I've been trying but I keep getting an error message that reads "Every Clip was Discarded: Max Depth:1"
I know the VTR is working because I was able to capture in Smoke.
Laying out multiple clips to tape from smoke 2013 (maybe in excess of 20 - 30 clips at one time) without having to 'ctrl/click' on each clip individually. In every previous edition of smoke I would be able to go to media library, highlight the folder with all the clips in and press 'output' and all clips would be taken to I/O menu. This is a must for multiple playouts to tape which some of us still have to do on a regular basis. AND don't get me started on having to re-timecode every clip individually because someone thought it a good idea to remove the 'step' (increment) timecode button.
And why if i use smoke2013 without the mac menu at the top do I not have an 'Output to' or 'Capture from' VTR menu.
I'm inside cfx where at the end of my network , i attach resize and set bit depth to 10 bit. Then i create a cfx node. The cfx node now cannot be rendered. After finish rendering, it will be back to unrendered state. The project setting itself is set to 16 bit fp. If i set that resize using the same 16 bit , then cfx clip has no problem.
View 4 Replies View RelatedI've been away from the forum for awhile. Does the final release output to tape reliably?
View 1 Replies View RelatedI recently switched from AJA K3 to a BMD Decklink HD Extreme.
Initial testing went reasonably well - working at 1080psf23.98 - output was solid, tape layoffs and captures were frame accurate on short tests.
I'm finishing up a long form 48 minute show, and the audio sync drifts over the course of the layoff. It's about 1 frame per 10 min of content.
By 47:30+00, my audio is 5 frames early during Tape Output - a sync pop is at 47:29+19 - but picture is spot on. Usually I'm working in short form TVCs, so I may have never noticed this - but it's definitely a problem for longer work.
To hit my delivery, I exported a ProRes QT, and laid off from FCP - kind of humiliating to have to depend on FCP for tape workflows.
I also had problems batch capturing from 1080i tape - it could do individual clips if I manually set ins and outs, but Batch Capture never cued up properly in 1080i - it kept rolling back and forth over the cue point, tried 10 times, then gives it up.
I've done this a hundred times with the AJA card and never had a problem - but the BMD is not nearly as solid... (Also performed the Batch Capture in FCP without issues - so the hardware and BMD software seem to be working fine - but not with Smoke.)
Using 2013 Ext 1, BMD 9.7.2, OS 10.8.5, MacPro Tower
SmokeUser since 2012
MacPro w/ K3
32 GB RAM
CalDigit HdPro2 RAID
Getting a depth of field result in Smoke 2012. A tutorial on this would be really beneficial for a new comer like me.
View 9 Replies View RelatedI'm looking at how depth of field works in Smoke Advanced 2012. Specifically, all in Smoke, ie generating a 3D caption and creating DoF in one BFX.
So this is the workflow I'm thinking...
I've made 3 captions in an Action node
I've created a Z-depth output
While looking at this I'm tweaking the camera clipping to get varying shades of grey.
1) In snapshot 6 I'm looking at standard output but the 'Far' caption is getting clipped even though it's inside the clipping range.
2)In Snapshot 8 you can see the connections in BFX, but there are severe artifacts on the defocus.
I couldn't find one of Grant's excellent blogs on this, only on scenes sourced from another system. Is there one?
I have a bunch of shots in which I have to place layers of smoke in z-depth. I found out that there is a plugin system for Nuke called YUVSOFT which does this but the company will not release their plugins for small market jobs. The depth maps don't have to be anything special or perfect. I just don't want to have to spend days and days rotoing out a 30 or 40 layers per shot with Mocha. Will the Motion Analysis node create the vectors to assist in depth map creation?
View 3 Replies View RelatedWhen setting up a new project, I'm unable to change the bit depth for the project. It's set to 8-bit and ghosted. The graphics render button has a selector but when clicked it doesn't bring up the drop down.
My guess is that it has something to do with my hardware configuration (read: I need to upgrade my GPU) .
we are undergoing on an project with architectural walkthrough, we want to use depth of filed in the running walkthrough.
we rendered z depth file from max and output too for depth of filed process.but, we are now enable to get the effect of z dept in smoke 2013.
how to get an output using depth of filed or anything else..
its our running project so pls urgently provide feedback unless we have to composite through aftereffects only.
1. I put a clip in a timeline , then i put a cfx clip on top of the first clip. Add axis clip to cfx clip, set transparancy to 100% (fully transparent) , when hit render , this cfx is still calculated.
2. if i have stack of cfx clips, the clips are solid (no matte or transparancy ). one clip is on top of the other. In the top layer , i add a axis fx and cut a very small hole. We can see even a very small hole ( that will exposed small part of the bg ) will trigger smoke to render both of the clip full frame. Actually i only will see small part of the BG so i'm expecting smoke to render only that visible pixel. How to control this ? In some case i will waste my time waiting smoke to render part that i don't need.
All of a sudden, I'm unable to scroll through clips with real time feedback. Did I turn on some preference?
Also, I've noticed that when I'm in Action, I don't get realtime feedback going to the broadcast monitor, but rather the image catches up upon pen up. I don't see anything about it in the options in Action or global preferences.
is there a way to put a LUT on a clip, without having to 'bake' (process) it? So I can turn it on and off?
Our process is:
import R3E Raw files with User Settings in Red Log (so the image looks flat, with most color information).
then turn on a Display LUT (which settings would I use here?)
then do the color correction with the LUT on and after I'm finished, turn the LUT of and then export a dpx 10 Bit sequence to the vfx department, so they can work with it (in fusion).
