This has been bugging me for a while, and have not seen anything to help me out, but is it possible to import vector art (aka ai files) into the path layer? I know you can export the path into an ai file, and you can raster an ai file when you open it, but would like to be able to import vector art as a working path in photoshop...
View 2 RepliesCan you move a path from one vector to another?
View 8 Replies View RelatedI've created a hand drawn vector in Adobe Ideas and imported it into Illustrator CC. I've used a basic example below to test this method, but I want to be creating more complex hand drawn vectors in the near future. You can see the same line in the 3 images below. The third image shows a close up of the line where it's surrounded by 2 paths. Any way that I can merge the 2 paths in the third image into 1 path?
View 7 Replies View Relatedwhy can't I directly import an illustrator cs2 file into macromedia fireworks mx or macromedia fireworks 8, or save the document as a illustrator 8 file and import that? (which is what fireworks says to do) It frustrates me that I can;t import them as a vector unless I import/place the file in phtoshop cs2 as a smart image then save that as a new document, them importing that into fireworks.Is there something I am doing wrong? Or is there a special way to import other vector ....
View 1 Replies View RelatedWith PSP X6 is it possible to import the PATHS that are inside a PSD file onto their own vector layer inside PSP?
The raster layers from the PSD file come through fine.
I have a vector drawing of a logo, currently in adobe illustrator format. I'd like to create a 2D sketch in Autodesk Inventor and then insert this drawing into the sketch as a shape that can only be placed and scaled.
The way I'd expect this to work is essentially that I'd get a rectangle X enclosing vector object Y, and that I'd then be able to create a fully constrained Inventor sketch by simply constraining the corners of this rectangle X. Is it possible to do something along those lines, and if so what is the best practice for it?Â
What I tried, which failed, was this:
1. Converted the AI file to a .DWG file
2. Used the "Insert ACAD" command to place the file in Inventor with the Constrain End Points and Apply geometric constraints boxes checked (other boxes were unchecked)
3. Waited for a surprisingly long time for this operation to complete, maybe 30s on a 16GB 2.6GHz quad machineÂ
The result of this operation is that I now see my imported geometry, BUT all vectors are treated as individual shapes and I have 2637 dimensions needed.
What I am trying to do is importing a CorelDraw file into Inventor and extruding a few features. The point is to mimic a silkscreen file on metal work. My work process has been as such: create the file in CorelDraw and change all lines/shapes to curves. Save the complete CorelDraw as a dwg. Open the dwg in Inventor and copy and paste the sketch into a new part in Inventor. This process seems to work for simple parts. As soon as there is text and more complicated features there is alot of points which slows my computer down and makes it impossible to do anything. Any way to auto-reduce points in a sketch or have a better way of importing vector files into Inventor? I have tried importing the text as text instead of curves but it does not transfer correctly.
View 9 Replies View RelatedI want to take two 3D views from (autodesk) Revit Architecture 2012 to Illustrator CS5 and then make use of the live paint bucket tool*. I've printed the two 3D views into pdf files and imported them in Illustrator**. When I select the whole image in Illustrator and then click with the Live Paint Bucket tool on the drawing to modify the drawing so I can color the surfaces, Illustrator gives me the following error:
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"The selection contains objects that cannot be converted. Live Paint groups can only contain paths and compound paths. Clipping paths are not allowed."
Exporting images (jpg, png and tiff) from Revit results in the same error. Is there a way to easily convert my vector drawing into a non-clipping paths drawing? Also I'm not sure if the problem should be found in either Revit or Illustrator. What's also strange is that I'm using a tutorial provided by my university, in which there are no issues with clipping paths or anything.
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* This in order to make an conceptual image of my building, which I've modeled in Revit. I want to add basic colors to surfaces in Illustrator and then take the image to Photoshop to add shadow, materials, sky etc.
** They only consist of lines, using the 'hidden line' visual style in my views in Revit, in case you know a bit of Revit.
When I drag around vector points of paths they are not constrained to the pixel grid, when the option "Snap Vector Tools and Transform to Pixel Grid" is off. This is the behavior I expect.BUT: When I drag whole paths, they snap to the pixel grid, no matter what. I even have snapping completely disabled.
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This is particularly annoying when eg. creating a path for a zipper. I first make a path for the inside of the jacket or whatever, then I make one notch for the zipper and copy it over and over again for all the notches. It's very troubling when these elements snap to the pixel grid, because it's very unprecise then.
I want to join two paths to create a shape that I can fill but at the same time retain one of the original paths (the red one in the image below). I can copy the path I want to retain but surely there is a more elegant solution. See below for for an illustration:
View 6 Replies View RelatedCannot lock other paths/unlock all paths in symbols?
View 8 Replies View RelatedI am making myself a logo in photoshop. I have made all the letters that will be used, but they are all seperate entities as most of you who have used vectors know. I would like to interconnect the letters, as well as an angel I have made to go above the letters. My question is, how can I join two seperate vector images into one vector image. For example, joining a letter E with a letter D. I wonder if theres a way to do this without having to delete part of each image and then re-draw, which is a pain. Sorry if this isn't really clear, but its hard to explain.
View 4 Replies View RelatedIs this possible? I'm in Windows, Photoshop 7.0. I also have a pretty early version of Illustrator, not sure which one.
