented with handles that allow altering the selection.
If one then selects another tool without deselecting is being deprivedof these handles while the selection remains active thus rendering himunable to alter the selection in that fashion.
Thus forming my question: is there a way to make these handles to(re-)appear on a non-freshly created selection?
I am using Revit Arch 2011 and it is more natural for me to use shift to add to a selection and control to subtract from a selection. Can this be changed and how?
View 1 Replies View RelatedThe problem is that it's only loading the outline of my path as the selection. All the inner areas aren't included, and I want to chop them out as well
View 26 Replies View RelatedWhen I use the square selection tool, the selection edges are rounded rather than square. I can't remember how to rset this.
How do you make the edges square by default?
The Width of Selection box in the Selection Tool Inof Bar does not seem to add in the width of any line thickness. If I make a rectangle that is 500 x 250, the box correctly reflects the size. If I change line width to 16, the box still shows 500 x 250. It is a problem upon export when the exported file does include the line widths, in this case it adds a total of 16 pix (8 each side) with a resultant export not equal to the displayed width. WordPress seems dogmatic about certain widths an exact width is useful.
I suppose I can add the labor of calculating line widths to meet exact export dimensions but I do not remember doing this in previous editions. I'm thinking there is a buried setting that I have changed. Is there such a setting to account for the discrepancy?
I know how to blend selection edges of a selection in Gimp 2.8.2, but if I have only one side of a selection that needs blending, what should I do?
Lets say that I have a grey box on a black background and only want to blend the left vertical edge into the background.
Every time I make the second selection in a picture with the lazo the first selection disappear. what can I do to fix it?
View 8 Replies View RelatedThis morning, my Selection Tool (the filled-in arrow) is acting like a Direct Selection Tool (the hollow arrow), but only when I click and drag on a group. It ends up select the anchors within the group rather than the whole group itself.
I've checked my preferences, quit and relaunched Illustrator a few times, and nothing seems to fix it. The problem briefly went away a few minutes ago, but came back when I quit and relaunched for good measure.
It's happening in Illustrator CS 5.1. I have CS6, and that version works fine, but I'm waiting on some plugins to be updated for it, so I'd like to use CS 5.1. I'm also running the latest Suitcase Fusion 4.
Using the selection tool i should be able tp reduce or shrink the size of the box or an image as a whole without changing the format. Iam not able to do that. I think i disabled something in my illustrator.
View 2 Replies View Relatedthere was this usefull shortcut in CS, but now i can't seem to find it in CS2
I use to press control + click on the layer and it would select what ever i had on my layer, where is that option now in CS2?
I have a picture consisting of a number of layers and I want to change the colour of most of the layers how do I do it without flattening the image.
I thought I could just link the layers together but when I do? that the Image Adjustments are greyed out.
Im using PS7, i make cd covers for bootlegs and i have to writte a line on the spine of the cover, but when i enter the text and drag the selection it snaps to the corner and not exactly to where i want it.
View 4 Replies View RelatedI've seen interesting pictures where an area is selected and somehow altered (e.g., a color photo with a selected bw area). This is easy and even I could do it: what I am unable to do (and it has often very beautiful effects) is to give the selected area a 3D effect (shadows and all) so that it stands out from the rest of the picture.
View 2 Replies View RelatedNot knowing what I was doing, I very carefully used the brush tool to paint a 'selection'. Except, I guess a brush tool cannot create a selection.
Is there some way to add the painted area to a mask so I can increase the vibrance of the area which I have painted over?
I have my selection made and saved around this apple in the center of the picture.What I want to do is, put a crumpled paper texture on the apple and make it look like its made of a pice of crumpled paper. Also i want to make the selection colord and the rest of the picture black and white. How do i do this?
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