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
I just started playing around with Smoke 2013. I played around with the CFX and did some keying. Now, on the timeline, I have a clip with CFXa and an axis effect. Now I thought, that it should be a container, and that I could simply double click the clip, step into the container and copy out the matte. But that doesn't work anymore, since double clicking now enters the editor again.
So, how can I access the matte (and how can I step into the container)?
Oh, and now that the unrendered clip is on the timeline, I only get the message Unrendered Frame. Obviously Smoke can't play back an unrendered clip, but why doesn't it at least show the frame I'm parked on? And also, I started rendering, but it took forever, so I stopped after 10 min. In Smoke 2012 it rendered at least partially, but now I still only have a dotted line......
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Tell me that I'm wrong on this but with the new CFX clip in SP3, it looks like you can't update the original CFX Clip and have it update/link to all shots where it is placed. It would be so perfect. Now it is just another "fancy" way to copy&paste comps?
View 6 Replies View RelatedIs there a way to remove/delete the history from a rendered clip, other than re-rendering the clip without history enabled? Flame has a desktop function that can delete the history from an entire desktop (which would be convenient in my case here on Smoke 2012).
View 2 Replies View RelatedIs there any short cut for moving the clip from one track to other(above or below track)?
like we have in FCP.
can i clone (not copy) cfx clip ? so any update made to the cfx clip will automatically update all the instance ?
View 2 Replies View RelatedI created a stereoscopic timeline in Smoke. That seems to work so far, but now I want to output it in full resolution on a 3D TV (Samsung). The TV only supports HDMI in.
I'm working on a Smoke for Mac 2012 with a NVIDIA Quadro 4000 (which has 1xDVI and 2x Display Ports). And we have the AJA Kona 3G (SDI out and mini HDMI). We have a reference monitor which is connected via SDI and that works.
We tried to connect the Mac via mini HDMI to HDMI. We did get a signal from Final Cut Pro, but we didn't get a signal out of Smoke.
I tried all kinds of settings, but there is no way of outputting an image from Smoke. What options do we have, so we can get a 3D signal out?
I heard that Smoke for Mac doesn't support Dual SDI out. Is that right? Would it work to simply buy a converter from SDI to HDMI? Would I still get full res HD out then?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
I have R3D footage which I imported in 2K. For a couple shots I need a higher resolution, so I matched out my original clip from my timeline, saved it to my library, double clicked and selected Modify Clip History, where I set my layering to full. I don't change anything else, however, now my In and Out TC are not correct anymore! Everything is fine, just until I hit the Modify Clip History and Apply the changes.
View 5 Replies View RelatedIf there is still an option somewhere where I can force my import to be frames and set duration to 5 or 10 frames like in 2012. or force a set of sequences o be imported as one clip.
Update: Found the frames option but no frame durations available. But no single clip available in case of importing multiple sequences or frames that need to be in a single sequence.
Currently dancing between Flame Premium 2013x2sp3/2013Sp4 nd Smoke on mac 2013Ext1
I am trying to export a :30 spot and only :04 clips are exported.
View 1 Replies View Relatedwhat does exactly mean the red line under a clip in the timeline ?
I noticed the clip with red timeline has red effect, but it doesn't seems to mean i have to render them.
in paint module, when i do the 'wipe' , i only can wipe the single/current frame. I can't find the setting to wipe the whole clip. am i allowed to wipe the whole clip using a single click ?
View 1 Replies View RelatedHow to hide selected clips in timeline without turn off layer visibility (eye icon) ? i found no hotkey and also there's such option in contextual (RMB) menu.
View 1 Replies View RelatedSo I have a soft imported clip with cfx applied...right click consolidate handles...and it seems to work...
But then archiving gives a crazy size estimate so I checked handles again...it turns out the handles haven't been consolidated at all. Timeline says it has been consolidated but entering cfx and exiting again the handles come back.
I need my audio to reverse with my video clip, doesn't seem like Smoke wants to do that or am I missing something?
View 4 Replies View RelatedI got a clip in timeline, apply connect fx then cut the clip (ctrl-v). The problem i cannot uncut this clip immediately , even if i haven't changed/modified anything yet. The simple solver will be throw out one part and trim back the clip. I'm just curious .. Is this normal ?
View 2 Replies View RelatedKind of at my wits end with this software. Decided to give it a proper test on a job involving some wire removal and a bit of 3D comping. Every day brings hourly crashes, corrupted sequences, black frame renders, inability to archive projects, on and on. It's like every shot on this project is a minefield of troubleshooting and trying to find workarounds just to get a render complete. I'm spending easily an extra 20 hours a week just trying to overcome problems with the software.
Now I've got a sequence that I literally spent 4 hours on and just trying to open it brings smoke to a hard crash. Trying to make a cfx clip of the sequence takes half an hour to save so I've only been doing that once a day.
Smoke 2013 EXT1
iMac i7 3.4Ghz
NVIDIA GeForce GTX 680MX 2048 MB
32GB RAM
MAC OS X 10.8.3
Promise R6
I'm trying to apply noise to a shot using the ReGrain effect. BUt it's not working....no matter what settings I try (e.g. custom and then playing with the sliders) I don't receive any effect.... is there anything I have to be beware of?
Or is there another way to apply noise to a clip?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Is there a way to foce relink a clip when conforming an xml?
I have an xml based on 5d footage with no clip names that I need to relinked to graded dpx files. Using clip name and TC isn't working since the xml is looking for .mov etension. Using TC alone dosent work because each of the 5d clips start at :00.