View 3 Replies View RelatedWhen I save my photoshop file as an .eps, I can have all the text from the Photoshop file remain vector, but a Vector Smart Object does not remain vector. Is there a way to have it remain vector?
View 15 Replies View RelatedI am having trouble doing this in my current software, Serif Drawplus, PSE, Photoplus, (I have Gimp but haven't used it ever yet). And I am considering buying X6 for use in other projects. So, can x6 do this in either Photo Paint with a bitmap, or in X6 with a group of Vectors?
I want to wrap a bottle with a logo. The mesh warps aren't working for me in the above applications, and envelope warping will not work either. Transform-Warp is not present in PSE. I mention that because I see a tutorial for PS using that. How would Corel X6 Suite do this? I am considering buying the software once some questions I have about it are cleared up. I wish Corel would make the manual and tutorial videos public. I'd rather download the trial for actually using it rather than trying to see if some feature is present, or a workaround for a feature a competitor has.
I am also hoping to make in this project, some 10-20 different bottles with the logo on, of different sized bottles and different rotations of the bottles. Plan D is acquainting myself with Blender, but lets hope I don't have to go that far!
I am "vector tracing" a logo in PSP, and exporting it to Motionstudio 3D for an explosion effect. I am currently able to do this with no issue, but the explosion effect (specifically the size and shape of the particles) is based on connecting the nodes in a vector object. For example, if I have a capital L made up of 10 nodes, the subsequent explosion effect with separate the L into particles based on the 10 nodes. What I want to do is have the various nodes that comprise the traced letter connect with constituent nodes in the center/surface-area of the letter to form a "grid" (in PSP) so that the subsequent explosion (after export to Motionstudio) is comprised of more/smaller particles. Is there a way of not only having a vector object with "fill", but also having that "fill" made up of other vector data?
View 5 Replies View RelatedI have pasted a vector graphic from AI CS3 to PSP CS3 as SmartObject. Is it possible to use this vector graphic (without rasterizing) as the vector layer mask? If so, how to do this?
View 2 Replies View RelatedI've been using Illustrator since the late 80's but this request just now came up for the first time, twice in one day: the clients each want me to send them layered files (OK-no problem) wherein all the layers, even the raster layers, register as vector layers. Or at least all the layers, regardless of file-type (vector or raster) are contained within an unflattened Illustrator file. One of the clients specifically asked that the Type layer (No problem-all the type is on one layer) be "vector mapped", whatever that means, while all the other layers can be Photoshop layers, if necessary. So how do I hand them an open, unflattened Illustrator file containing both vector art and raster art? Can it be done in Acrobat, as a PDF? I'm working in AI and PS CS5, but I can and will upgrade if I have to.
View 4 Replies View RelatedI'll omit the long background --- suffice it to say I did this once and need to do it again, but can't recall the toolchain / workflow I used.
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I _think_ it was Macromedia FreeHand 8, and that I used a plug-in w/in that program, but I can't recall. Any way other than rendering the drawing as a half-toned bitmap and then tracing it? Or re-drawing the image on top of such a bitmap?
Since upgrading to Photoshop CS, if I try to make a selection from a complex path, only the outer perimeter of the path selects. Any interior "holes" are ignored. I'm not sure if this is a bug or just something new that I've missed. I've been working with photoshop paths for as long as they've existed, but this has me utterly baffled.
View 4 Replies View RelatedI'm trying to make some eyelashes using the pen tool. When I click on stroke path the only thing that seem to get the foreground colour are the anchor points.
View 2 Replies View RelatedCan you convert a path into a line? Like I've got a line drawn with the pen, is there anyway I can just convert that into an actual line?
View 1 Replies View RelatedCS4- I see my beautiful path on the path layer, and as a newbie what I think I want to do is to use it on a shape layer. How do I do that? Do I have to save it as a custom shape first?
View 5 Replies View RelatedWe are finding that paths are not following when saving a PSD as a PNG file. We have tried with and without compression, interlaced and not. This was not an issue on CS5, but seems to be on CS6.
How to fix it without reverting to workflow on CS5 or pulling over the paths from the PSD after creating the PNG by hand?
I started creating a path, but I somehow interrupt the process and now I don't know how to continue. Whenever I try create new point I create a new path, but I want to continue with making my original (unfinished) path.
View 3 Replies View RelatedI've recently started using Photoshop CS5. For some reason when I select a path and hit command T to transform it, it doesn't work. The transform ignores that I have the path selected and trys to transform whichever layer is active.
Mac OSX 10.6.8
Photoshop 12.1 x64
This letter can do with paths?How to do it with photoshop cs6?
Photoshop cs6+ windows 7
How do i select a path in an action when the paths of the multiple files have different names ? Now the action is interrupted because it cannot select the path due to its name.
View 4 Replies View Relatedcan I merge 2 paths together?
View 2 Replies View RelatedI am trying to create a logo that incorporates a circle and a picture of a dog.
Now I want to acheive a look where the dogs legs are hanging over one part of the circle but the circle is covering the rest of his body as though he had put his head througha hole in the wall.
I have been trying to acheive this with clipping paths but I can't see how to recreate the smooth lines of the original circle.
In some tutorials they make selections and store them into a channel. In others they use the pen tool and store the selection as a path.
Are these two ways or doing the same thing or they have different uses?
What are the pros and cons of each one?